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In this collection (originally published by The Seabury Press in 1977 asThe Burning Heart, Kenneth Rexroth and Ikuko Atsumi have assembled representative works of seventy-seven poets. Staring with the Classical Period (645-1604 A.D.), characterized by thewanka andtanka styles,followed by haiku poets of theTokugawa period (to 1867), the subsequent moderntanka andhaiku poets,and including the contemporary school of free verse--Women Poets of Japan records twelve hundred years of poetic accomplishment. Included are biographical notes on the individual poets, an essay on Japanese women and literature, and a table of historical periods.… (altro)
An excellent collection of women poets of Japan, spanning from the 7th to the 20th centuries. Princesses, courtesans, bisexuals, lesbians, and nuns are all represented. Each poet's work is accompanied by a lovely calligraph of their name.
My only quibble is that the bios are in the back, causing much flipping back and forth, since there are only one or two poems per author.
I hope in the intervening years more work by these women has been translated. ( )
In this collection (originally published by The Seabury Press in 1977 asThe Burning Heart, Kenneth Rexroth and Ikuko Atsumi have assembled representative works of seventy-seven poets. Staring with the Classical Period (645-1604 A.D.), characterized by thewanka andtanka styles,followed by haiku poets of theTokugawa period (to 1867), the subsequent moderntanka andhaiku poets,and including the contemporary school of free verse--Women Poets of Japan records twelve hundred years of poetic accomplishment. Included are biographical notes on the individual poets, an essay on Japanese women and literature, and a table of historical periods.
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My only quibble is that the bios are in the back, causing much flipping back and forth, since there are only one or two poems per author.
I hope in the intervening years more work by these women has been translated. (