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Sto caricando le informazioni... The Woman in Black (originale 1983; edizione 1998)di Susan Hill (Autore)
Informazioni sull'operaLa donna in nero di Susan Hill (1983)
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Iscriviti per consentire a LibraryThing di scoprire se ti piacerà questo libro. Attualmente non vi sono conversazioni su questo libro. The fog, the mist, the marshy moors, a wraith and a mysterious house that could be in the Poe portfolio, The Woman in Black has all the classic gothic ingredients. "A rattling good yarn, the sort that chills the mind as well as the spine", so goes the blurb on the back cover (Guardian); and indeed this is an eerie tale rather than a full-on horror. It reads slightly like a short-story that goes on too long. However, it is an achievement in gathering classic Victorian gothic motifs, whilst maintaining some 'modern' sensibilities (the book was first published in 1983). In this respect, it is slightly mannered; in the vein of a TV costume drama, suited to viewing on a rainy Sunday afternoon. I did love the London Particular though, how did a thick fog get that appellation! Susan Hill's greatest achievement here is in her descriptions of an oppressive and foreboding landscape. The Woman in Black won't give you nightmares - at least I hope not... I will admit that I started listening to this on the way to the airport for my holiday, nodded off, half listed to it, and have then spent the next month or so getting round to completing listening to it. That perhaps gives a poor reflection on the book (it should give more of a reflection on that fact I can fall asleep on a 3 hour coach journey to Gatwick). The story is spooky and mysterious and the narrator (Paul Ansdell) ably contributes to the ambiance and is written in the fine tradition of gothic horror novels. Mrs Alice Drablow lived and died at Eel Marsh house, and Arthur Kipps is sent to the house to represent his firm at her funeral, and afterwards clear up her papers. At the funeral, he spots a woman dressed in black, with a wasted face behind her veil, and soon becomes aware of a malaise that inhabits the house. Searching through the papers, he pieces together a sad story, and he begins hearing and seeing things, and it soon pushes him to the edge of sanity. The Woman in Black has a reputation and it comes to haunt Kripps when he least expects it
I love this style of writing... very detailed and descriptive. Although some of our students have said that they had a hard time getting through the first few chapters, I was immediately captivated. È contenuto inHa l'adattamentoMenzioniElenchi di rilievo
Fiction.
Horror.
Thriller.
Historical Fiction.
HTML: The classic ghost story by Susan Hill: a chilling tale about a menacing spectre haunting a small English town. Non sono state trovate descrizioni di biblioteche |
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Google Books — Sto caricando le informazioni... GeneriSistema Decimale Melvil (DDC)823.914Literature English English fiction Modern Period 1901-1999 1945-1999Classificazione LCVotoMedia:
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I had a lot of problems with this book. First of all, the story really drags on. It probably did not need to go for the 160-odd pages of which it consists – especially since I know you can tell very terrifying stories in half, or less than half that many pages, (see H.P. Lovecraft). But The Woman in Black does drag on. You're constantly being built up to something scary that's about to happen... and when the "scary" thing happens, you're left wondering, "Wait, am I supposed to be scared right now?" Truly, the parts that were supposed to be scary didn't even get a rise out of me. Ooooh something bumped.... Should I have chills right now...? The other aspect that I didn't like was that you're constantly being reminded that Arthur is a logical, scientific London gentlemen who isn't given to country superstitions and the idea of ghosts. This reminder happens every few pages. We get it. Sadly, The Woman in Black ends up being just another run-of-the-mill ghost story. Not a lot of originality is in play.
What I did appreciate about Ms. Hill's writing, is that she at least has a fantastic descriptive style. She really knows how to set the mood. You can definitely feel and smell the sea fog rolling it. You can imagine yourself in the muddy, dank marshes on an early winter day. It's these instances of her writing that make the novel mildly enjoyable. It's honestly a shame that you don't get the effects of the horror that the novel promises.
Overall, I will probably give Susan Hill's other stories a try, but if I want to be scared... I think I'll stick to Lovecraft, August Derleth, or Stephen King. ( )