Immagine dell'autore.

Margaret Rutherford (1892–1972)

Autore di How Pleasant to Know Mr. Lear: Nonsense Poems

29+ opere 59 membri 2 recensioni

Sull'Autore

Comprende il nome: Dame Margaret Rutherford

Fonte dell'immagine: wikimedia.org

Opere di Margaret Rutherford

How Pleasant to Know Mr. Lear: Nonsense Poems (1982) — A cura di — 27 copie
Autobiography (1972) 4 copie

Opere correlate

Chimes at Midnight [1965 film] (1965) — Actor — 82 copie
The Importance of Being Earnest [1952 film] (1952) — Actor — 74 copie
Blithe Spirit [1945 film] (1945) — Actor — 57 copie
Passport to Pimlico [1949 film] (1999) — Actor — 38 copie
Murder Ahoy [1964 film] (1964) — Actor — 22 copie

Etichette

Informazioni generali

Nome legale
Rutherford, Dame Margaret Taylor
Data di nascita
1892-05-11
Data di morte
1972-05-22
Sesso
female
Nazionalità
UK
Luogo di nascita
London, England, UK
Luogo di morte
Buckinghamshire, England
Luogo di residenza
Madras, India
Wimbledon, England, UK
Istruzione
Wimbledon High School
Attività lavorative
actor
autobiographer
piano teacher
Relazioni
Benn, Sir John (uncle)
Premi e riconoscimenti
Dame of the Order of the British Empire (1965)
Academy Award for Best Supporting Actress (1963)
Breve biografia
Margaret Rutherford was born in Balham in South London to a deeply troubled family. Her father William Rutherford Benn, a journalist and poet, had murdered his own father, been declared insane, and confined to Broadmoor Criminal Lunatic Asylum. He was released from Broadmoor in 1890 and dropped his surname. He then took his wife and young Margaret to live in India. She was sent back to Britain at age three to live with her aunt Bessie Nicholson in Wimbledon and told that her father was dead. Her mother committed suicide. At age 12, Margaret learned that her father was still alive and had in fact been readmitted to Broadmoor, where he remained until his death in 1921. She was educated at Wimbledon High School and at boarding school. She developed an interest in the theater, took acting lessons, and performed in amateur dramatics. When her aunt Bessie died, she left money that helped Margaret pay for drama training at the Old Vic School. She supported herself as a piano teacher and as an elocution teacher. She made her stage debut at the Old Vic in 1925 and soon established herself as a talented and beloved comic actress. One of her most famous roles was as Miss Prism in John Gielgud's production of The Importance of Being Earnest in 1939. In 1941, she received rave reviews as Madame Arcati in Noël Coward's Blithe Spirit, a role she reprised in David Lean's 1945 film version of the play. Other famous film roles included Professor Hatton Jones in Passport to Pimlico (1949), Miss Prism in the 1952 film adaptation of The Importance of Being Earnest, and Aunt Dolly in I'm All Right Jack (1959).
In 1963, she won an Academy Award and Golden Globe as Best Supporting Actress for her performance as the Duchess of Brighton in The VIPs. Between 1961 and 1964, she portrayed Miss Jane Marple in a series of four films based on the novels of Agatha Christie. In 1945, at age 53, she married Stringer Davis, a character actor 7 years her junior with whom she appeared in many productions. He nursed her through periodic episodes of depression, which sometimes involved stays in psychiatric hospitals and electric shock treatment. She was made a Dame of the Order of the British Empire in 1967.

Utenti

Recensioni

Delitto Sotto Il Sole, Assassinio Allo Specchio, Assassinio Sul Nilo, Assassinio Sull'Orient Express
 
Segnalato
javirulillo2 | Mar 28, 2020 |
Publishers Weekly - Butenko, a Polish artist, disappoints with these eccentric, haphazard renderings of four poems by Lear. Butenko draws in grainy white medium on a dark, matte ground, givng the effect of chalk on a blackboard. He makes heavy use of preschoolish-fans might say ``primitive''-stick figures with spherical, smiley-face heads. The autobiographical ``How Pleasant to Know Mr. Lear!'' (Lear himself called it ``Self-Portrait of the Laureate of Nonsense'') opens the volume, with Butenko hand-lettering every word; the other three selections pair doodles with mostly mechanical type. Unsurprisingly, the richness of this book lies in Lear's playful but melancholy verse: ``The Jumblies'' realizes the envy of people neither foolhardy nor brave enough to ``[sail] to sea in a sieve''; ``The Dong with a Luminous Nose'' evokes longing and heartbreak (for this selection, Butenko crudely copies Lear's own cartoon); ``The Scroobious Pip'' introduces a bizarre animal that suggests Lewis Carroll's Jabberwock. Neither Butenko nor Lemieux (see There Was an Old Man..., reviewed above) improves on Lear's own illustrations, which can be viewed in such volumes as the Everyman's Library Children's Classics edition of A Book of Nonsense. Ages 4-10.… (altro)
 
Segnalato
Vanessamom25 | Jan 17, 2014 |

Premi e riconoscimenti

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Statistiche

Opere
29
Opere correlate
19
Utenti
59
Popolarità
#280,813
Voto
½ 3.6
Recensioni
2
ISBN
4

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