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La breve favolosa vita di Oscar Wao

di Junot Díaz

Altri autori: Vedi la sezione altri autori.

UtentiRecensioniPopolaritàMedia votiConversazioni / Citazioni
13,002483465 (3.84)1 / 662
Things have never been easy for Oscar, a sweet but disastrously overweight, lovesick Dominican ghetto nerd. From his home in New Jersey, where he lives with his old-world mother and rebellious sister, Oscar dreams of becoming the Dominican J.R.R. Tolkien and, most of all, of finding love. But he may never get what he wants, thanks to the Fukœ-the curse that has haunted Oscar's family for generations, dooming them to prison, torture, tragic accidents, and, above all, ill-starred love. Oscar, still waiting for his first kiss, is just its most recent victim.… (altro)
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Gruppo ArgomentoMessaggiUltimo messaggio 
 Club Read 2013: *** February - What are you reading?99 non letti / 99cbaw1957, Aprile 2013

» Vedi le 662 citazioni

Inglese (471)  Francese (4)  Catalano (2)  Spagnolo (1)  Portoghese (Brasile) (1)  Svedese (1)  Danese (1)  Olandese (1)  Tutte le lingue (482)
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It has elements that appeal to me, but there are two big problems with the novel from my perspective. The narrative voice became more grating as the story went on; strong in machismo and a tone of ironic distance, Yunior’s voice was not the voice to tell this story for me. How much this is affected by the controversy surrounding Díaz’s own behavior and a sense that this voice is how Díaz likes to see himself, as a Don Juan who sees himself a bit above it all, I’m not sure, but I feel I would have enjoyed the novel more told in Oscar’s voice. There’s a reason the novel isn’t called The Continuing Irritating Life of Yunior.

Secondly the novel’s structure impeded my enjoyment. This is a personal preference to be sure, but in general I prefer not to hop around between characters and time periods back and forth, forth and back, in lengthy sections. In some novels it works great but generally I like a more time linear construction. ( )
  lelandleslie | Feb 24, 2024 |
I don't mean to go in for shameless ego-stroking here- I'm really quite more shocked. But I just read a Pulitzer Prize novel in the same year as it won the prize! (This never happens for me.)

Actually, I read this because my friend RoseAnna was reading it because a Dominican friend recommended it, and she laughed out loud reading it. When she flew home, she left it with me, and now I enjoyed it, though I never would have picked it for myself. (Sometimes it good to do that- have someone else pick out a book for you to read.)

I won't synopsize the story for you- being so popular right now, that stuff's all over the place (and I need to go make vegan cupcakes for the office picnic). It's one of the most original plot lines (if not the most) I've ever read. It wasn't a story I particularly identified with, but I was definitely feeling the fuku (curse) by midway through the book.

My biggest problem was that I felt like I missed so much of the story by not being able to understand the parts of the story in Dominican. ("Couldn't you include a glossary, Diaz?") But then I heard an interview with DIaz on Fresh Air (from May 2008, I think) in which he explained that not necessarily understanding the language of the whole book- and therefore not getting all of the story- was part of the point. ( )
  deliriumshelves | Jan 14, 2024 |
This is the second book I've read about a Dominican kid with problems (the other was [Touching Snow]). They were both really good. ( )
  LibrarianDest | Jan 3, 2024 |
Didn't really engage with this. ( )
  thisisstephenbetts | Nov 25, 2023 |
¡Fantástico! Sad, exuberant, funny, poignant - this tale spans the gamut of emotions. A big useful dose of history, meaty family drama, and a coming of age tale.... Highly recommend! ( )
  decaturmamaof2 | Nov 22, 2023 |
Díaz’s novel also has a wild, capacious spirit, making it feel much larger than it is. Within its relatively compact span, “The Brief Wondrous Life of Oscar Wao” contains an unruly multitude of styles and genres. The tale of Oscar’s coming-of-age is in some ways the book’s thinnest layer, a young-adult melodrama draped over a multigenerational immigrant family chronicle that dabbles in tropical magic realism, punk-rock feminism, hip-hop machismo, post-postmodern pyrotechnics and enough polymorphous multiculturalism to fill up an Introduction to Cultural Studies syllabus.
 
