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How to Be Both di Ali Smith
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How to Be Both (originale 2014; edizione 2014)

di Ali Smith

UtentiRecensioniPopolaritàMedia votiConversazioni / Citazioni
1,5835211,323 (3.76)1 / 257
"SHORT-LISTED FOR THE MAN BOOKER PRIZE Passionate, compassionate, vitally inventive and scrupulously playful, Ali Smith's novels are like nothing else. How to be both is a novel all about art's versatility. Borrowing from painting's fresco technique to make an original literary double-take, it's a fast-moving genre-bending conversation between forms, times, truths and fictions. There's a renaissance artist of the 1460s. There's the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real--and all life's givens get given a second chance"-- "The brilliant Booker-nominated novel from one of our finest authors: How to Be Both is a daring, inventive tale that intertwines the stories of a defiant Renaissance painter and a modern teenage girl. How can one be both--near and far, past and present, male and female? In Ali Smith's new novel, two extraordinary characters inhabit the spaces between categories. In one half of the book, we follow the story of Francescho del Cossa, a Renaissance painter in fifteenth-century Italy who assumes a duel identity, living as both a man and a woman. In the novel's other half, George, a contemporary English teenage girl, is in mourning after the death of her brilliant, rebellious mother. As she struggles to fill the void in her life, George finds her thoughts circling again and again around a whimsical trip she and her mother once made to Italy, to see a certain Renaissance fresco... These two stories call out to each other in surprising and deeply resonant ways to form a veritable literary double-take, bending the conventions of genre, storytelling, and our own preconceptions"--… (altro)
Utente:Charon07
Titolo:How to Be Both
Autori:Ali Smith
Info:
Collezioni:Read, La tua biblioteca
Voto:****1/2
Etichette:read, fiction, own, reviewed

Informazioni sull'opera

How to Be Both di Ali Smith (2014)

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» Vedi le 257 citazioni

The story of George (short for Georgia), a grieving teenage girl whose mother has just died, and also the Italian renaissance painter Francescho del Cossa, whose frescoes at Palazzo Schifanoia in Ferara George and her mother visited before she died. It’s both stories, just as many of the characters are both male and female, alive and dead, and the art is both made and unmade. It’s also about love, friendship, empathy, and art. It’s both playful and serious, joyous and sad. And as typical for Ali Smith, it’s beautifully written. ( )
  Charon07 | May 12, 2024 |
I think this was just not for me.

I read Camera first, which I enjoyed but Eyes was just too strange for me to ever feel comfortable with. If I'd started the book with Eyes, I'm sure I wouldn't have finished. Even now, I know I skimmed more than I should have of Eyes but I just couldn't get comfortable with the character or understand quite what was going on. I think if Eyes had remained in the old times and not peeking in on modern era things I might have liked it more? who knows.
( )
  hmonkeyreads | Jan 25, 2024 |
What it comes down to is that I liked it, but I wasn't blown away. I don't know Italian and I don't know much about renaissance art, so I missed lots of references, and that definitely hindered my enjoyment. I machine-translated the Italian here and there, with mixed results.

I really should have realized earlier that the artists and all the described art are real---it helps to look up the paintings! One of the things I'm taking away from this is that Ali Smith's idea of a handsome man does not intersect with my idea at all.

Could I have spent more time and got more out of it? Almost certainly. But I wasn't really feeling it, and the times when I put in the extra effort were interesting but not rewarding enough to keep at it.

I read it Eyes-Camera order, for the record. ( )
  caedocyon | Jan 2, 2024 |
Disappointing. Well crafted, no legs. I had high expectations, but the yarn Smith constructs seems to be singularly hers, and as such I found this an alienating experience. ( )
1 vota nmnili | Dec 13, 2023 |
Did not work at all for me. ( )
  lschiff | Sep 24, 2023 |
...there is no doubt that Smith is dazzling in her daring. The sheer inventive power of her new novel pulls you through, gasping, to the final page.
aggiunto da charl08 | modificaThe Guardian, Elizabeth Day (Jul 9, 2014)
 

» Aggiungi altri autori (10 potenziali)

Nome dell'autoreRuoloTipo di autoreOpera?Stato
Ali Smithautore primariotutte le edizionicalcolato
Banks, JohnNarratoreautore secondarioalcune edizioniconfermato
Juul, PiaTraduttoreautore secondarioalcune edizioniconfermato
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Titolo originale
Titoli alternativi
Data della prima edizione
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Film correlati
Epigrafe
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Et ricordare suplicando a quella che io sonto francescho del cossa il quale a sollo fatto quili tri canpi verso lanticamara :
Francesco del Cossa
green spirit seeking life
where only drought and desolation sting;
spark that says that everything begins
where everything seems charcoal

— Eugenio Montale 'The eel'/ (trans. Jonathan Galassi)
J’ai rêvé Que sur un grand mur blanc je lisais mon testament

Sylvie Vartan
...although the living is subject to the ruin of the time, the process of decay is at the same time a process of crystallization, that in the depth of the sea, into which sinks and is dissolved what once was alive, some things “suffer a sea-change” and survive in new crystallized forms and shapes that remain immune to the elements, as though they waited only for the pearl diver who one day will come down to them and bring them up into the world of the living...

Hannah Arendt, 'Introduction to Walter Benjamin, Illuminations: Essays and Reflections'
Just like a character in a novel, he disappeared suddenly, without leaving the slightest trace behind.

Giorgio Bassani /Jamie McKendrick
Dedica
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For Frances Arthur
and everyone who made her,

to keep in mind
Sheila Hamilton,
walking work of art,

and for Sarah Wood
artist.
Incipit
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Consider this moral conundrum for a moment, George's mother says to George who is sitting in the front passenger seat.
Citazioni
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You'd need your own dead person to come back from the dead. You'd be waiting and waiting for that person to come back. But instead of the person you needed you'd get some dead renaissance painter going on and on about himself and his work and it'd be someone you knew nothing about and that'd be meant to teach you empathy, would it?

It's exactly the kind of stunt her mother would pull.
Ultime parole
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(Click per vedere. Attenzione: può contenere anticipazioni.)
Nota di disambiguazione
Redattore editoriale
Elogi
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DDC/MDS Canonico
LCC canonico

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Wikipedia in inglese (2)

"SHORT-LISTED FOR THE MAN BOOKER PRIZE Passionate, compassionate, vitally inventive and scrupulously playful, Ali Smith's novels are like nothing else. How to be both is a novel all about art's versatility. Borrowing from painting's fresco technique to make an original literary double-take, it's a fast-moving genre-bending conversation between forms, times, truths and fictions. There's a renaissance artist of the 1460s. There's the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real--and all life's givens get given a second chance"-- "The brilliant Booker-nominated novel from one of our finest authors: How to Be Both is a daring, inventive tale that intertwines the stories of a defiant Renaissance painter and a modern teenage girl. How can one be both--near and far, past and present, male and female? In Ali Smith's new novel, two extraordinary characters inhabit the spaces between categories. In one half of the book, we follow the story of Francescho del Cossa, a Renaissance painter in fifteenth-century Italy who assumes a duel identity, living as both a man and a woman. In the novel's other half, George, a contemporary English teenage girl, is in mourning after the death of her brilliant, rebellious mother. As she struggles to fill the void in her life, George finds her thoughts circling again and again around a whimsical trip she and her mother once made to Italy, to see a certain Renaissance fresco... These two stories call out to each other in surprising and deeply resonant ways to form a veritable literary double-take, bending the conventions of genre, storytelling, and our own preconceptions"--

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