Leslie Marmon Silko
Autore di Cerimonia
Sull'Autore
Leslie Marmon Silko was born in 1948 in Albuquerque, New Mexico. Growing up on a reservation, she went to Bureau of Indian Affairs schools before attending the University of New Mexico. She taught at the Navajo Community College in Arizona and is a professor of English at the University of Arizona, mostra altro Tucson. Marmon has written short stories, poetry, plays and novels. Her books include Laguna Woman, Ceremony and Yellow Woman. (Bowker Author Biography) mostra meno
Fonte dell'immagine: Credit: James Nguyen, The Fairfield Mirror.
Opere di Leslie Marmon Silko
A Circle of Nations: Voices and Visions of American Indians (The Earthsong Collection) (1993) — A cura di — 58 copie
A Collection of Critical Essays 1 copia
Opere correlate
Race, Class, and Gender in the United States: An Integrated Study (1992) — Collaboratore, alcune edizioni — 516 copie
You've Got to Read This: Contemporary American Writers Introduce Stories that Held Them in Awe (1994) — Collaboratore — 380 copie
Spider Woman's Granddaughters: Traditional Tales and Contemporary Writing by Native American Women (1989) — Collaboratore — 326 copie
When the Light of the World Was Subdued, Our Songs Came Through: A Norton Anthology of Native Nations Poetry (2020) — Collaboratore — 258 copie
Reinventing the Enemy's Language: Contemporary Native Women's Writings of North America (1997) — Collaboratore — 165 copie
The Man to Send Rain Clouds: Contemporary Stories by American Indians (1992) — Collaboratore — 142 copie
Still Wild: Short Fiction of the American West 1950 to the Present (2000) — Collaboratore — 138 copie
Songs from This Earth on Turtle's Back: Contemporary American Indian Poetry (1983) — Collaboratore — 69 copie
The Remembered Earth: An Anthology of Contemporary Native American Literature (1979) — Collaboratore — 69 copie
Before Columbus Foundation Fiction Anthology: Selections from the American Book Awards 1980-1990 (1992) — Collaboratore — 66 copie
Native Heritage: Personal Accounts by American Indians, 1790 to the Present (1995) — Collaboratore — 59 copie
Speaking for the Generations: Native Writers on Writing (Sun Tracks) (1997) — Collaboratore — 44 copie
The Lightning Within: An Anthology of Contemporary American Indian Fiction (1991) — Collaboratore — 25 copie
Pueblo Imagination: Landscape and Memory in the Photography of Lee Marmon (2003) — Collaboratore — 12 copie
20th Century American Short Stories, Volume 2 — Collaboratore — 3 copie
TriQuarterly 48: Western Stories — Collaboratore — 2 copie
Etichette
Informazioni generali
- Data di nascita
- 1948-03-05
- Sesso
- female
- Nazionalità
- Laguna Pueblo
- Nazione (per mappa)
- USA
- Luogo di nascita
- Albuquerque, New Mexico, USA
- Luogo di residenza
- Albuquerque, New Mexico, USA (USA)
- Istruzione
- University of New Mexico (BA)
- Attività lavorative
- poet
novelist - Premi e riconoscimenti
- Lannan Literary Award (Fiction ∙ 2000)
MacArthur Foundation "Genius Grant" (1981)
Lifetime Achievement Award, Native Writers Circle of The Americas (1994)
Robert Kirsch Award (2020)
Utenti
Recensioni
Liste
Premi e riconoscimenti
Potrebbero anche piacerti
Autori correlati
Statistiche
- Opere
- 20
- Opere correlate
- 48
- Utenti
- 6,023
- Popolarità
- #4,088
- Voto
- 3.9
- Recensioni
- 85
- ISBN
- 81
- Lingue
- 8
- Preferito da
- 9
In the war, Tayo fought on an unnamed Pacific island where it rained constantly. His home (just west of Albuquerque) on the other hand, is in the midst of a long term severe drought. Tayo feels some guilt because he prayed for and performed ceremonies to end the rain in the Pacific, and he fears that his efforts may have brought the drought to his home.
Tayo’s childhood friends, who also fought in the war, spend much of their time reminiscing about how much respect they got while they were in uniform. That respect contrasts dramatically with the way they are treated now, and they find themselves devolved into an almost constant state of drunkenness. Their fate inspires Tayo think about the tremendous discrimination Native Americans face at the hands of the whites, whom they nevertheless seem to admire.
The narrative oscillates from Tayo’s pre-war youth to the war and to his current situation. Always present is Tayo’s efforts to influence events through prayers and ceremonies. The characters face a constant tension between the Christianity forced upon them by the whites and the ancient stories and beliefs of their ancestors. It Is not clear to me whether the author wants the reader to believe (for purposes of the story) in the efficacy of the ceremonies as actual causes of the events in the novel, but it is very clear that the characters believe in them. It is also clear that Ms. Silko doesn’t put much faith in the whites’ religion, either in the novel or in her own life.
The story takes some unusual turns, and the conclusion is more than a little bizarre. Tayo’s efforts to end the drought have not been successful, and so he believes he must do something extra to complete his ceremony. That something is to incorporate an element of white culture into his rite. He decides that he needs to spend a night in a local abandoned uranium mine and the ceremony will be complete.
Unfortunately, some of his “friends,” one of whom is an avowed enemy from childhood, have their own notions of ceremony that involve a ritual killing of a tribe member, presumably Tayo. The “friends” come looking for Tayo, but can’t find him in the mine. So they decide to kill Tayo’s best friend! From his hiding place, Tayo watches them torture his real friend to death, but, knowing the trouble he would incur, restrains himself from killing their leader in order to save his friend. The white authorities investigate the murder, but are unable to prove a case against the leader. However, the FBI agent investigating the crime knows enough to tell the leader to leave New Mexico and never return. The leader goes off to California, which is significant because that is where Tayo had spent his time recovering in the VA hospital.
In the end, the drought is broken. The reader is left to decide whether the correlation of Tayo’s ceremony was the cause of the end of the drought.
In this summary, the story seems more than a little kooky. However, the book is very well written, including numerous short poems that bring Indian lore to life. In addition, I can attest that its descriptions of the land is very accurate. I read this book in conjunction with Yellow Woman and a Beauty of the Spirit, a collection of non-fiction essays by the same author. The two together provide a bittersweet depiction of Native American life today.
(JAB)… (altro)