It is Mr. Díaz’s achievement in this galvanic novel that he’s fashioned both a big picture window that opens out on the sorrows of Dominican history, and a small, intimate window that reveals one family’s life and loves. In doing so, he’s written a book that decisively establishes him as one of contemporary fiction’s most distinctive and irresistible new voices.
 

» Aggiungi altri autori (18 potenziali)

Nome dell'autoreRuoloTipo di autoreOpera?Stato
Junot Díazautore primariotutte le edizionicalcolato
Bragg, BillImmagine di copertinaautore secondarioalcune edizioniconfermato
Corral, RodrigoProgetto della copertinaautore secondarioalcune edizioniconfermato
Kemper, EvaÜbersetzerautore secondarioalcune edizioniconfermato
Miranda, Lin-ManuelNarratoreautore secondarioalcune edizioniconfermato
Olivo, KarenNarratoreautore secondarioalcune edizioniconfermato
Pareschi, SilviaTraduttoreautore secondarioalcune edizioniconfermato
Snell, StaciNarratoreautore secondarioalcune edizioniconfermato

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Of what import are brief, nameless lives . . . to Galactus?? (Fantastic Four, Stan Lee and Jack Kirby, Vol. 1, No. 49, April 1966)
Christ have mercy on all sleeping things!
From that dog rotting down Wrightson Road
to when I was a dog on these streets;
if loving these islands must be my load,
out of corruption my soul takes wings,
But they had started to poison my soul
with their big house, big car, bit-time hbohl,
coolie, nigger, Syrian, and French Creole,
so I leave it for them and their carnival--
I taking a sea-bath, I gone down the road.
I know these islands from Monos to Nassau,
a rusty head sailor with sea-green eyes
that they nickname Shabine, the patois for
any red nigger, and I, Shabine, saw
when these slums of empire was paradise.
I'm just a red nigger who love the sea,
I had a sound colonial education,
I have Dutch, nigger, and English in me,
and either I'm nobody, or I'm a nation.
(Derek Walcott)
Dedica
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Elizabeth de Leon
Incipit
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They say it came first from Africa, carried in the screams of the enslaved; that it was the death bane of the Tainos, uttered just as one world perished and another began; that it was a demon drawn into Creation through the nightmare door that was cracked open in the Antilles.
Citazioni
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You wanna smoke?
I might partake. Just a little though. I would not want to cloud my faculties.
“They say it came first from Africa, carried in the screams of the enslaved; that it was the death bane of the Tainos, uttered just as one world perished and another began; that it was a demon drawn into Creation through the nightmare door that was cracked open in the Antilles. Fukú americanus, or more colloquially, fukú–generally a curse or a doom of some kind; specifically the Curse and the Doom of the New World. Also called the fukú of the Admiral because the Admiral was both its midwife and one of its great European victims; despite “discovering” the New World the Admiral died miserable and syphilitic, hearing (dique) divine voices. In Santo Domingo, the Land He Loved Best (what Oscar, at the end, would call the Ground Zero of the New World), the Admiral’s very name has become synonymous with both kinds of fukú, little and large; to say his name aloud or even to hear it is to invite calamity on the heads of you and yours.”
Ultime parole
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(Click per vedere. Attenzione: può contenere anticipazioni.)
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Some editions contain the short story "Drown," narrated by Jonathan Davis
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Things have never been easy for Oscar, a sweet but disastrously overweight, lovesick Dominican ghetto nerd. From his home in New Jersey, where he lives with his old-world mother and rebellious sister, Oscar dreams of becoming the Dominican J.R.R. Tolkien and, most of all, of finding love. But he may never get what he wants, thanks to the Fukœ-the curse that has haunted Oscar's family for generations, dooming them to prison, torture, tragic accidents, and, above all, ill-starred love. Oscar, still waiting for his first kiss, is just its most recent victim.

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