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Andrew J McKiernan

Autore di Last Year, When We Were Young

4+ opere 10 membri 2 recensioni

Opere di Andrew J McKiernan

Opere correlate

Circus: Fantasy Under the Big Top (2012) — Collaboratore — 67 copie
Night Terrors Anthology (2012) — Collaboratore — 19 copie
The Year's Best Australian Fantasy and Horror 2011 (2012) — Collaboratore — 16 copie
Macabre: A Journey Through Australia's Darkest Fears (2010) — Collaboratore — 15 copie
Dead Red Heart (2011) — Collaboratore — 11 copie
The Year's Best Australian Fantasy and Horror 2010 (2011) — Collaboratore — 10 copie
The Year's Best Australian Fantasy and Horror 2014 (2015) — Collaboratore — 10 copie
The Year's Best Australian Fantasy and Horror 2012 (2013) — Collaboratore — 7 copie
Masques (2009) — Collaboratore — 6 copie
Winds of Change (2011) — Illustratore — 3 copie

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I've mentioned before how much I enjoy what's coming out of the Australian horror writing community and this new collection of shorts from Andrew J. McKiernan just adds to that impression.

Last Year, When We Were Young cover's his young career from his first published short in July of 2007 though November of 2012. Sixteen stories, with only one thing in common, they are all exceptional.

It all starts with a delightful fantasy with beautiful prose, "The Memory of Water," which opens with the line, "'The ocean, it remembers us,' David said, the heel of his foot dredging shallow trenches in the sand."

There's the powerful didactic story "White Lines, White Crosses," A tale of speed and peer pressure told in a haunting manner.

I loved "Calliope: A Steam Romance." A bit of steampunk fantasy, beautifully told. It's at this point in the collection that I'm getting the feeling I'm reading something special as McKiernan does with words what a great painter does with his brushstrokes.

There is a distinct diversity in the stories found in this collection, as evidenced in "Love Death," an intriguing story of a newlywed who turns to a necromancer to bring back his bride after a wedding day accident and the consequence that follows.

I keep thinking that I won't comment on every story, but each one is even better than the last. One of my favorites is, "The Message," in which Marion leaves her abusive husband and takes a job answering a very special phone and taking messages. Sounds simple, right? I really enjoyed where this one went.

At the end of the book, the author tells where the inspiration came from for select stories. "Back in 2006, my second son (who would have been about 7 years of age at the time) came home from school with a birthday card he'd made for me from clip-art. It read; All the clowns in Clowntown, wish you barrels of fun on your birthday! There was a cartoony picture of a clown on front , and the instant I read it I knew there was a story hidden inside." The resulting story was "All the Clowns In Clowntown." There's even a second visit to Clowntown later in the collection.

Autosarcophagy (look it up) is a big part of "The Final Degustation of Doctor Ernest Blenheim. That's as good a place as any to end this review.

Last Year, When We Were Young is among my favorite reads for 2014. Currently available in both paperback and for the Kindle through Amazon.com from Satalyte Publishing. Plus, if you subscribe to Kindle Unlimited you can read it for FREE.

This one gets my highest recommendation, I can all but guarantee you won't be disappointed.
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FrankErrington | 1 altra recensione | Aug 18, 2014 |
Last Year, When We Were Young by Andrew J McKiernan is the author's first short story collection and, indeed, his first solo book. I should note up front that, once upon a time, the author and I were in the same writing critique group. What this mainly means is that I'd seen early drafts of a few stories, a long time ago, and had very vague memories of them. But I thought I should disclose that up front.

There was a decent variety of stories in Last Year, When We Were Young, with most of them tending towards the horror side of the spec fic triangle. (Spec fic is a triangle now. Or maybe a triangular Venn Diagram, but I digress.) Some were more contemplative and serious, while others were more... gory. One was even science fiction. Looking over the table of contents again, most of the stories have very good titles.

I found I most enjoyed the more contemplative stories. My favourites were "The Memory of Water", "White Lines, White Crosses" and the titular "Last Year, When We Were Young", although the latter is perhaps less contemplative per se. The former two stories deal with loss and death in a poignant way.

