Fyodor Dostoevsky (1821–1881)
Autore di Delitto e castigo
Sull'Autore
One of the most powerful and significant authors in all modern fiction, Fyodor Dostoevsky was the son of a harsh and domineering army surgeon who was murdered by his own serfs (slaves), an event that was extremely important in shaping Dostoevsky's view of social and economic issues. He studied to mostra altro be an engineer and began work as a draftsman. However, his first novel, Poor Folk (1846), was so well received that he abandoned engineering for writing. In 1849, Dostoevsky was arrested for being a part of a revolutionary group that owned an illegal printing press. He was sentenced to be executed, but the sentence was changed at the last minute, and he was sent to a prison camp in Siberia instead. By the time he was released in 1854, he had become a devout believer in both Christianity and Russia - although not in its ruler, the Czar. During the 1860's, Dostoevsky's personal life was in constant turmoil as the result of financial problems, a gambling addiction, and the deaths of his wife and brother. His second marriage in 1887 provided him with a stable home life and personal contentment, and during the years that followed he produced his great novels: Crime and Punishment (1886), the story of Rodya Raskolnikov, who kills two old women in the belief that he is beyond the bounds of good and evil; The Idiots (1868), the story of an epileptic who tragically affects the lives of those around him; The Possessed (1872), the story of the effect of revolutionary thought on the members of one Russian community; A Raw Youth (1875), which focuses on the disintegration and decay of family relationships and life; and The Brothers Karamazov (1880), which centers on the murder of Fyodor Karamazov and the effect the murder has on each of his four sons. These works have placed Dostoevsky in the front rank of the world's great novelists. Dostoevsky was an innovator, bringing new depth and meaning to the psychological novel and combining realism and philosophical speculation in his complex studies of the human condition. (Bowker Author Biography) mostra meno
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Notes from Underground; White Nights; The Dream of a Ridiculous Man; and: White Nights Dream Ridiculous Man and… (1961) 812 copie
Three Short Novels of Dostoevsky: The Double, Notes From the Underground, The Eternal Husband (1946) 327 copie
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Notes from Underground & Other Stories (Wordsworth Classics) (English and Russian Edition) (1961) 91 copie
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o adolecente 1 copia
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Etichette
Informazioni generali
- Nome legale
- Достоевский, Фёдор Михайлович
- Data di nascita
- 1821-11-11
- Data di morte
- 1881-02-09
- Luogo di sepoltura
- Tikhvin Cemetery, Alexander Nevsky Monastery , Saint Petersburg, Russia
- Sesso
- male
- Nazionalità
- Rusland
- Nazione (per mappa)
- Russia
- Luogo di nascita
- Moskou, Rusland
- Luogo di morte
- Sint-Petersburg, Rusland
- Luogo di residenza
- Moscow, Russia
St. Petersburg, Russia
Siberia, Russia
Tver, Russia - Istruzione
- Saint Petersburg Academy of Military Engineering
- Attività lavorative
- journalist
novelist
short-story writer - Relazioni
- Dostoevskaja, Ljubov Fedorovna (daughter)
Dostoevsky, Anna (wife) - Breve biografia
- Fyodor Mikhailovich Dostoevsky Russian: 11 November 1821 – 9 February 1881, sometimes transliterated Dostoyevsky, was a Russian novelist, short story writer, essayist and journalist. Dostoevsky's literary works explore human psychology in the troubled political, social, and spiritual atmospheres of 19th-century Russia, and engage with a variety of philosophical and religious themes. His most acclaimed works include Crime and Punishment (1866), The Idiot (1869), Demons (1872), and The Brothers Karamazov (1880). Dostoevsky's body of works consists of 12 novels, four novellas, 16 short stories, and numerous other works. Many literary critics rate him as one of the greatest psychological novelists in world literature. His 1864 novella Notes from Underground is considered to be one of the first works of existentialist literature.
Born in Moscow in 1821, Dostoevsky was introduced to literature at an early age through fairy tales and legends, and through books by Russian and foreign authors. His mother died in 1837 when he was 15, and around the same time, he left school to enter the Nikolayev Military Engineering Institute. After graduating, he worked as an engineer and briefly enjoyed a lavish lifestyle, translating books to earn extra money. In the mid-1840s he wrote his first novel, Poor Folk, which gained him entry into St. Petersburg's literary circles. Arrested in 1849 for belonging to a literary group that discussed banned books critical of Tsarist Russia, he was sentenced to death but the sentence was commuted at the last moment. He spent four years in a Siberian prison camp, followed by six years of compulsory military service in exile. In the following years, Dostoevsky worked as a journalist, publishing and editing several magazines of his own and later A Writer's Diary, a collection of his writings. He began to travel around western Europe and developed a gambling addiction, which led to financial hardship. For a time, he had to beg for money, but he eventually became one of the most widely read and highly regarded Russian writers.
