Brad LinaweaverRecensioni

A rollercoaster tale of alien invasion using a gate from elsewhere that opens on a Martian moon. Based on a popular video game, it properly fills its pages with shoot-em-up as a Marine charges into the alien nest in search of survivors. A blurb compared it to Starship Troopers. I wouldn't go that far, but it does have a plot and it will hold your attention.

cool novelization of the tv show

Oh My Word! This just about has to be the worst book, grammar, plot, characterization, that I have ever read! It was basically reading the game with some token things thrown in, like conversation, love interest, duty, despair and hope. It was just plain horrible. Continuity was almost nil; to call the characters cardboard cutouts would insulting to cardboard.

The game is awesome, this novel, not so much. I can see why someone would read this first one, because they are into Doom, but after getting through this trainwreck, I don't see how the next 3 books were ever published. I certainly won't be reading them!

The shortest way I can summarize this book is this: It's like someone wrote down gameplay and packed it full of erotic jokes.

I bought this one as a test to see what video game based literature was like. I shouldn't have chosen this one to begin with. There are good books that are based on video games, but this is not one of them.

Some of my reactions to reading this novel in 1991. Spoilers follow.

This fine novel came as a very pleasant surprise. I picked it up without hearing anything about it, expecting an alternate history utilizing the Nazis’ bizarre occult notions. There’s some of that, but it’s mainly an excellent alternate history, character study, and novel of political philosophy.

There is not, as far the alternate history goes, a really “sharp agate point” (as Winston Churchill put it) on which history turns. The turning point seems to be Franklin Roosevelt’s impeachment over Pearl Harbor. Dewey becomes President, then Robert Taft. America becomes a libertarian state that defeats Japan through sea attacks with atom bombs (no civilian targets are hit with nuclear weapons), but the invasion of Europe is repelled by Nazi atom bombs. A Cold War, nuclear staelmate ensues between authoritarian, socialist Nazi Europe and the libertarian, chaotic, America.

The novel takes between 1975 (in a hotel hosting an sf convention) and 2000 (and another sf convention). Linaweaver (who, to my knowledge, hasn’t written anything else besides different versions of this story) does a good job of weaving exposition of this world into the narrative. Most of the novel is the diary of Dr. Joseph Goebbels and his rebellious daughter Hilda’s diary. Linaweaver nicely defines these characters as individuals and symbols of political philosophy. Joseph Goebbels voice seems quite authentic as he honestly bares himself in his diary. The hypocrisy and cynicism of his beliefs -- with the sincere exception of genuine anti-Semitism -- is fascinating. At one point, he says “Civilization cannot survive without hypocrisy, and ... murder and kidnapping ... must be a monopoly of the state.” He amuses people at parties by spontaneously framing arguments for different political orders.

Hitler, the object of Goebbels’ worship, the star his life is guided by, appears briefly. Goebbels fawns over him in their last conversation before Hitler’s death. (They discuss the uncomfortable similarities between FDR and Hitler: moving their countries toward socialism, assuming dictatorial powers -- including concentration camps, and embarking on aggression -- FDR’s not so subtle breaking of U.S. neutrality.) Hitler, as intreprated in this novel, is more cynical than usually shown. His main concern is being a cultural fuehrer to a Nazi world and universe -- the Nazi space program is not doing as well as America’s -- and not the more bizarre notions of Heinrich Himmler’s occult obsessed SS. To Hitler, the enemy of fascism, more than Jews or Christians, is the “love of the individual”, the sacrifice of the state to the individual. Hitler dreams of a state used by a few superior individuals. This the man Goebbels loves more than his family. There is one scene of terror, truth, and poignancy when Gobbels' son thrusts him onto Hitler’s funeral pyre. The son says, “Now you can serve Adolf Hitler for eternity. You always loved him best.”

The cynicism, hate, and repressive order Goebbels loves and serves is turned against him in the character of the megolomaniac scientist Richard Dietrich, described as looking like the sinister, villain, and mad scientist Dr. Mabuse -- character in a series of popular pre-World War II German films). Dietrich, a brilliant scientist not only in genetics -- it is implied he finds a magnetic way of manipulating the bases of DNA -- but also the discoverer of a unified theory, is a former Jew turned anti-Semite turned destroyer of the world. He plans on wiping out humanity with a virus, a new Flood for the twentieth century, sparing those he immunizes, creating a new race via genetic engineering. Goebbels, in Dietrich’s clutches, is horrified. But Dietrich tells Goebbels his plan is merely a logical extension of the Nazis cynical, hateful regime. The SS, in their occult-permeated Burgundy -- hypocritically devoted to restoring the medieval purity of Aryan life but funded by Himmler’s technological businesses -- have decided another purge is in order. Germany (and Goebbels) just aren’t living up to Aryan ideals and, with Dietrich’s help (he plans on a double cross), will kill them off. Dietrich, like Hitler, sees people as tools. For him, they must advance knowledge or die. And, like Goebbels, he despises the idea of natural rights: “What is a right? Can you weigh it, measure it, taste it?” Dietrich doesn’t believe anyone is the Chosen People. He will do the choosing. Man is a “killer ape”. He will play God and create and destroy life. Goebbels, shortly before his planned death, says of Dietrich and the Burgundian SS: “The kind of hatred motivating this Burgundian leader was no stranger to me. Never in my worst nightmares did it occur to me that I could be a victim of this kind of thinking.” Goebbels fanned the fires of hate and is almost consumed.

