Recensori in anteprimaFrank Wynne

"...An imagined life, with Faulkner's tragic sensibility and Beckett's relentless grief." — Ricardo Baixeras, El Periodico

From one of Mexico's leading writers—a memoir about three men who are driven to escape the confines of their traditional lives and roles.

In 1958, Carlos Monge McKey sneaks out of his home in the middle of the night to fake his own death. He does not return for four years.

A decade later, his son, Carlos Monge Sánchez, deserts his family too, joining a guerrilla army of Mexican revolutionaries.

Their stories are unspooled by grandson and son Emiliano, a writer, who also chooses to escape reality, by creating fictions to run away from the truth.

What Goes Unsaid is an extraordinary memoir that delves into the fractured relationships between fathers and sons, grandfathers and grandsons; that disinters the ugly notions of masculinity and machismo that all men carry with them — especially in a patriarchal culture like Mexico. It is the story of three men, who — each in his own way — flee their homes and families in an attempt to free themselves.

Praise for Emiliano Monge's Among the Lost

"Among the Lost is masterly. Its rhythm and syntax form an unforgettable, multilayered requiem for our battered region."
—Valeria Luiselli

"The relentless pace and vivid language... brings home the physical and emotional anxiety of those who have risked everything in the faint hope of a better life across the border... Monge shows how the corruption of the soul afflicts young and old alike when the powerful prey on the vulnerable, yet he also creates nuanced villains grappling with self-doubt and fear. In a remarkable literary feat, this tale of the dire events of one day illuminates the past, the present, and the future. While many questions remain unanswered at the end, this is a comprehensive drama of the human potential for violence and dreams in a fractured land." STARRED REVIEW
—Shoba Viswanathan, Booklist

"This is a book of unbearable beauty and affliction. It is written with the lucidity of someone who has opened his eyes and refused to shut them again. The book's power is not only in what it says, but in the silences that it leaves the reader's conscience to grapple with."
—Yuri Herrera

"The language in Among the Lost is both striking and strikingly easy to read...He channels the full spectrum of written expression, and the result hits the trifecta: beautiful, fast-paced, and completely his own."
—Lily Meyer, NPR

"[A] timely novel of immigration that is as beautiful as it is horrific. It is a multilayered, emotionally complex artistic triumph." STARRED REVIEW
—Foreword Reviews

Deep in the jungle, in the dead of night, pitiless spotlights flicker on to expose a group of migrants who have risked their lives for the chance to reach an America that exists only in their dreams. The fates of these men, women, and children are in the hands of human traffickers Estela and Epitafio, who lead them on a savage and harrowing crossing through hostile territory that is as beautiful as it is lethal. None of them will make it to El Paraíso alive. Among the Lost is a timely novel about the defining issue of the 21st century: illegal immigration. Modeled in part on Dante’s Divine Comedy, and interspersed with the true voices of Mexican migrants, it invites its reader to ‘abandon all hope’ and step through the gate.

Simón Cardoso had been dead for thirty years when Emilia Dupuy, his wife, found him at lunchtime in the dining room of Trudy Tuesday. So begins Purgatory, the final and perhaps most personal work of the great Latin American novelist Tomás Eloy Martínez. Emilia Dupuy's husband vanished in the 1970s, while the two were mapping an Argentine country road. All evidence seemed to confirm that he was among the thousands disappeared by the military regime. Yet Emilia never stopped believing that the disappeared man would reappear. And then he does, in New Jersey. And for Simón, no time at all has passed. In Martínez's hands, this love story and ghost story becomes a masterful allegory for history political and personal, and for a country's inability to integrate its past with its present. Praise for Santa Evita : "Brilliant...Affirms his place among Latin America's best writers."—New York Times "Here is the novel that I have always wanted to read."—Gabriel García Márquez "A beautiful book, a miracle."—Carlos Fuentes "A master novel...I got choked up, I suffered, I enjoyed."—Mario Vargas Llosa