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Sto caricando le informazioni... A Tale for the Time Being: A Novel (edizione 2013)di Ruth Ozeki
Informazioni sull'operaUna storia per l'essere tempo di Ruth Ozeki
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It took me more than two months to finish this. So deep and heart-wrenching in parts, I couldn't fly through it. Nao, the Japanese girl who is the main narrator of her own diary, is a character who will stay with me. I just felt at times that the author tried to do too much, and I could have stayed with Nao and her story more than Ruth's, the woman who finds her diary. The writing itself was magnificent. Ruth, living on an island in Canada, discovers a diary (written by Nau who lives in Japan), letters from WWII, and a watch inside a Hello Kitty lunchbox on the beach. They presumably made the Pacific crossing from Japan’s massive tsunami. Ruth, who is half Japanese is able to read the diary but not the letters. The diary, though, leads her to believe Nau and her father are intent on committing suicide. Ruth illogically thinks she can save them when in reality, given the time for the diary to cross the ocean, the deeds are probably already done. Everything about this situation though is unusual and time isn’t what we think it is. This is a very dark book and there are so many trigger warnings, I made a list: Sexual Assault Suicide Harm to animals 9-11 jumper Kamikazi pilot who doesn’t want to die Prostitution Tsunami Radiation Bullying is the one of the worst, and it makes the reader want to bail. However, it is resolved in the end with a most unique ending I may have ever read. I wish this book weren’t so dark. It really felt like the author was trying to make it as horrific as possible. So I had to take quite a long time to think on it before writing a review. Because of the ending, I recommend it. But beware of the darkness before the light.
In clever and deeply affecting ways, Ruth Ozeki’s luminous new novel explores notions of duality, causation, honour, and time. ... Though [the character] Ruth is clearly intended as a semi-autobiographical portrait of the author, it’s the character of Nao, in all her angsty adolescent dismissiveness, that Ozeki truly pulls off (here’s an author who should be writing YA novels). A Tale for the Time Being by Ruth Ozeki is expansive, provocative and sometimes rather confusing. But that’s okay. It’s supposed to be....It can leave you scratching your head – for starters, the main character of the novel seems to be Ruth Ozeki herself, or at least, a fairly obvious facsimile of her – but ultimately, the effect of such riddles is charming, earnest and very much a departure from your typical literary novel....Like them, Ozeki manages to turn existential conundrums into a playful, joyful and pleasantly mind-bending dialogue between reader and writer. Here’s hoping that this book will find its way to an audience just as excited to participate in it. "A Tale for the Time Being"... is an exquisite novel: funny, tragic, hard-edged and ethereal at once. [It's] heady stuff, but it hangs together for a couple of reasons — the exuberance of Ozeki's writing, the engaging nature of her characters and, not least, her scrupulous insistence that it doesn't have to hang together, that even as she ties up loose ends, others come unbound. Seen from space, or from the vantage point of those conversant with Zen principles, A Tale for the Time Being is probably a deep and illuminating piece of work, with thoughtful things to say about the slipperiness of time. But for those positioned lower in the planet's stratosphere, Ozeki's novel often feels more like the great Pacific gyre it frequently evokes: a vast, churning basin of mental flotsam in which Schrödinger's cat, quantum mechanics, Japanese funeral rituals, crow species, fetish cafes, the anatomy of barnacles, 163 footnotes and six appendices all jostle for attention. It's an impressive amount of stuff. One version of you might be intrigued. Another might pray it doesn't land on your shore. If you’re a fan of the metaphysician Martin Heidegger, or the physicist Erwin Schrödinger, you will be pleased at the novel’s tip of the hat to their abstruse notions of time and sub-atomic space. There’s even an appendix to the novel explaining the “thought experiment” known to the world as “Schrödinger’s cat...But the novel suffers from a tinge of self satisfaction. It pits sensitive souls like the involuntary kamikaze pilot who loves French literature against brutal army officers, and it’s not a fair fight. The fight becomes Us — readers who derive spiritual sustenance from Marcel Proust, and appreciate “the value of kindness, of education, of independent thinking and liberal ideals” — versus Them, who are sheer brutes. Appartiene alle Collane EditorialiHa come guida per lo studentePremi e riconoscimentiMenzioniElenchi di rilievo
"A time being is someone who lives in time, and that means you, and me, and every one of us who is, or was, or ever will be." In Tokyo, sixteen-year-old Nao has decided there's only one escape from her aching loneliness and her classmates' bullying. But before she ends it all, Nao first plans to document the life of her great grandmother, a Buddhist nun who's lived more than a century. A diary is Nao's only solace--and will touch lives in ways she can scarcely imagine. Across the Pacific, we meet Ruth, a novelist living on a remote island who discovers a collection of artifacts washed ashore in a Hello Kitty lunchbox--possibly debris from the devastating 2011 tsunami. As the mystery of its contents unfolds, Ruth is pulled into the past, into Nao's drama and her unknown fate, and forward into her own future. Non sono state trovate descrizioni di biblioteche |
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![]() GeneriSistema Decimale Melvil (DDC)813.54Literature English (North America) American fiction 20th Century 1945-1999Classificazione LCVotoMedia:![]()
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Ruth becomes more and more drawn in to Nao's story, distracting her from her own hopelessly mired writing project, a memoir based on caring for her mother in her end years, and drawing her more into the community on the island, which she's never felt connected to. She tries to find out more about Nao and her life, only to find herself mysteriously thwarted...until suddenly the boundaries between their times and worlds begin to blur. Can Ruth somehow save Nao, if in fact Nao needs saving? And can she find a way to solve her own existential crises?
I'm not always a fan of split narratives, since I think one side of the story almost always ends up being more compelling than the other(s). And there was a little bit of that here...Ruth's story wasn't especially boring or anything, but Nao's pieces were so much more interesting that I groaned a little bit internally when things went back to Ruth. And writing about writers (especially when that writer character is heavily based on the author themselves) often veers towards self-indulgence. Again, there was a little of this going on, but not to the extent that it dragged the story down past being mildly irritating every so often. It also steps into magical realism and meta-narrative when Ruth and Nao's stories intersect across time and space, and while the emotional truth of it comes through I'm not sure that it was entirely successful.
Basically, the book takes on a lot of potentially dicey elements and executes them competently-to-well, but not greatly. Even so, there's a lot to like here and I found it an intensely readable book, getting drawn into the mystery of what might have happened to Nao and whether Ruth would ever be able to find out. While I was certainly more engaged with Nao's story, Ruth was also a compelling character, and her issues were less dramatic but no less well-developed. The book is quite long, but it's paced well and doesn't drag or feel padded. It's easy to get drawn in and hard to put down, and feels like it will reward re-reading. Just as a heads up to readers, this book features a lot of very dark things, including merciless bullying and sexual assault, happening to a teenage girl and might not be the best choice for readers not ready for this kind of material for any reason. If you're able to deal with that, though, this is a very good book that doesn't quite get to greatness but is nevertheless a worthwhile read. (