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Crime and Punishment [Norton Critical Edition, 3rd ed.]

di Fyodor Dostoevsky, George Gibian (A cura di)

Altri autori: Mikhail Bakhtin (Collaboratore), Maurice Beebe (Collaboratore), Sergei V. Belov (Collaboratore), Nicholas Berdyaev (Collaboratore), A. Bern (Collaboratore)24 altro, George Chulkov (Collaboratore), Jessie Coulson (Traduttore), F. I. Evnin (Collaboratore), Joseph Frank (Collaboratore), George Gibian (A cura di), George Gibian (Collaboratore), Leonid P. Grossman (Collaboratore), Michael Holquist (Collaboratore), Karen Horney (Collaboratore), Vyacheslav Ivanov (Collaboratore), Simon Karlinsky (Collaboratore), Michael T. Kaufman (Collaboratore), Ralph E. Matlaw (Collaboratore), Czeslaw Milosz (Collaboratore), K. Mochulsky (Collaboratore), Alberto Moravia (Collaboratore), Jose Ortega y Gasset (Collaboratore), V. Pereverzev (Collaboratore), Philip Rahv (Collaboratore), Ernest J. Simmons (Collaboratore), N. Strakhov (Collaboratore), Leo Tolstoy (Collaboratore), U.S.S.R. Ministry of Culture (Collaboratore), Richard Weisberg (Collaboratore)

UtentiRecensioniPopolaritàMedia votiCitazioni
1,160416,997 (4.35)79
New footnotes have been added, based on discoveries by the leading Soviet Dostoevsky scholar, Sergei Belov. "Backgrounds and Sources", highly praised in the Second Edition, remains unaltered. Included are a detailed map of nineteenth-century St. Petersburg, selections from Dostoevsky's notebooks and letters, and a crucial passage from an early draft of his novel. Noteworthy among the several new "Essays in Criticism" are a little-known but important passage by Leo Tolstoy on Raskolnikov; an essay by Sergei Belov; observations by the Russian literary theoretician and scholar Mikhail Bakhtin; and an essay by the Nobel laureate Czeslaw Milosz. A Chronology of Dostoevsky's Life and a Selected Bibliography are also included.… (altro)
  1. 00
    My name is Norval: A Harper Novel of Terror di Terence De Vere White (bluepiano)
    bluepiano: Atmospheric novel with a character unduly and unfortunately influenced by Raskolnikov.
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“Enough!” he said solemnly and resolutely. “I’m through with delusions, imaginary terrors, and phantom visions! Life is real! Haven’t I lived just now? My life hasn’t come to an end with the death of the old woman! May she rest in peace—enough, time you leave me in peace, madam. Now begins the reign of reason and light and—and of will and strength—and we’ll see now! We’ll try our strength now,” he added arrogantly, as though challenging some dark power."
from Part II chapter 7

----

"And what if I run away?" asked Raskolnikov with a strange smile.

"No, you won't run away. A peasant would run away, a fashionable dissenter would run away, the flunkey of another man's thought, for you've only to show him the end of your little finger and he'll be ready to believe in anything for the rest of his life. But you've ceased to believe in your theory already, what will you run away with? And what would you do in hiding? It would be hateful and difficult for you, and what you need more than anything in life is a definite position, an atmosphere to suit you. And what sort of atmosphere would you have? If you ran away, you'd come back to yourself. You can't get on without us."
from Part VI, Chapter 2

----

"With all Avdotya Romanovna’s natural aversion and in spite of my invariably gloomy and repellent aspect—she did at least feel pity for me, pity for a lost soul. And if once a girl’s heart is moved to pity, it’s more dangerous than anything. She is bound to want to ‘save him,’ to bring him to his senses, and lift him up and draw him to nobler aims, and restore him to new life and usefulness—well, we all know how far such dreams can go. I saw at once that the bird was flying into the cage of herself. And I too made ready. I think you are frowning, Rodion Romanovitch? There’s no need. As you know, it all ended in smoke. (Hang it all, what a lot I am drinking!) Do you know, I always, from the very beginning, regretted that it wasn’t your sister’s fate to be born in the second or third century A.D., as the daughter of a reigning prince or some governor or pro-consul in Asia Minor. She would undoubtedly have been one of those who would endure martyrdom and would have smiled when they branded her bosom with hot pincers. And she would have gone to it of herself. And in the fourth or fifth century she would have walked away into the Egyptian desert and would have stayed there thirty years living on roots and ecstasies and visions. She is simply thirsting to face some torture for someone, and if she can’t get her torture, she’ll throw herself out of a window."
from PART VI chapter 4

----

"What wrong have I done them? Why should I go to them? What should I say to them? That's only a phantom.... They destroy men by millions themselves and look on it as a virtue. They are knaves and scoundrels, Sonia! I am not going to them."
from Part V, Chapter 4

----

"I wanted to murder without casuistry, to murder for my own sake, for myself alone! I didn't want to lie about it even to myself. It wasn't to help my mother I did the murder--that's nonsense--I didn't do the murder to gain wealth and power and to become a benefactor of mankind. Nonsense! I simply did it; I did the murder for myself, for myself alone, and whether I became a benefactor to others, or spent my life like a spider catching men in my web and sucking the life out of men, I couldn't have cared at that moment.... And it was not the money I wanted, Sonia, when I did it. It was not so much the money I wanted, but something else.... I know it all now.... Understand me! Perhaps I should never have committed a murder again. I wanted to find out something else; it was something else led me on. I wanted to find out then and quickly whether I was a louse like everybody else or a man. Whether I can step over barriers or not, whether I dare stoop to pick up or not, whether I am a trembling creature or whether I have the right..."
from Part V chapter 4

----

"Crime? What crime?" he cried in sudden fury. "That I killed a vile noxious insect, an old pawnbroker woman, of use to no one!... Killing her was atonement for forty sins. She was sucking the life out of poor people. Was that a crime? I am not thinking of it and I am not thinking of expiating it, and why are you all rubbing it in on all sides? 'A crime! a crime!' Only now I see clearly the imbecility of my cowardice, now that I have decided to face this superfluous disgrace. It's simply because I am contemptible and have nothing in me that I have decided to, perhaps too for my advantage, as that... Porfiry... suggested!"

