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As he comes across in the pages of Thanks A Lot, Mr. Kibblewhite: My Story, Roger Daltrey is a personable, engaging fella. It's a rather slender book to cover such a long and prolific career, but Daltrey writes in a brisk conversational tone that was fun to read. I particularly enjoyed the sections on his childhood, his early bands, his family, and his complicated relationship with Pete Townshend. Prompted me to listen to some albums by The Who, which I hadn't done in a while. I didn't realize how much solo work Daltrey's done; I'll have to give some of that a listen as well. In short: good book, enjoyable and a quick but engaging read.
 
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LordSlaw | 7 altre recensioni | Feb 24, 2024 |
I enjoy reading memoirs and biographies of musicians, from blues to zydeco. The Who is one of my favorite rock bands but this memoir by their lead singer was interesting reading and just that. I learned something about Roger Daltry, some of it admirable and some of it understandable but as a whole it was just an enjoyable read, not an outstanding one.½
 
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nmele | 7 altre recensioni | Nov 18, 2023 |
After reading Pete Townshend's [b:Who I Am|13609867|Who I Am|Pete Townshend|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1334931711l/13609867._SY75_.jpg|19207504] I was expecting a gruff tale about Roger punching people in the face in between singing. This is not what I got at all. In fact, I was a little shocked at how sincere and inspiring this book was. On one hand, he left a trail of illegitimate children in his wake (and didn't really feel particularly apologetic about it), but on the other hand he claimed and connected with those children on some level and still managed to keep his second marriage together. More important than all of that is the real sense of a blue-collar success story. He never shies away from the hard work, and there's something especially charming about a man who still spends his time putting in manual labor around his house in between making albums that are some of the most important works in rock and roll history.

Now, Roger doesn't get deep into most of the stuff he discusses like Pete does, but I got the sense that that's just who Roger is--straightforward and rolling with the punches. I *did* find it pretty interesting where Pete's story and Roger's story deviate slightly, but I'll just chalk that up to all the substances that were being used at the time (though, again, Roger is surprisingly chaste in that department, relatively speaking). There are moments where you can get a sense that there's still some resentment toward some situations, but he doesn't seem to let that get in the way of forming important bonds with the people in his life. All in all, I thoroughly enjoyed reading this, and it makes listening to The Who all the sweeter.

By the way, he mentions pairing Ox with The Chieftains twice in this book, and encourages us to look up the performance online. I did. Wow. Just wow. Probably the absolute best version of "Behind Blue Eyes" in existence...go check it out!
 
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BonBonVivant | 7 altre recensioni | Jan 18, 2023 |
Very well written, entertaining and honest account of being part of one of the most famous, successful but volatile rock bands. It is clear that the author was the band member who ensured that the group didn't fall apart after the death of Keith Moon and other cataclysmic events. He was the only one too who didn't have a drug addiction problem. Fascinating insight into a pivotal period of immense change in Britain and the world.
 
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edwardsgt | 7 altre recensioni | Oct 4, 2020 |
You know, this is a really enjoyable, well-written, honest autobiography. Roger Daltrey, like Greg Lake, grew up in a working-class, asbestos-infused neighborhood with many alternatives in his life that could have led to his working in a welding factory all his life, rather than becoming a distinctive voice in rock and roll music.

Daltrey brings in observations on his life (the shortened stature of children born in 1944 due to war-time food shortages) and music (the University of Sheffield's paper from 2005 on music and marginalized populations) as well as his family growing up in Shepherd's Bush, London, and their love for one another. And there is plenty of humor as well: he starts the book with a fainting episode that leads to his wondering how on earth he broke his back. The hospital had the X-Rays to prove it, and he had no memory of which of three falls might have done it!

There are also keen observations on his late bandmates, especially the self-destructive drive that led Keith Moon to an early, tragic death, and how John Entwistle died the way he would have wanted to. And there are the humanizing stories about life on the road in the early days, how their management team were so addicted to their own drugs that many of The Who's millions went up their noses, and the smaller venues where the band first played. And like Lake, Daltrey has been married to the same woman for decades.

The style is humanizing, there are plenty of slang terms, and it is easy to read without getting bogged down in self-effacement or band drama. And I am very, very glad that the Muses saw fit to bring Daltrey his first idea for a guitar (another humorous story) that led to a better guitar and finally to being a front-man for an iconic rock band.
 
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threadnsong | 7 altre recensioni | Sep 8, 2019 |
Very interesting, I'm surprised at how strong he is.... he grew up in a blitz area, didn't do well in his second school, basically was undernourished, worked as a tea-boy and made his own guitars.

After that he got married to his then pregnant g.f., and the years of working w/ 3 basically mentally unbalanced band mates, while being ripped off by his managers....

I was surprised to find out Townshend was basically the only writer in the group, although Daltrey could play guitar he didn't in The Who.

I would have liked there to be more on the making of the film "Tommy".

The book was well written and easy to read.
 
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Auntie-Nanuuq | 7 altre recensioni | Jun 5, 2019 |
A fun read, and very different from Pete Townshend's parallel telling of the Who's story. There's surprisingly little here about the songs, or the recordings, or the concerts; lots, though, about the band's relationships (and some of the business aspects).½
 
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joeldinda | 7 altre recensioni | May 20, 2019 |
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