Keum Suk Gendry-Kim

Keum Suk Gendry-Kim adapts a 1970 novel by Park Wan-suh into a graphic novel, injecting elements of the author's real life into an original framing sequence to emphasize the roman à clef nature of the work.

In the midst of the Korean War, a Korean woman in her early twenties works in a safe zone of Seoul at a booth at an American PX shilling souvenir portraits on scarves painted by some artisans who work on-site from snapshots provided by the clientele. She quickly develops a crush on one of the painters – who is a tortured soul destined to become become an acclaimed artist, not just a piecework craftsman – and pins on him all her dreams of escaping the dreary life of grief she shares with her widowed mother and compares to the lives of the other women around her.

It's a mild but engaging bit of coming-of-age drama playing out with some inevitable predictability but offering a rare and precious perspective of one America's several forgotten wars.

(Best Graphic Novels of 2023 Project: I'm trying to read all the books on the Washington Post 10 Best Graphic Novels of 2023 list. Four down, six to go! How many have you read?)

FOR REFERENCE:

Contents:

• The Naked Tree Lives Again / Ho Won-sook [daughter of Park Wan-suh]

• Prologue
• 1951
• Ok Huido
• Demands
• Chimpanzee
• Family
• Crossed Paths
• Women You Can Buy and Women You Can't Buy
• Crimson Gingko Leaves
• The Naked Tree
• Epilogue

• Artists I Have Loved / Keum Suk Gendry-Kim… (altro)