Immagine dell'autore.

Beverly Sills (1929–2007)

Autore di Bubbles: A Self-Portrait

21+ opere 237 membri 2 recensioni

Sull'Autore

Born in Brooklyn, New York, Beverly Sills began her career at the age of 3, when she sang on the radio under the nickname "Bubbles." The following year she joined a Saturday morning children's program. Then, at the age of 7, she sang in a movie. By the time she was 10 years old, Sills played a part mostra altro on the radio show "Our Gal Sunday." In 1947 Sills began her operatic career, appearing for the first time as Frasquita in Carmen. An American soprano noted for her voice, virtuosity, and intelligence, she also served as an excellent administrator of the New York City Opera. She sang American and avant-garde roles as well as standards and is remembered for her roles as Cleopatra in Giulio Cesare by Handel, Lucia di Lammermoor, Elizabeth in Roberto Devereux, Roberto Devereux, Anna Bolena, Elvira in I puritani, I puritani, and Maria Stuarda. Sills also actively campaigns on behalf of the handicapped and disadvantaged; she has been active in the March of Dimes since 1971. (Bowker Author Biography) mostra meno
Fonte dell'immagine: Library of Congress, Carl van Vechten Collection, Reproduction Number LC-USZ62-103689 DLC

Opere di Beverly Sills

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Etichette

Informazioni generali

Nome canonico
Sills, Beverly
Nome legale
Silverman, Belle Miriam
Greenough, Belle
Data di nascita
1929-05-25
Data di morte
2007-07-02
Sesso
female
Nazionalità
USA
Luogo di nascita
Brooklyn, New York, USA
Luogo di residenza
Brooklyn, New York, USA
Cleveland, Ohio, USA
Milton, Massachusetts, USA
New York, New York, USA
Istruzione
Professional Children's School
Erasmus Hall High School
Attività lavorative
opera singer
theater manager
executive
philanthropist
soprano
autobiographer
Relazioni
Greenough, Peter (husband)
Kissinger, Henry (friend)
Organizzazioni
March of Dimes
New York City Opera
Premi e riconoscimenti
National Medal of Arts (1990)
Kennedy Center Honors (1985)
Presidential Medal of Freedom (1980)
Award for Distinguished Service to the Arts (2004)
Breve biografia
Beverly Sills was born Belle Miriam Silverman in Brooklyn, New York, to a family of Jewish immigrants from Russia and Romania. Nicknamed "Bubbles," she began singing professionally as a very small child. She made her operatic stage debut in 1947 in Bizet's Carmen with the Philadelphia Civic Grand Opera Company. Although she sang a wide repertoire, Miss Sills was best known for her performances in coloratura soprano roles, especially those in the operas of Donizetti. In 1956, she married Peter Greenough, a columnist and editor for The Cleveland Plain Dealer, with whom she had two children. After retiring from singing in 1980, she became general manager of the New York City Opera. In 1994, she became the chairwoman of Lincoln Center and then, in 2002, of the Metropolitan Opera, stepping down in 2005. She was the host of many of the PBS Live from Lincoln Center television broadcasts. For many years, she also served as a member of the Board of Trustees and then chairman of the Board of the March of Dimes, an organization dedicated to preventing birth defects and infant mortality. She published her autobiographies Bubbles: A Self Portrait in 1976 and Beverly: An Autobiography in 1987.

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Recensioni

Cheerful and chatty autobiography by the prominent opera singer; it's not very deep or analytical, but that's not really the intent, here. It really is a self-portrait, talking about experiences, friends, and such. Even Rudolf Bing comes off fairly lightly in the book, which should tell you something. Opera lovers will probably get the most out of it.
½
 
Segnalato
EricCostello | Jun 26, 2021 |
I assume that anyone who is considering reading this book is also an unmitigated fan of Beverly Sills. Either the publishers realized this too, or else they were committing a grave marketing error.

Only an initiate picks up a book with a title like Bubbles.

But for we Sills fans this is standard lingo. Whereas other sopranos had impressive titles like Stupenda, Divina, or Regina, Beverly was only known by her childhood nickname, one that spoke to her effervescent personality as well as her all-American girl-next-door image. Before reading this autobiography I assumed that this endearment came about for no other reasons than these, but as she reports in the opening chapter, it was "forced on me at birth because I was born with an enormous bubble of spit in my mouth." It is chiefly for such anecdotes that Bubbles is of interest. The late Ms. Sills was a terribly funny woman, and never draws back from laughing at herself. Among my favorite episodes (there are many) is the following:

My mother took me to see my first opera when I was eight years old. It was Delibes' Lakmé at the Metropolitan, with Lily Pons in the title role. Miss Pons, a little Dresden doll, came on stage in a costume that had a brief halter top and a lot of bare midriff. It was, for those days, an extremely risqué outfit. I got so excited that I yelled at the top of my lungs, "Mama, Mama, her belly button is showing!"

It is quite possible that this autobiography was underwritten to a certain extent, but Sills' warmth, humor, and general chattiness are definitely preserved. She was always an effective communicator—"I probably taught [my] elocution teacher a thing or two," she writes laughingly—and at times one feels that one is sitting down with her after for a nice afternoon's chat. Indeed, I cannot help wondering if that would not be better. This is a light, breezy, engaging read, but not a particularly deep or revealing retrospective. There is talk of successful collaborations, fun times, and struggles against the bureaucratic system. Her romance with lifelong husband Peter Greenough is lightly but lovingly touched upon, and the sections devoted to her childhood and studies under Estelle Liebling are perhaps most effective as all, besides her thoughts on various roles. She is as candid about her triumphs as her failures—too candid, some might say. Very few would deny that she was the greatest Cleopatra, Manon, and Elisabeth I of her time (those, besides being personal triumphs, not having been particularly popular roles), but is it really necessary to bring that up? We know already, Bev. Now tell us how you did it.

In summary, this is an interesting curio for Sills collectors but for others just looking for a good opera biography I would suggest starting elsewhere, The Last Prima Donnas being a more illuminating, if less amusing, alternative.
… (altro)
1 vota
Segnalato
ncgraham | May 27, 2009 |

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Statistiche

Opere
21
Opere correlate
10
Utenti
237
Popolarità
#95,614
Voto
4.2
Recensioni
2
ISBN
11
Lingue
1

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