Dostoevsky was influenced by a wide variety of philosophers and authors including Pushkin, Gogol, Augustine, Shakespeare, Dickens, Balzac, Lermontov, Hugo, Poe, Plato, Cervantes, Herzen, Kant, Belinsky, Hegel, Schiller, Solovyov, Bakunin, Sand, Hoffmann, and Mickiewicz.
His writings were widely read both within and beyond his native Russia and influenced an equally great number of later writers including Russians like Aleksandr Solzhenitsyn and Anton Chekhov, philosophers Friedrich Nietzsche and Jean-Paul Sartre and the emergence of Existentialism and Freudianism. His books have been translated into more than 170 languages.
Utenti
Discussioni
Century Press - The Crocodile in Fine Press Forum (Febbraio 13)
150. Notes from Under the Floorboards by Fyodor Dostoyevsky in Backlisted Book Club (Marzo 2022)
Easton Press Crime and Punishment LE 1975 in Book talk (Febbraio 2022)
Group Read, February 2018: The Idiot in 1001 Books to read before you die (Marzo 2018)
Group Read, July 2014: Notes from the Underground in 1001 Books to read before you die (Luglio 2014)
April 2014: Fyodor Dostoevsky in Monthly Author Reads (Aprile 2014)
Dostoevsky: Notes from Underground in Author Theme Reads (Dicembre 2013)
Dostoevsky: Crime and Punishment in Author Theme Reads (Marzo 2013)
Obscure Dostoevsky short stories in Fans of Russian authors (Novembre 2011)
KARAMAZOV: Who's in? in Le Salon Littéraire du Peuple pour le Peuple (Ottobre 2010)
BROTHERS KARAMAZOV Group Read in Fans of Russian authors (Ottobre 2010)
Dostoevsky: The Brothers Karamazov in Author Theme Reads (Agosto 2009)
Dostoyevsky: The House of the Dead in Author Theme Reads (Giugno 2009)
Dostoevsky: Poor Folk in Author Theme Reads (Marzo 2009)
Best translation of The Brothers Karamazov? in Fans of Russian authors (Marzo 2008)
Crime and Punishment in Someone explain it to me... (Febbraio 2008)
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Statistiche
- Opere
- 1,373
- Opere correlate
- 57
- Utenti
- 152,860
- Popolarità
- #40
- Voto
- 4.2
- Recensioni
- 1,747
- ISBN
- 6,463
- Lingue
- 47
- Preferito da
- 1,112
Il mio primo problema con L’idiota è che è un po’ come il suo protagonista, l’idiota del titolo che però si rivela essere molto intelligente: è una contraddizione insanabile tra il capolavoro della letteratura e la ciofeca immonda. Ci sono indubbiamente delle belle pagine ne L’idiota e di certo non si può dire che Dostoevskij non sapesse scrivere, ma si tratta di un romanzo faticosissimo da leggere. Non per la mole, ma perché è disorganizzato al punto che le vicende tra i vari personaggi non fluiscono con armonia verso la conclusione, ma ci si ammassano senza alcuna grazia.
La cosa mi fa un po’ incazzare perché è evidente che Dostoevskij aveva tutte le capacità per scrivere un romanzo migliore di questo caos narrativo. La mia sensazione è che Dostoevskij avesse così a cuore i temi portanti de L’idiota da finire per sacrificare la storia alla presentazione delle sue idee.
E qui veniamo alla nota più dolente di questo romanzo: le idee del suo autore. Ero pronta a scrivervi di leggere altro di suo perché nessunə si merita di soffrire su un libto non pienamente riuscito e pieno di idee reazionarie, ma non lo farò perché il buon Dostoevskij ha creato – suo malgrado – un romanzo dalla possibile interpretazione femminista molto interessante.
Abbiamo, infatti, una donna con un passato di abusi subiti in giovane età finita in una relazione tossica con due uomini, uno che è affetto dalla sindrome del salvatore e uno che vuole possederla. L’idiota passa ottocento pagine a sviscerare il dramma di questi due uomini e a dare spazio all’opinione di chiunque possa avere un’opinione in merito e muoia dalla voglia di farcela conoscere, eppure per me questo rimarrà il romanzo di Nastas’ja Filippovna, che non può trovare pace con nessuno dei suoi due pretendenti. Non perché l’uno è una persona immorale e l’altro un Cristo senza poteri divini, ma perché l’unica salvezza possibile per lei sarebbe nel raggiungimento di una consapevolezza e in una rete di aiuto femminista che in quel tempo e in quel luogo – e, aggiungerei, in quella penna – non poteva avere.
La tragedia vera di questo romanzo è vedere due uomini farsi le coccole da bravi amiconi dopo essere stati assolutamente incapaci di raggiungere il dolore di Nastas’ja Filippovna: una scena che, con i dovuti accorgimenti, non sfigurerebbe nel più terrificante degli horror.
Quindi sì, Dostoevskij, ho proprio letto il tuo romanzo pensando tutto il tempo alla questione femminile, in barba al tuo palese disprezzo per l’argomento. Rivoltati pure nella tomba: ho portato i pop corn.… (altro)