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Displaced But Not Lost: War Through The Eyes Of A Child

di Tony M. Taagen

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This is a true story of how war changes a life. The author, as a young boy, leads a privileged life in Viljandi, Estonia. His father is a bank president, his mother is beautiful, his younger sister is no problem. Boring school is his only problem, until the turmoil of war intervenes.This is a memoir which takes place during World War II, but it could, in truth, be any war. This work of nonfiction contrasting rural and urban life (pig manure for antibiotics; sleighs for autos), flows like a novel reminiscent of such great 20th century novelists as Mark Twain, John Steinbeck, Ernest Hemingway, and Erich Maria Remarque, keeping readers' attention from beginning to end. Some of the short chapters stand alone like poetry in the style of Charles Bukowski, and the longer chapters could stand alone as novellas.The actions of the unforgettable characters; for instance, the one-legged accordion player and Maxim, the Russian prisoner, sustain a clarity and vividness throughout; provided, in part, by stage-like directions. For example, Chapter 1 takes place in 1999, and sets the scene for what is to follow: "Thus, we sail on through the Swedish Archipelago, over the Baltic Sea, and into Tallinn Harbor, with the red roofs of the Old City shining before us, at last. My sister and I stand shoulder to shoulder at the rail. Remembering." And in a later chapter this scene takes place: "I see a woman wipe her eyes with the back of her hand. I suddenly see a coffin, made of white boards. It is partially hidden by bags of belongings placed over it. My mother is seated on the floor of the truck with my sister cradled in her arms... A woman has noticed my problem. She suddenly points at me and speaks to the people huddled on the floor. She says, 'Let's put the boy in the coffin.' Some of the people laugh. The woman lifts the cover of the coffin with great difficulty, because of the bags on top, and says, 'There's no one in it, and it would be warm.'"This gripping coming-of-age story of the family's struggle to survive amid horror, monotony, uncertainty, and hunger imposed by war, is told by the reluctant schoolboy in the vernacular reflecting his age and European background. It is a unique mix of history, culture, philosophy, humor, and reflection, told-- "Through the eyes of a child"-- from early childhood to age fifteen.The maps, photographs of the period, and factual accuracy will be welcomed by ethnographers and historians, as well as by those seeking an adventurous read. Readers will be able to recognize themselves in the young narrator, especially those who have ever wished to see their schooling suspended as a bonus of war.This is the poignant-"I look at my grandmother...She is crying...I run to her, and she drops to her knees and embraces me with both arms. I feel tears running down my face. I embrace her, and suddenly realize"- and colorful story of the quietly observant, curious young narrator who must leave childhood behind during wartime and is shaped by war, but not scarred by it. It is a reminder that children are astute and capable of observation, analysis, and reaction-especially under conditions of survival and deprivation. This scene from a gasthaus in Germany is telling: "The woman then goes into an adjoining room, and returns with two bottles. My father hands her a stack of paper money, which she places in her apron pocket...my father tells me that the woman was kind to sell us some wine. He also tells us she has a son on the Eastern Front, but has not heard from him for several weeks. It seems the Eastern Front turns strangers into persons who are united. Over the past few months, this feeling has become more and more evident to me, as time goes on and the Front itself is getting closer and closer."This is a literary memoir, a nonfiction novel, a true story of adventure, a good read told by a narrator too young for military service, but old enough to clearly remember the journey from Estonia, to Germany, to Texas.… (altro)
Aggiunto di recente daecw0647, meggyweg, Swissmama
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One of the great things about the disruption in publishing technology is that we get a flood of personal memoirs, recollections that are an important part of history but which would never have become known, had it not been so easy to publish them through print-on-demand. That is not to say they are all perfect, nor all relevant, but they are important nevertheless. Sometimes, little simple things, like the price of something can set a historian's heart a flutter.

What we have here is less of a view of the war (in that, his family was very fortunate), but more the experience of displaced persons following the war. (Here, again, they were very lucky in being sponsored by a man in Texas who set them up on a small farm. That didn't last long, as the man, who must have had grandiose plans for the arrangement, gave up on it barely a year later. Happy to escape the tornadoes, snakes and scorpions, they made contact with some other Estonians in Wisconsin where they moved and settled permanently.

Born in Estonia, Taagen was also very fortunate in having grandparents who lived on a farm where he could spend summers and be watched over by loving grandparents. His father was often in hiding from the Russians who at first controlled Estonia, and wanted every adult male in the army, followed by the Nazis, and then again the Russians. But Taagen was really barely touched by the war other than to have what he thought was lightning in the east explained by his grandmother to be "the front." There is little evidence that what that meant ever sunk into the eight-year-old.

A little research revealed that after WW II there were approximately 11 million displaced persons, mostly eastern europeans and refugees and those lucky enough to msurvive German concentration camps. The new UN was charged with dealing with the enormous number of DPs. Some were moved back to their country of origin, but often the political boundaries had changed or they feared political retribution. They were first categorized and sorted. The British and Americans would no longer accept any DPs after mid-1947 and anyone left had to fend for themselves. DP camps were set up to provide shelter, food, and health care. There was also a need for reuniting families wherever possible and dealing with the psychological trauma many faced. Over one million could not be repatriated and a significant number of those were from eastern bloc countries who feared living under the Soviets. In the Yalta agreement, Stalin had insisted that Soviet citizens, i.e. anyone who after the war lived under Soviet control, be returned to Soviet control. The western allies reluctantly complied except for Latvians, Lithuanians and Estonians arguing that those had never been Soviet countries.

