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Mikhail Bulgakov (1891–1940)

Autore di Il maestro e Margherita

Comprende i nomi: M. Bulgakov, M. Bulgakov, Boulgakov-M, Boulgakov M., M. Boelgakov, Bulgakov M.A., M.A. Bulgakov, M.A. Boelgakov, Mihail Bulkakov, Mixail Bulgakov ... (vedi l'elenco completo), Mihail Bulgakov, Bulgakov Micail, Michal Bulgakov, Mihayl Bulgakov, Mijail Bulgakov, Mijail Bulgakov, Mikhai Bulgakov, Mikail Bulgakov, Mihail Bulgakov, Mikhail Bulgakov, Mikhail Bulgakov, Michail Bulgakov, Mihkail Bulgakov, Mikhail Bulgakov, Mikhail Bulgakov, Mikhail Bulgakov, Mihhail Bulgakov, Michail Bulgakov, Michael Bulgakov, Mikhail Bulgakov, Miĥail Bulgakov, Bulhakow Michail, Michail Bulgakow, Mikhail Bulgakov, Mikhail Bulgakov, Mikhail Bulgakow, Michael Bulgakov, Bulgákov Mijaíl, Michał Bułgakow, Mihails Bulgakovs, Mikhaíl Bulgakov, Mikail, Boulgakov, Michail Boelgakov, Mikhail Bulgákov, Mikhail Boulgakov, Mikhail Bulgäkov, Michael Boelgakov, Michał Bułhakow, Michael Boelgakov, mikhail boulgakov, Mikhaïl Bulgakov, Mijaíl Bulgákov, Mikhaïl Boulgakov, ブルガーコフ, Mikhaíl Búlgakov, Mihail A. Bulgakov, Boulgakov Michaïl, Mikhaíl Bulgákov, Mikhaïl Bulgàkov, Michaił Bułhakow, Mijail A. Bulgakov, Mikhaïl Boulgakov, Mikchail Boulgakov, Michaël Boulgakov, Michail A. Bulgakov, Mikhail A. Bulgakov, BULGAKOV MIJAIL AFA, Булгаков М, Mijail A. Bulgákov, Michail A. Bulgakov, Mijaíl A. Bulgákov, Michail A. Boelgakov, Mikhail Afanasevitch, Michael A. Boelgakov, Mikhail A. Boelgakov, Bulgakov Afanas'evic, Boulgakov Mikaïl, Boulgakov Mikhaïl, Mikhaïl Boulgakov, Bulhakow M./Bulgakov M., Булгаков М.А., М.А. Булгаков, М.А. Булгаков, М. А. БУЛГАКОВ, М. А. Булгаков, М. А. Булгаков, Булгаков М. А.,, Michail Afanasevic Bulgakov, Mihaïl Afanasevic Bulgakov, Mihayl Afanasyevic Bulgakov, Michail Afanesevic Bulgakov, מיכאיל בולגקוב, Michail Afanasevic Bulgakov, מיכאיל בולגקוב, Bulgakov Mihail Afanasevich, Mihayl Afanasyevic Bulgakov, Mikhail Afanasevich Bulgakov, bulgakov michail afanasjevic, Bulgakov Mikhail Afanasoevich, מיכאיל בולגאקוב, Miĥail Afanasjeviĉ Bulgakov, Михаил Булгаков, Булгаков Михаил, Михаил Булгаков, Mikhaïl Boulgakov, Булгаков: Михаил, Mikhail Afanasʹevich Bulgakov, ミハイル ブルガーコフ, Michail Afanasjevitsj Boelgakov, Mikhail Afanasievitch Boulgakov, Mijaíl A. Bulgákov, Mihail Afansyeviç Bulgakov, Михаил А. Булгаков, ミハイル・ブルガーコフ, Mijail Afanas'evich Bulgakov, Михаи́л Булга́ков, Mikhaïl Afanassievitch Boulgakov, Mihail Afanesyeviç Bulgakov, ミハイール ブルガーコフ, Mikhaïl Afanassievitch Boulgakov, Mikhaíl Afanasyevich Булга́ков, BULGAKOV Michail (Kiev 1891 - Mosca 1940), Булгак Михаил Афанасьевич, Михаил Афанасьевич Булгако, МИХАИЛ АФАНАСЬЕВИЧ БУЛГАКО, Михаил ?фана?ьевич Булгако, Михаил Афанасиевич Булгаков, ミハイル・アファナーシェヴ ブルガーコフ, ミハイル・アファナシエヴィチ ブルガーコフ, ミハイル・アファナーシエヴィチ ブルガーコフ, ミハイール・アファナーシェヴィチ ブルガーコフ, Michail Afanasjevic Bulgakov (Михаи́л Афана́сьевич Булга́ков)