Actually, I liked most of the stories in this collection. My least favourite tended to be the most gruesome, which is reflective of my horror preferences more generally. And although I am using the term horror to describe the collection as a whole, I'm not sure the three circus-based stories (for lack of a more accurate phrase) count as horror. Certainly not "Calliope: A Steam Romance" nor "The Dumbshow". "All the Clowns in Clowntown" is perhaps more borderline since it definitely has a well executed feeling of dread to it, but on the other hand, it's about clowns. I suspect coulrophobiacs may disagree with me on that point.

I also liked "The Haunting that Jack Built" — in part for the name — and "The Desert Song", both of which were set in rural Australia and both of which had fairly traditional horror elements. I liked the Australian angle and difference between the Australia of the past and the Australia of a not-so-nice future. I also liked "The Message", which packed a powerful punch, nonetheless.

All in all, this was a pretty solid collection and I would recommend it to horror fans and fans of dark speculative fiction. With a few exceptions, there was nothing too extremely horrific in the stories and I think most of them would be enjoyed by a fairly broad audience.

~

The Memory of Water — A story I found difficult to put down. Siblings remember their departed parents.

White Lines, White Crosses — A teenaged boy and his family move from Sydney to a country town that is eerily obsessed with hooning. It was a disturbing story with a creeping sense of foreboding.

Calliope: A Steam Romance — A patent clerk is captivated by a woman playing a calliope (a steam-powered musical instrument). True steampunk set in Sydney, even more steampunky when we learn that the woman is actually an intelligent automaton. Also, points for many physicist/scientist shout-outs.

Love Death — A young man brings his new wife to a necromancer, hoping to get her back. I may be a bad person, but I found the circumstances around her death pretty (blackly) funny.

The Message — You know when you read a genre book and you know you're reading a genre book but the characters in it don't know they're in a genre book? This story made me think about that phenomenon. A woman takes a job answering a mysterious phone. Obviously, it's far from an ordinary phone and certain aspects of the past resurface...

All the Clowns in Clowntown — Surprisingly epic for a short story. In this world clowning isn’t just something someone does, it’s who they are. The clowns have clustered together in Clowntown, living their lives, until one day the circus comes to town.

Daivadana — a disturbing tale of a diplomat (sort of) who gets caught up in an old Tajik religion. Pretty gruesome at times.

The Dumbshow — Another story in the same universe as "All the Clowns in Clowntown", set (I think) shortly after the events of the previous story. It's much less eerie and, being shorter, a more straightforward story. Honestly not sure how it would stand on its own without the earlier background.

The Final Degustation of Doctor Ernest Blenheim — A little hard to get past the self-cannibalism. And honestly once past that it was still a weird story. As far as revulsion goes, I think it did improve as it went along.

Torch Song — The speculative element sneaks up on you in this one, but I quite liked it. A shot tale, good punch. Title very apt.

The Wanderer in the Darkness — Sci-fi horror, so it automatically put me in mind of Alien. My only issue with it was a character leaving an airlock without his helmet and then not dying. Oh well.

A Prayer for Lazarus — I think I read part of this before, possibly an earlier version. Anyway, creepy story told from a young girl's point of view about her mother's descent into a form of zombie-ism.

The Haunting that Jack Built — I quite liked this story. Set in a rural, small town in the Australian 1950s, Jack builds a house while the townspeople can't help but notice women disappearing when they come to visit him. (I think I'd read at least part of this story before.)

They Don’t Know That We Know What They Know — A weird story with a fitting title. Reminded me a little of "Daivadana", although it's actually pretty different in the details. A seer interrogating the dead body of a young terrorist.

The Desert Song — A sort of zombie story, set in rural future post-something bad Australia. I liked it and the ideas in it but I found it a little inconsistent.

Last Year, When We Were Young — One of my favourite stories in the collection. And it's a great title, which works well for the collection as a whole. A speed ageing plague has infected humanity and the concept is taken to its horrifying conclusion.

4 / 5 stars

You can read more of my reviews on my blog.
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Tsana | 1 altra recensione | Jul 20, 2014 |

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4
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10
Utenti
10
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½ 3.6
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