Jews were in a real bind and many fled to Palestine where the British discovered a new war. European countries set up programs to admit DPs followed by Australia and Canada. The United States was reluctant to admit DPs from slavic countries, especially intellectuals and Jews. Eventually, we did, but only following public outcry and the process was notoriously bureaucratic. The Displaced persons Act permitted 200,000 DPs to enter the country over a period of two years. That was extended for another two years. Eventually 900,000 entered but each had to have a relative or a sponsor to get a visa and they had to come from an internment camp like the one described in this book.

I know that memoirs can be tricky, but I was disappointed by the lack of detail in the boy's experiences. I lived in a foreign country between the ages of 8 and 10, about his age and I would have been able to supply a great deal more detail. He also seemed obsessed with school and algebra which, given the circumstances, seemed trivial to me. I was a bit put off by the present tense, but after a while, it ceased to be annoying. There were a couple of unsolved mysteries that remained unexplained: the contents of the ubiquitous briefcase his father never let out of his sight, and the picture of an Australian entry permit for the family. I don't remember reading anything about the possibility of emmigrating to Australia as an alternative to the United States, so that is a puzzle.

Ultimately, they were very lucky, being wealthy -- his father was a banker in Estonia -- they were able to survive on the Russian gold coins, his mother smuggled with her everywhere and helped buy food, and having grand-parents who lived on a farm away from most of the fighting that dominated the urban areas. It certainly didn't hurt that they were very Aryan looking and not Jewish.

It's an interesting story told from a child's perspective. ( )
  ecw0647 | Jun 5, 2019 |
We had the rare pleasure of speaking with the author's sister which is quite frequently referenced in the book. An excellent read about WWII through the eyes of a child. Finally, a book that focuses on the humane and even boredom of a teenager during the war. Not everything was horrible (the author welcomed air raids because it means that school was going to be cut short.) Focus on food, survival and the love and support of family and strangers. Highly recommended for teens 12 and up. No gruesome details, just real and from a teens perspective. Loved it! ( )
  Swissmama | Apr 8, 2015 |
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This is a true story of how war changes a life. The author, as a young boy, leads a privileged life in Viljandi, Estonia. His father is a bank president, his mother is beautiful, his younger sister is no problem. Boring school is his only problem, until the turmoil of war intervenes.This is a memoir which takes place during World War II, but it could, in truth, be any war. This work of nonfiction contrasting rural and urban life (pig manure for antibiotics; sleighs for autos), flows like a novel reminiscent of such great 20th century novelists as Mark Twain, John Steinbeck, Ernest Hemingway, and Erich Maria Remarque, keeping readers' attention from beginning to end. Some of the short chapters stand alone like poetry in the style of Charles Bukowski, and the longer chapters could stand alone as novellas.The actions of the unforgettable characters; for instance, the one-legged accordion player and Maxim, the Russian prisoner, sustain a clarity and vividness throughout; provided, in part, by stage-like directions. For example, Chapter 1 takes place in 1999, and sets the scene for what is to follow: "Thus, we sail on through the Swedish Archipelago, over the Baltic Sea, and into Tallinn Harbor, with the red roofs of the Old City shining before us, at last. My sister and I stand shoulder to shoulder at the rail. Remembering." And in a later chapter this scene takes place: "I see a woman wipe her eyes with the back of her hand. I suddenly see a coffin, made of white boards. It is partially hidden by bags of belongings placed over it. My mother is seated on the floor of the truck with my sister cradled in her arms... A woman has noticed my problem. She suddenly points at me and speaks to the people huddled on the floor. She says, 'Let's put the boy in the coffin.' Some of the people laugh. The woman lifts the cover of the coffin with great difficulty, because of the bags on top, and says, 'There's no one in it, and it would be warm.'"This gripping coming-of-age story of the family's struggle to survive amid horror, monotony, uncertainty, and hunger imposed by war, is told by the reluctant schoolboy in the vernacular reflecting his age and European background. It is a unique mix of history, culture, philosophy, humor, and reflection, told-- "Through the eyes of a child"-- from early childhood to age fifteen.The maps, photographs of the period, and factual accuracy will be welcomed by ethnographers and historians, as well as by those seeking an adventurous read. Readers will be able to recognize themselves in the young narrator, especially those who have ever wished to see their schooling suspended as a bonus of war.This is the poignant-"I look at my grandmother...She is crying...I run to her, and she drops to her knees and embraces me with both arms. I feel tears running down my face. I embrace her, and suddenly realize"- and colorful story of the quietly observant, curious young narrator who must leave childhood behind during wartime and is shaped by war, but not scarred by it. It is a reminder that children are astute and capable of observation, analysis, and reaction-especially under conditions of survival and deprivation. This scene from a gasthaus in Germany is telling: "The woman then goes into an adjoining room, and returns with two bottles. My father hands her a stack of paper money, which she places in her apron pocket...my father tells me that the woman was kind to sell us some wine. He also tells us she has a son on the Eastern Front, but has not heard from him for several weeks. It seems the Eastern Front turns strangers into persons who are united. Over the past few months, this feeling has become more and more evident to me, as time goes on and the Front itself is getting closer and closer."This is a literary memoir, a nonfiction novel, a true story of adventure, a good read told by a narrator too young for military service, but old enough to clearly remember the journey from Estonia, to Germany, to Texas.

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