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Sto caricando le informazioni... Ritorno a Brideshead (1945)di Evelyn Waugh
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![]() Iscriviti per consentire a LibraryThing di scoprire se ti piacerà questo libro. Attualmente non vi sono conversazioni su questo libro. El retorno de Charles Ryder a Brideshead —la elegante mansión de lord Marchmain, convertida ahora en cuartel— devuelve a su memoria aquellos tiempos, anteriores a la guerra, en que paseaba embelesado por sus hermosos jardines y salones y se dejaba sucumbir al hechizo de sus singulares habitantes. En realidad, nunca pudo Charles librarse de su ambigua amistad con el inquieto Sebastian, ni de su obsesivo amor por la hermana de éste, lady Julia, ni de la oscura y contradictoria fatalidad que dejó marcada para siempre la atribulada vida de los Marchmain con su huella de drama y desvarío. Handlingen kretsar kring kapten Charles Ryder som under andra världskriget återvänder som officer till det magnifika engelska godset Brideshead, där han tillbringade mycket tid i sin ungdom, och hans minnen kring den förmögna, djupt troende katolska, familjen Flyte som bodde där. Charles lärde först känna familjen och godset genom yngste sonen Sebastian, som han var studiekamrat med vid Oxfords universitet. Genomgående teman i boken, tillika serien, är förutom krigens grymheter och förändringar i England även religion, konst och alkoholism. Waugh here writes the story of a man who, during WWII, returns to a place as an army officer in which he spent much of his time from his late teenage years to his recent adult life. The book is mostly Charles Ryder reminiscing on his time at Brideshead, first as a friend (possible lover) of Sebastian, and then as a lover to Julia, Sebastian's sister. It's a beautifully told story that not only concerns family and love, but also beautifully encompasses Waugh's feelings towards religion, specifically Catholicism. I knew I'd loved this book and I did. Bisexuality, Catholicism, old country homes and Oxford—it's got it all. The pervasive yearning that paints the story was both tragic and mournful, especially when read with the queer subtext at the forefront. 8490575141
Evelyn Waugh was a marvellous writer, but one of a sort peculiarly likely to write a bad book at any moment. The worst of his, worse even than The Loved One, must be Brideshead Revisited. But long before the Granada TV serial came along it was his most enduringly popular novel; the current Penguin reprint is the nineteenth in its line. The chief reason for this success is obviously and simply that here we have a whacking, heavily romantic book about nobs... It is as if Evelyn Waugh came to believe that since about all he looked for in his companions was wealth, rank, Roman Catholicism (where possible) and beauty (where appropriate), those same attributes and no more would be sufficient for the central characters in a long novel, enough or getting on for enough, granted a bit of style thrown in, to establish them as both glamorous and morally significant. That last blurring produced a book I would rather expect a conscientious Catholic to find repulsive, but such matters are none of my concern. Certainly the author treats those characters with an almost cringing respect, implying throughout that they are important and interesting in some way over and above what we are shown of them. Brideshead Revisited fulfils the quest for certainty, though the image of a Catholic aristocracy, with its penumbra of a remote besieged chivalry, a secular hierarchy threatened by the dirty world but proudly falling back on a prepared eschatological position, has seemed over-romantic, even sentimental, to non-Catholic readers. It remains a soldier's dream, a consolation of drab days and a deprived palate, disturbingly sensuous, even slavering with gulosity, as though God were somehow made manifest in the haute cuisine. The Puritan that lurks in every English Catholic was responsible for the later redaction of the book, the pruning of the poetry of self-indulgence. Snobbery is the charge most often levelled against Brideshead; and, at first glance, it is also the least damaging. Modern critics have by now accused practically every pre-modern novelist of pacifism, or collaboration, in the class war. Such objections are often simply anachronistic, telling us more about present-day liberal anxieties than about anything else. But this line won’t quite work for Brideshead, which squarely identifies egalitarianism as its foe and proceeds to rubbish it accordingly... ‘I have been here before’: the opening refrain is from Rossetti, and much of the novel reads like a golden treasury of neo-classical clichés: phantoms, soft airs, enchanted gardens, winged hosts – the liturgical rhythms, the epic similes, the wooziness. Waugh’s conversion was a temporary one, and never again did he attempt the grand style. Certainly the prose sits oddly with the coldness and contempt at the heart of the novel, and contributes crucially to its central imbalance. "Lush and evocative ... the one Waugh which best expresses at once the profundity of change and the indomitable endurance of the human spirit." The new novel by Evelyn Waugh—Brideshead Revisited—has been a bitter blow to this critic. I have admired and praised Mr. Waugh, and when I began reading Brideshead Revisited, I was excited at finding that he had broken away from the comic vein for which he is famous and expanded into a new dimension... But this enthusiasm is to be cruelly disappointed. What happens when Evelyn Waugh abandons his comic convention—as fundamental to his previous work as that of any Restoration dramatist—turns out to be more or less disastrous... For Waugh’s snobbery, hitherto held in check by his satirical point of view, has here emerged shameless and rampant... In the meantime, I predict that Brideshead Revisited will prove to be the most successful, the only extremely successful, book that Evelyn Waugh has written, and that it will soon be up in the best-seller list somewhere between The Black Rose and The Manatee. Appartiene alle Collane Editoriali10/18, Domaine étranger (1398) — 12 altro Penguin Books (821) Penguin Clothbound Classics (2016) Penguin English Library, 2012 series (2020-10) Penguin Modern Classics (821) RBA Narrativa Actual (20) A tot vent (202) Ullstein Taschenbuch (20232) Иллюминатор (42) È contenuto inHa un prequel (non seriale)Ha l'adattamentoÈ riassunto inHa uno studioHa come commento al testoHa come guida per lo studente
En katolsk engelsk aristokratisk families undergang, skildret ved et tilbageblik på mellemkrigsårene af Charles Ryder, der som studerende i Oxford blev ven med en søn af familien. Non sono state trovate descrizioni di biblioteche |
Già recensito in anteprima su LibraryThingIl libro di Evelyn Waugh Brideshead Revisited è stato disponibile in LibraryThing Early Reviewers. Copertine popolari
![]() GeneriSistema Decimale Melvil (DDC)823.912 — Literature English {except North American} English fiction Modern Period 1901-1999 1901-1945Classificazione LCVotoMedia:![]()
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