"Brother, brother, what are you saying! Why, you have shed blood!" cried Dounia in despair.

"Which all men shed," he put in almost frantically, "which flows and has always flowed in streams, which is spilt like champagne, and for which men are crowned in the Capitol and are called afterwards benefactors of mankind."
from Part VI chapter 7


( )
  runningbeardbooks | Sep 29, 2020 |
This is my favorite among Dostoevsky's last great novels. In it the reader finds a man filled with fear, desperation, and anguish. Dostoevsky's Crime and Punishment is a shockingly intimate tale of a murder and a murderer. Raskolnikov is a man seemingly on the brink of madness as he plots and carries out a grisly killing. Although he evades the police, Raskolnikov's dark deed weighs heavily on him (in a way reminiscent of Poe's The Tell-tale Heart). The aftermath of his crime takes the young man on a journey through the range of human emotion and experience. Good and evil, guilt and redemption, agony and joy—this novel is an invitation to explore and question many of the ideas and judgments we take for granted.The characterization and discussion of ideas in both this novel and Dostoevsky's final work, The Brothers Karamazov are as good as any in literature. If you like Hamlet, Les Miserables or War & Peace you will like this book. ( )
  jwhenderson | Jan 29, 2011 |
I read this in college. And it was the only book I ever read in about 3 days with no trouble - and I was an English major. I thought this is a masterful story of psychology and guilt. A precursor to American Psycho. Okay, maybe stretching it. It's been 11 years since I read this. Time for a re-read. ( )
2 vota HvyMetalMG | Aug 22, 2007 |
One of my fave's by one of my fave's. Must reread soon... ( )
  ARidiculousMan | Apr 9, 2006 |
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Nome dell'autoreRuoloTipo di autoreOpera?Stato
Dostoevsky, Fyodorautore primariotutte le edizioniconfermato
Gibian, GeorgeA cura diautore principaletutte le edizioniconfermato
Bakhtin, MikhailCollaboratoreautore secondariotutte le edizioniconfermato
Beebe, MauriceCollaboratoreautore secondariotutte le edizioniconfermato
Belov, Sergei V.Collaboratoreautore secondariotutte le edizioniconfermato
Berdyaev, NicholasCollaboratoreautore secondariotutte le edizioniconfermato
Bern, A.Collaboratoreautore secondariotutte le edizioniconfermato
Chulkov, GeorgeCollaboratoreautore secondariotutte le edizioniconfermato
Coulson, JessieTraduttoreautore secondariotutte le edizioniconfermato
Evnin, F. I.Collaboratoreautore secondariotutte le edizioniconfermato
Frank, JosephCollaboratoreautore secondariotutte le edizioniconfermato
Gibian, GeorgeA cura diautore secondariotutte le edizioniconfermato
Gibian, GeorgeCollaboratoreautore secondariotutte le edizioniconfermato
Grossman, Leonid P.Collaboratoreautore secondariotutte le edizioniconfermato
Holquist, MichaelCollaboratoreautore secondariotutte le edizioniconfermato
Horney, KarenCollaboratoreautore secondariotutte le edizioniconfermato
Ivanov, VyacheslavCollaboratoreautore secondariotutte le edizioniconfermato
Karlinsky, SimonCollaboratoreautore secondariotutte le edizioniconfermato
Kaufman, Michael T.Collaboratoreautore secondariotutte le edizioniconfermato
Matlaw, Ralph E.Collaboratoreautore secondariotutte le edizioniconfermato
Milosz, CzeslawCollaboratoreautore secondariotutte le edizioniconfermato
Mochulsky, K.Collaboratoreautore secondariotutte le edizioniconfermato
Moravia, AlbertoCollaboratoreautore secondariotutte le edizioniconfermato
Ortega y Gasset, JoseCollaboratoreautore secondariotutte le edizioniconfermato
Pereverzev, V.Collaboratoreautore secondariotutte le edizioniconfermato
Rahv, PhilipCollaboratoreautore secondariotutte le edizioniconfermato
Simmons, Ernest J.Collaboratoreautore secondariotutte le edizioniconfermato
Strakhov, N.Collaboratoreautore secondariotutte le edizioniconfermato
Tolstoy, LeoCollaboratoreautore secondariotutte le edizioniconfermato
U.S.S.R. Ministry of CultureCollaboratoreautore secondariotutte le edizioniconfermato
Weisberg, RichardCollaboratoreautore secondariotutte le edizioniconfermato
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New footnotes have been added, based on discoveries by the leading Soviet Dostoevsky scholar, Sergei Belov. "Backgrounds and Sources", highly praised in the Second Edition, remains unaltered. Included are a detailed map of nineteenth-century St. Petersburg, selections from Dostoevsky's notebooks and letters, and a crucial passage from an early draft of his novel. Noteworthy among the several new "Essays in Criticism" are a little-known but important passage by Leo Tolstoy on Raskolnikov; an essay by Sergei Belov; observations by the Russian literary theoretician and scholar Mikhail Bakhtin; and an essay by the Nobel laureate Czeslaw Milosz. A Chronology of Dostoevsky's Life and a Selected Bibliography are also included.

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