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Il piacere non può aspettare (2010)

di Tishani Doshi

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19131142,635 (3.69)29
It all started in August 1968 when Babo, with curly hair and jhill mill teeth, became the first member of the Patel family to leave Madras and fly on a plane all the way to London to further his education. His father should have known there would be trouble- on the morning of the departure he had his first and only dream, in which strange ghosts threw poison-tipped arrows and all his family was lost ... But off Babo went, and now here he is, in a flat off the Finchley Road, untraditionally making love to a cream-skinned girl from Wales, Sian Jones, who he fell head over heels for as soon as he saw the twirl of red ribbon in her hair. Ba-ba-boom, ba-ba-boom, ba-ba-boom-boom-boom. Theirs is a mixed-up love in a topsy-turvy world, and their two families will never be the same again. Meet the Patel-Joneses- Babo, Sian, Mayuri and Bean, in their little house with orange and black gates next-door to the Punjab Women's Association. As the twentieth century creaks and croaks its way along - somewhere out there Jim Morrison commits suicide; Charles and Diana get hitched; Indira Gandhi is assassinated by her own bodyguards; cable TV arrives in India - these four navigate their way through the uncharted territory of a 'hybrid' family- the hustle and bustle of Babo's relatives, the faraway phone-line crackle of Sian's, the eternal wisdom and soft bosom of great-grandmother Ba, the perils of first love, lost innocence and old age, and the big question- what do you do with the space your loved ones leave behind? In this tender, lyrical and uplifting debut, Tishani Doshi, a prizewinning poet, effortlessly captures the quirks and calamities of one unusual clan in a story of identity, family, belonging and all-transcending love.… (altro)
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Loved the first half. The second half meandered too much. The book should have been a hundred pages longer or a hundred pages shorter. Really should be 3 1/2 stars, probably. ( )
  GaylaBassham | May 27, 2018 |
Loved the first half. The second half meandered too much. The book should have been a hundred pages longer or a hundred pages shorter. Really should be 3 1/2 stars, probably. ( )
  gayla.bassham | Nov 7, 2016 |
Tishani Doshi re-invents her parents' story in a novel spanning four generations. It is set in Madras of 1960s, and Madras it remains throughout the novel.

Tishani takes a page out of her parents' heritage - a Welsh mother and Gujrati Jain father whose family has always lived in Madras. Babo, the Gujju Jain son goes to study in England (that cliche racism never figures, btw) and meets Sian - a office girl. They fall in love and despite disapproval of their families they marry. Sian leaves and England and comes to live with Babo in India. It is hard until she falls into daily pattern of life and has 2 daughters Mayuri and Bean. The second and third part of the book traces the trajectory of the lives of daughters, especially the imaginative, forlorn and love-sick Bean. Bean is perhaps most closest to her creator.

At the helm of the family remains Babo's grandmother Ba who lives alone in Gujrat and has been created as a wise, ethereal and intuitive character. Someone to whom everyone in family reaches out in trouble.

Writing is a sort of dreamy crawl, I read several other books alongside. Words weave an intriguing story, sometime are sonorous as writer often loves to use words in repetition as ba-ba-boom, ba-ba-boom, or ka-chink, ka-chink, sha bing sha bang to effective use. ;) Classic lierary device to track timeline in a novel is to connect it with a political/social event. Trishala's cancer coincides with Indira Gandhi's assassination, Bean's pregnancy with earthquake in Bhuj and so on.

There is identity-crisis (one foot in India, one foot out of Welsh), there is compromise, love and sex - all in this 4-generation family saga. Looking for author, I found her TEDx Palermo talk: http://www.youtube.com/watch?v=7SxRvo5eQ3s - about luxury of slowness - this book too was written in 5 years. Other two books by Tishani are poetry collections. But, here is one interview of hers worth reading in Guardian:http://www.guardian.co.uk/books/2010/may/23/tishani-doshi-author-pleasure-seekers-interview

( )
  poonamsharma | Apr 6, 2013 |
This is story which spans 3 generations and 3 decades. Babo , the oldest child of Mr. Patel and Trishala is sent to London where he falls in love with a Welsh girl, Sian. When the parents know about it Babo is called back under false pretenses. Bud Babo is desperate to marry Sian and so with the help of his grandmother who stays alone in A village called Ganganagar in Gujarat, they get married. They plan to immigrate to London in a few years but decide to make their life in India itself. They have two daughters and a happy life. As the daughters grow older they move away, Mayuri the eldest marries and Bean the youngest moves to London where she has an affair with a married man and gets pregnant. The last part of the book happens around the earthquake which happened in Bhuj on 26th January 2001.

The author is a poet and this is her first novel. The novel is autobiographical. The author is Bean which is very apparent and the situations which revolve around her have a very familiar and genuine touch. That touch is somewhat lost when the author is writing about other characters. There are some touching moments and some not so. ( )
1 vota mausergem | Oct 22, 2011 |
This is an intensely charming and sweet-natured book, though some notes are struck more confidently than others. I found the character of Ba, the grandmother, a little too ethereally wise: when she was in the story, the blade of humour was dulled. Doshi contrasts the essential romantic or perhaps even romanticised marriage of Babo and Siân with the pain of Bean's chequered amorous career and search for love. I had the sense that, despite her humorous and compassionate insights into the travails of their marriage, and quite apart from what the biographical reality may or may not have been, there are some messy, inglorious banalities of married life that remain out of reach of her fictional imagination.
 
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For my parents, the original pleasure seekers.
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In the early hours of 20 August 1968, the morning of his son's departure, Prem Kumar Patel succumbed to a luxury he had never, in all his forty-seven years of living, experienced before: he had a dream.
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It all started in August 1968 when Babo, with curly hair and jhill mill teeth, became the first member of the Patel family to leave Madras and fly on a plane all the way to London to further his education. His father should have known there would be trouble- on the morning of the departure he had his first and only dream, in which strange ghosts threw poison-tipped arrows and all his family was lost ... But off Babo went, and now here he is, in a flat off the Finchley Road, untraditionally making love to a cream-skinned girl from Wales, Sian Jones, who he fell head over heels for as soon as he saw the twirl of red ribbon in her hair. Ba-ba-boom, ba-ba-boom, ba-ba-boom-boom-boom. Theirs is a mixed-up love in a topsy-turvy world, and their two families will never be the same again. Meet the Patel-Joneses- Babo, Sian, Mayuri and Bean, in their little house with orange and black gates next-door to the Punjab Women's Association. As the twentieth century creaks and croaks its way along - somewhere out there Jim Morrison commits suicide; Charles and Diana get hitched; Indira Gandhi is assassinated by her own bodyguards; cable TV arrives in India - these four navigate their way through the uncharted territory of a 'hybrid' family- the hustle and bustle of Babo's relatives, the faraway phone-line crackle of Sian's, the eternal wisdom and soft bosom of great-grandmother Ba, the perils of first love, lost innocence and old age, and the big question- what do you do with the space your loved ones leave behind? In this tender, lyrical and uplifting debut, Tishani Doshi, a prizewinning poet, effortlessly captures the quirks and calamities of one unusual clan in a story of identity, family, belonging and all-transcending love.

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