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27,746 (28,897)633686 (4.12)216
Mikhail Afanasevich Bulgakov was a Russian playwright, novelist, and short-story writer best known for his use of humor and satire. He was born in Kiev, Ukraine, on May 15, 1891, and graduated from the Medical School of Kiev University in 1916. He served as a field doctor during World War I. Bulgakov's association with the Moscow Art Theater began in 1926 with the production of his play The Days of the Turbins, which was based on his novel The White Guard. His work was popular, but since it ridiculed the Soviet establishment, was frequently censored. His satiric novel The Heart of a Dog was not published openly in the U.S.S.R. until 1987. Bulgakov's plays including Pushkin and Moliere dealt with artistic freedom. His last novel, The Master and Margarita, was not published until 1966-67 and in censored form. Bulgakov died in Moscow on March 10, 1940. (Bowker Author Biography) A practicing physician like Anton Chekhov, Mikhail Afanasevich Bulgakov became a popular writer and playwright in the comparatively easier political climate of the Soviet Union during the 1920s. The civil war and its internecine horrors became one of his major themes as did the new Soviet society. His early prose is often satiric, with strong elements of the fantastic and grotesque, but it also contains the themes of guilt and personal responsibility that become so crucial in his later work. Bulgakov wrote a number of important plays that provoked bitter attacks in the press, and he was shut out of the theater and literature in 1929. Only a direct appeal to Stalin allowed Bulgakov to resume a professional career. Even then, however, some publishing houses and theaters rejected some of his important works, such as the novel Life of Monsieur de Moliere (1933). Bulgakov's masterpiece written over a number of years and only published decades after his death is the novel Master and Margarita (1966-67). Combining two principal plot lines-Satan's visit to contemporary Moscow and the trial and execution of Jesus in biblical Judaea-the work may be read on many levels, from the purely satiric to the allegorical. It has been acclaimed as one of the most important achievements of twentieth-century Russian fiction. Today, Bulgakov is celebrated for both his plays and his novels. Several of his plays are public favorites and standard fare in Russian theaters. Bulgakov died in Moscow on March 10, 1940. (Bowker Author Biography) — biografia da Il maestro e Margherita… (altro)
Il maestro e Margherita (Autore; Prefazione, alcune edizioni) 18,959 copie, 441 recensioni
Cuore di cane 2,927 copie, 60 recensioni
La guardia bianca 1,333 copie, 22 recensioni
I racconti di un giovane medico 771 copie, 20 recensioni
Romanzo teatrale 718 copie, 11 recensioni
Uova fatali 715 copie, 11 recensioni
Vita del signor di Moliere 250 copie, 5 recensioni
Morfina 234 copie, 7 recensioni
Diavoleide 168 copie, 6 recensioni
Diaboliad and Other Stories 152 copie, 3 recensioni
Appunti sui polsini 86 copie, 6 recensioni
Diavoleria 59 copie, 1 recensione
Six plays 47 copie
Flight 39 copie, 1 recensione
Ho ucciso e altri racconti 31 copie, 3 recensioni
Zoyka's Apartment 22 copie, 2 recensioni
More about Bulgakov and Mandelstam 20 copie, 2 recensioni
Racconti 11 copie
Salmo y otros cuentos inéditos 9 copie, 1 recensione
Пьесы 8 copie
Feuilletons 5 copie
Fyra romaner 4 copie
Secret et sociétés secrètes 4 copie, 1 recensione
Kíev-Moscou 4 copie
Sochenenie V Trex Tomakh 3 copie, 3 recensioni
Stücke II 2 copie
Rasskazy 2 copie
Maleficios 2 copie, 1 recensione
Rusia. Volumen 2 (Collaboratore) 2 copie
Coração de Cão 2 copie, 1 recensione
The Embroidered Towel 2 copie, 1 recensione
Seytani 2 copie
Izbrannoe 2 copie
El verbo 1 copia
Povesti 1 copia
Beg 1 copia
Los huevos fatídicos 1 copia, 1 recensione
Kleine Prosa 1 copia
白衛軍 1 copia
劇場 1 copia
Romany 1 copia
Stücke I 1 copia
Opowiadania 1 copia
Pripovetke 1 copia
Uova fatali 1 copia
Pʹesy 1 copia
The Red Crown 1 copia, 1 recensione
Paura 1 copia
Diaboliáda 1 copia
Feuilleton 1 copia
Dil-i sag 1 copia
The Literary Cat (Collaboratore) 229 copie
Russian Short Stories from Pushkin to Buida (Collaboratore) 213 copie, 2 recensioni
The Fatal Eggs and Other Soviet Satire (Collaboratore) 118 copie
The Big Book of Modern Fantasy (Collaboratore) 78 copie, 1 recensione
Great Soviet Short Stories (Collaboratore) 75 copie
1917: Stories and Poems from the Russian Revolution (Collaboratore) 30 copie, 3 recensioni
Russland das große Lesebuch (Collaboratore) 2 copie

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Born in Kief, Bulgakov studied medicine at Kiev University and served as a doctor during the First World War, working in both military and civilian hospitals in the provinces. He abandoned medine in 1920 and moved to Moscow in 1921; like Chekhov, Russia's other doctor-writer, he made his living from writing humorous sketches for newspapers. During the late 1920s several of his plays were performed in leading Moscow theatres, but they were removed from the repertoire after official criticism. He then applied for permission to emigrate; this led to a telephone call from Stalin himself. Bulgakov was refused permission to emigrate, but he was allowed to work at the Moscow Arts Theatre as an assistant producer from 1930 to 1936. The Days of the Turbins was one of Stalin's favourite plays, in spite of its sympathetic portrayal of the White Guard.
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