Percy M. Young (1912–2004)
Autore di The choral tradition; an historical and analytical survey from the sixteenth century to the present day
Sull'Autore
Opere di Percy M. Young
The choral tradition; an historical and analytical survey from the sixteenth century to the present day (1962) 26 copie
DING DONG BELL. A FIRST BOOK OF NURSERY RHYMES. DEVISED BY P. YOUNG AND EDWARD ARDIZZONE. [THE ILLUSTRATIONS BY E.… (1957) 10 copie
Britten 5 copie
Bicinia Hungarica — A cura di — 3 copie
The oratorios of Handel 3 copie
Vaughan Williams 3 copie
Instrumental Music 1 copia
Football year 1 copia
A First Garland of Great Tunes 1 copia
Masters Of Music Stravinsky 1 copia
A handbook of choral technique 1 copia
Concerto 1 copia
Masters of Music Tchaikobsky 1 copia
Football year 1 copia
St. Stephen's Cathedral, Vienna 1 copia
Music 1 copia
Handel 1685-1759 1 copia
Angelus Autem Domini Descendit 1 copia
Samen naar het concert 1 copia
Opere correlate
Etichette
Informazioni generali
- Nome legale
- Young, Percy Marshall
- Data di nascita
- 1912-05-17
- Data di morte
- 2004-05-09
- Sesso
- male
- Nazionalità
- England
UK - Luogo di nascita
- Northwich, Cheshire, England, UK
- Luogo di morte
- York, Yorkshire, England, UK
- Istruzione
- University of Cambridge (Selwyn College)
Christ's Hospital - Attività lavorative
- musicologist
editor
organist
composer
teacher - Breve biografia
- Percy M. Young, the British music scholar with a special interest in English music of the eighteenth and nineteenth centuries, has also wrote several books about football.
Utenti
Recensioni
Potrebbero anche piacerti
Autori correlati
Statistiche
- Opere
- 70
- Opere correlate
- 4
- Utenti
- 260
- Popolarità
- #88,386
- Voto
- 3.2
- Recensioni
- 1
- ISBN
- 47
- Lingue
- 2
I am vaguely familiar with both Newman and Elgar, but I don't actually know The Dream of Gerontius very well; clearly I should try and get into it. The paper is a bit light on Newman, setting the writing of Gerontius in sequence with Newman's earlier work but without really explaining its importance. But it's very good on Elgar, looking at why he chose Gerontius and also at the difficulties he had in publication and production because of the strongly Catholic subject matter - an early performance at the Worcester festival only went ahead after Newman's text was altered on instruction from the local Anglican bishop, lest the good people of Worcester might start believing in Purgatory after listening to the piece. Anyway, I learned things from this and am also motivated to go and learn more.… (altro)