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A retelling of the myth of Orpheus and Eurydice set in a mostly-real modern London ... Behind the corners of our world, there is magic. As the Lord of Ysthar, Raphael Amian is responsible for it. An honest man, his lies are legion. An infamous recluse, his social circle includes Scheherezade, Shakespeare, and the Crown Prince of Fairyland. He is a great mage to his enemies, a movie star to strangers, and a hundred pseudonymous half-lives to history. He is dutifully trying to prevent the end of the world when his long-lost twin brother Kasian gate-crashes his life. Raphael is prepared to sacrifice his soul, his reputation, and his crown to save his beloved Ysthar. Saving himself is another matter entirely. There is magic. It's not enough.… (altro)
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So far my least favorite of the 9 worlds books, and to me it felt early. So I think I might have enjoyed it more had I encountered it sooner, because I don't think it has the polish and the joy of her later works. I am fascinated at how her mind weaves Earth in, and glad to learn more of any of these stories. It just felt overly literary. ( )
  jennybeast | Oct 27, 2023 |
We start almost at the end of a millennia old game of which only hints of the play are ever given, but what's important is how the seemingly coincidental events scant days before the final duel effect its conclusion and the inner life of the main character. Goddard seems to like dealing with the fallout of major events rather than the lead up.
This is included in The Nine Worlds series, but a detail or two of the timeline (I know!) seem too skewed to quite fit. And I can't say I was pleased with the given explanation of the fall of Astandalas. ( )
  quondame | Nov 6, 2022 |
Oh. I had not realized that Ysthar was Earth. Fascinating! The "real world" and the Border-crossing magic and a whole tangle of other races and a fierce competition that...doesn't end the way it's supposed to. And that's not the end of the story, it's only a sub-climax...Rich and weird and this will definitely reward rereading.
Reread (same year, sheesh). It's still a weirdly scattered tale - links back and forward. And even though I now know about their parentage, I still almost missed it - not surprised I never noticed the first time I read. Very rich, though. I was surprised that the "final battle" was barely halfway through the book - but then, that's hardly the point of the story. It was somewhat amusing when no one had noticed it happened, but again that's what was intended. Watching Raphael come back to himself - and more - that was very good. Though I'm wondering how she's going to react, if she really doesn't remember him at all - like the Harvester, he's fulfilling a dream and she's being chased by some strange man. Hope we get that story, or at least the story of that story, at some point. ( )
  jjmcgaffey | May 29, 2022 |
None of the characters in this book are ordinary mortals, although it's set primarily in modern-day London. I particularly enjoyed the quotes (lots of T. S. Eliot and Shakespeare) and references to Greek myths. ( )
2 vota Amelia_Smith | May 2, 2015 |
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Dati dalle informazioni generali inglesi. Modifica per tradurlo nella tua lingua.
I have heard the mermaids singing, each to each.

I do not think that they will sing to me.

I have seen them riding seaward on the waves
Combing the white hair of the waves blown back
When the wind blows the water white and black.

We have lingered in the chambers of the sea
By sea-girls wreathed with seaweed red and brown
Till human voices wake us, and we drown.

__from"The Love Song of J.Alfred Prufrock," by T.S. Eliot
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Dedication:

A thousand thanks and more are due to those of my friends who have given me the great gifts of a patient audience and good advice: Carolyn Aikens, Heather Ainsworth, José Rodríguez, Alexandra Garigue, Jennifer Konieczny, Nichola Goddard, Alice Degan, and, last but not least, Kate Goddard.

And many thanks to my parents for their patience over the years.
Incipit
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It was three days before the end of the world. The Lord of Ysthar was playing Hamlet.
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A retelling of the myth of Orpheus and Eurydice set in a mostly-real modern London ... Behind the corners of our world, there is magic. As the Lord of Ysthar, Raphael Amian is responsible for it. An honest man, his lies are legion. An infamous recluse, his social circle includes Scheherezade, Shakespeare, and the Crown Prince of Fairyland. He is a great mage to his enemies, a movie star to strangers, and a hundred pseudonymous half-lives to history. He is dutifully trying to prevent the end of the world when his long-lost twin brother Kasian gate-crashes his life. Raphael is prepared to sacrifice his soul, his reputation, and his crown to save his beloved Ysthar. Saving himself is another matter entirely. There is magic. It's not enough.

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