C.M. Rubin
Autore di The Real Alice in Wonderland: A Role Model for the Ages
Opere di C.M. Rubin
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Statistiche
- Opere
- 1
- Utenti
- 20
- Popolarità
- #589,235
- Voto
- 3.5
- Recensioni
- 2
- ISBN
- 1
This is a beautiful publication concerning the life of Alice Pleasance Liddell, later Hargreaves, who certainly inspired Alice in Wonderland. But the blurbs give the impression that this is a biography. And it isn't. Not even close.
There is a desperate need for a good modern biography of Alice. I know of five biographies of her, including a relatively recent one by the great Alice scholar Morton Cohen -- but all, as of this writing, are out of print. The best available source for information on Alice, right now, is probably Cohen's biography of Charles Dodgson. But that devotes only a little attention to her post-Carroll life.
So when I saw this book advertised, I was quite excited. Then it showed up....
For starters, there is very little text. I read it in less than an hour, and that's with a lot of time spent examining the pictures. There is almost nothing about Alice's birth. Her illustrious ancestors are mentioned but not traced. There is little about how her family came to Oxford. There is nothing about her childhood. Her adult life is mostly glossed over -- a little about her marriage, and one possible suitor whose name I had not previously encountered, but about fifty years are covered in a handful of mostly-blank pages.
As for the question of her relationship with Dodgson, that's largely ignored. So is Dodgson's patent autism, and the relationship with other girls. There is no mention of the page in Dodgson's diaries which was cut out by his relatives because it (presumably) detailed exactly why Dodgson and the Liddells became estranged. Nor do we see the depression which Dodgson suffered after that, or his desperate attempts to rebuild the relationship. This lies at the heart of the Alice story, because Alice in Wonderland and Through the Looking Glass were both written after the estrangement -- and probably in part as an attempt to end it.
What detail there is is deceptive. Alice was not four when she first met Dodgson; she was not quite four. As far as we know, she did not attempt contact with him after the estrangement; all their contacts were at his request. Yes, she remembered him fondly seventy years later -- by which time it was to her financial advantage to do so.
And she wasn't a saint. She is said to have been quite strict toward her inferiors. One wonders if this might not be the result of the psychological scars of losing such a beloved friend at an early age.
To be sure, she was highly intelligent (almost certainly one of the reasons Dodgson liked her). Intellectually, she was brilliant, and it is a medium-sized tragedy that Victorian society largely prevented her from revealing that brilliance. Had she been born a half a century later, she, and not Margaret Thatcher, might have been the first female British Prime Minister. She was that intelligent, that determined, and that creative. It would have been much better to show that side of her rather than this cardboard creature of charities and other people's memories.
The one redeeming feature of the book is the art. There are images of one of Alice's sketches, five of her paintings, and one carved door that is her work. These are hard to find elsewhere. I would, frankly, have liked to see more of her sketches; this seems to me to have been her best medium. There are also a couple of photos of Alice I haven't seen elsewhere (not by Dodgson). There are also photos of places where she lived. There are a few glitches (e.g. the photo on page 7 has been reversed, as has one of Julia Margaret Cameron's). And who cares about modern recreations of Alice characters? The "other" "real Alice" was Isa Bowman, a friend of Dodgson's who played the role on stage -- and she is neither mentioned nor pictured; instead we as shown later cartoon Alices. Still, the illustrations are the saving grace of the book. I gave this book two and a half stars. That's based on one and a half for the text and three and a half for the art. If you want images of Alice Hargreaves, this is a fine place to start. If you want a biography -- better start haunting used bookstores. Because this isn't one.… (altro)