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Pearl S. Buck's epic Pulitzer Prize-winning novel of a China that was -- now in a Contemporary Classics edition. Though more than sixty years have passed since this remarkable novel won the Pulitzer Prize, it has retained its popularity and become one of the great modern classics. "I can only write what I know, and I know nothing but China, having always lived there," wrote Pearl Buck. In The Good Earth she presents a graphic view of a China when the last emperor reigned and the vast political and social upheavals of the twentieth century were but distant rumblings for the ordinary people. This moving, classic story of the honest farmer Wang Lung and his selfless wife O-lan is must reading for those who would fully appreciate the sweeping changes that have occurred in the lives of the Chinese people during this century. Nobel Prize winner Pearl S. Buck traces the whole cycle of life: its terrors, its passions, its ambitions and rewards. Her brilliant novel -- beloved by millions of readers -- is a universal tale of the destiny of man.… (altro)
Ellen_Elizabeth: Another classic, historical fiction novel that explores a traditional culture through the story of one man and his family. Both were written in English and illustrate the author's perceived strengths and weaknesses of the subject culture in a way that is accessible to western readers.… (altro)
Though written by a white woman, having lived many years in China, I suppose she was familiar enough with her subject. I would be curious to know what the kind of people she wrote about, thought about what she wrote about them, were it possible. It is interesting to read about a foreign culture, though it be frustratingly different from the way you were raised. In the protagonist, Wang Lung's eyes, when his wife bore daughters to them, it was considered bad luck, and they were even denoted as slaves, and indeed many were often sold into slavery when the family was poor. Maybe it's only what poor Wang Lung deserves, when chances occur that transform him from a poor farmer with a former slave for a wife, into a landed, rich man with endless cares, who is forever worried with troubles, when he only wants to enjoy his riches. White woman writing an Eastern culture or not, Buck has valuable lessons for her readers. ( )
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...This was what Vinteuil had done for the little phrase. Swann felt that the composer had been content (with the instruments at his disposal) to draw aside its veil, to make it visible, following and respecting its outlines with a hand so loving, so prudent, so delicate and so sure, that the sound altered at every moment, blunting itself to indicate a shadow, springing back into life when it must follow the curve of some more bold projection. And one proof that Swann was not mistaken when believed in the real existence of this phrase was that anyone with an ear at all delicate for music would have at once detected the imposture had Vinteuil, endowed with less power to see and to render its forms, sought to dissemble (by adding a line, here and there, of his own invention) the dimness of his vision or the feebleness of his hand. — Swann's Way, by Marcel Proust
Dedica
Incipit
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It was Wang Lung's marriage day.
Citazioni
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He had no articulate thought of anything; there was only this perfect sympathy of movement, of turning this earth of theirs over and over to the sun, this earth which formed their home and fed their bodies and made their gods. The earth lay rich and dark, and fell apart lightly under the points of their hoes, Sometimes they turned up a bit of brick, a splinter of wood. It was nothing. Sometimes, in some age, bodies of men and women had been buried there, houses had stood there, had fallen, and gone back into the earth. So would also their house, sometime, return into the earth, their bodies also. Each had his turn at this earth. They worked on, moving together — together — producing the fruit of this earth — speechless in their movement together.
…he said nothing still, she looked at him piteously and sadly out of her strange dumb eyes that were like a beast’s eyes that cannot speak, and then she went away, creeping and feeling for the door because of her tears that blinded her.
Wang Lung watched her as she went and he was glad to be alone, but still he was ashamed and he was still angry that he was ashamed, and he said to himself, and he muttered the words aloud and restlessly, as though he quarreled with someone, “Well, and other men are so and I have been good enough to her, and there are men worse than I.” And he said at last that O-lan must bear it.
My house and my land it is, and if it were not for the land we should all starve as the others did, and you could not walk about in your dainty robes idle as a scholar. It is the good land that has made you something better than a farmer’s lad.
Ultime parole
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But over the old man's head they looked at each other and smiled.
Pearl S. Buck's epic Pulitzer Prize-winning novel of a China that was -- now in a Contemporary Classics edition. Though more than sixty years have passed since this remarkable novel won the Pulitzer Prize, it has retained its popularity and become one of the great modern classics. "I can only write what I know, and I know nothing but China, having always lived there," wrote Pearl Buck. In The Good Earth she presents a graphic view of a China when the last emperor reigned and the vast political and social upheavals of the twentieth century were but distant rumblings for the ordinary people. This moving, classic story of the honest farmer Wang Lung and his selfless wife O-lan is must reading for those who would fully appreciate the sweeping changes that have occurred in the lives of the Chinese people during this century. Nobel Prize winner Pearl S. Buck traces the whole cycle of life: its terrors, its passions, its ambitions and rewards. Her brilliant novel -- beloved by millions of readers -- is a universal tale of the destiny of man.