Recensori in anteprimaDave Itzkoff

Mad As Hell The Making of Network and the Fateful Vision of the Angriest Man in Movies The behind-the-scenes story of the making of the iconic movie Network, which transformed the way we think about television and the way television thinks about us “I’m mad as hell, and I'm not going to take this anymore!” Those words, spoken by an unhinged anchorman named Howard Beale, “the mad prophet of the airwaves,” took America by storm in 1976, when Network became a sensation. With a superb cast (including Faye Dunaway, William Holden, Peter Finch, and Robert Duvall) directed by Sidney Lumet, the film won four Academy Awards and indelibly shaped how we think about corporate and media power. In Mad As Hell, Dave Itzkoff of The New York Times recounts the surprising and dramatic story of how Network made it to the screen. Such a movie rarely gets made any more—one man’s vision of the world, independent of studio testing or market research. And that man was Paddy Chayefsky, the tough, driven, Oscar-winning screenwriter whose vision—outlandish for its time—is all too real today. Itzkoff uses interviews with the cast and crew, as well as Chayefsky’s notes, letters, and drafts to re-create the action in front of and behind the camera at a time of swirling cultural turmoil. The result is a riveting account that enriches our appreciation of this prophetic and still-startling film. Itzkoff also speaks with today’s leading broadcasters and filmmakers to assess Network’s lasting impact on television and popular culture. They testify to the enduring genius of Paddy Chayefsky, who foresaw the future and whose life offers an unforgettable lesson about the true cost of self-expression.

With sharp wit, self-deprecating humor, and penetrating honesty, New York Times journalist Dave Itzkoff turns a keen eye on his life with the mysterious, maddening, much-loved man of whom he writes, “for the first eight years of my life I seem to have believed he was the product of my imagination.” Itzkoff’s father was the man who lumbered home at night and spent hours murmuring to his small son about his dreams and hopes for the boy’s future, and the fears and failures of his own past. He was the hard-nosed New York fur merchant with an unexpectedly emotional soul; a purveyor of well-worn anecdotes and bittersweet life lessons; a trusted ally in childhood revolts against motherly discipline and Hebrew school drudgery; a friend, advisor, and confidant. He was also a junkie. In Cocaine’s Son, Itzkoff chronicles his coming of age in the disjointed shadow of his father’s double life—struggling to reconcile his love for the garrulous protector and provider, and his loathing for the pitiful addict. Through his adolescent and teen years Itzkoff is haunted by the spectacle of his father’s drug-fueled depressions and disappearances. In college, Itzkoff plunges into his own seemingly fated bout with substance abuse. And later, an emotional therapy session ends in the intense certainty that he will never overcome the same demons that have driven the older man. But when his father finally gets clean, a long “morning after” begins for them both. And on a road trip across the country and back into memory, in search of clues and revelations, together they discover that there may be more binding them than ever separated them. Unsparing and heartbreaking, mordantly funny and powerfully felt, Cocaine’s Son clears a place for Dave Itzkoff in the forefront of contemporary memoirists.