In another part of this book, it is speculated that the truly evil are innocent of what they’re truly doing. Goebbels seems truly ignorant of the consequences of what he’s done. Hilda, his daughter, is another well-done character. The novel is partly a depiction of her journey from party elite to anarchist rebel who helps bring down Dietrich and save the world. Her voice is humorous, grim, and thoughtful. Politically, the book might be summed up by Benjamin Franklin 's remark “Those who sacrifice liberty for the sake of security deserve neither.”

The narrative structure is dialectic, but it’s a much better job at sf political dialectic than say Ursula K. Le Guin’s The Dispossessed. Here Nazi Europe is a repressive, tyrannical, socially-engineered order. Libertarian American is virtual chaos but a rich, free chaos. (Hitler remarks to Goebbels that Keynes' economic ideas were vindicated in Nazi Europe -- war is needed to create employment and to consume goods. Goebbels wisely is silent though he knows America is rich because it is not economically isolationist nor imperialistic. Alan Whitmore, editor of the Goebels’ diaries, states this theme at the novel’s beginning when he says power is sought for security. Goebbels finds out, as many tyrants do, power is not security. The tyrant seeks order, security for his cultural, ideaological, political, moral, racial, and religious ideas, an order and security preserved by power at others' expense. Freedom is risky, chaotic but precious. It is this notion concentration camp survivor Harold Baerwald acknowledges when he says of life “No one gets out here alive.” His books, uner the pseudonym H. Freedman, celebrate the liberty of the U.S.. When he sees poor immigrants sleeping in packing crates, he remarks on it to Alan Whitmore who says laissez-faire capitalism has not made everyone rich. Baerwald replies “... it hasn’t sent anyone to concentration camps either! There are worse fates than being a beggar.” Social engineering, forced altruism, forced morality (beyond basic sanctions against “force and fraud”) are shown to be worst than the imperfect libertarian alternative.

Yet, Linaweaver points out some flaws in libertarianism. Some of New York’s private roads are a nightmare while the Nazis have splendid autobahns (which they can’t afford). In defense of the libertarianism, the market is shown providing some solutions -- including improved auto suspension. A more serious flaw in the book's propagandizing is libertarian foreign policy and antipathy to intelligence agencies and "dirty tricks". Violation of the rule of law and ignoring a natural rights principle for all men (as Dietrich does) can lead to tyranny. It can also be argued that (and this point is not addressed in the novel) America “lucks out” in having the German underground stop Dietrich. A so-called “imperialist policy” could have stopped the Nazis and maybe saved some people from death camps.

The novel’s end is reminiscent of recent events in the Soviet Union -- it was only written in 1988. A tyrannical system begins to unravel economically. I would agree with libertarians that tyranny usually, through wasting resources and people, collapses. The trouble is that a lot of damage can be done in the meantime. Damage which can be prevented through some of the apparatus of the “security state”. In terms of the novel, FDR’s “imperialism” could have saved a lot of European misery despite its more unsavory elements.

Other things I liked about the novel: the references to H. L. Mencken, and the Nazi film Fufillment of Duty in the Light of the Holy Grail, a Nazi Raiders of the Lost Ark where the intrepid Grail professor von Moltke must find the Aryan Stone, the Grail in Iceland before British soldiers do. The Aryan Stone wastes a bunch of Brits at film’s end while sparing the hero and heroine.

Not as good as the show, naturally. But not bad for a book based on a show. Pretty well stays true to the series.

For any fans of the Doom universe, whether the novelization series or the games themselves, I cannot caution you enough to never pick this book up. Stay with Knee Deep in the Dead or Hell on Earth if you must, but Endgame is a novel that completely strays away from sense and sanity.½

On the whole I found this anthology disappointing, and it won't be keeping its place on my bookshelves. The book is comprised of 20 short works of libertarian science fiction--almost all original to the book, set in a shared universe and organized historically from an alternate history incident in our recent past to centuries into the future. I read another anthology of libertarian science fiction recently, Give Me Liberty, and by and large that was stronger, because its editor could pick and choose stories written by various authors over decades fitting its theme, while this, as with many other theme anthologies of new stories was rather hit or miss--and I felt more often miss. I'd say a good half of the stories I concluded once I finished weren't worth reading or I skipped to the next midway, because they were too heavy-handed and didactic or confusing, even incoherent or just plain boring. Almost another third of the stories were okay--just okay. Nothing that really stood out as memorable at all. Finally, there were five stories that I did like:

1) "Madam Butterfly" by James P. Hogan - dealing with the "butterfly effect" I thought this was one of the very few stories worth reading for its own sake with strong storytelling, not simply a libertarian polemic.

2) "Early Bird" by Gregory Benford - this one stood out as the one work of old fashioned hard science fiction dealing with sophisticated scientific concepts and featuring one of the rare strong and believable female characters in the book. (There was only one female author in the anthology. As the editor condescendingly put it, McElroy was only "babe" he was able "to talk between the covers." She contributed a rather lackluster poem rather than a story.)

3) "Tyranny" by Poul Anderson - Anderson has written a lot of science fiction I have loved. He was one of only a handful of standouts in another theme anthology of original stories I read recently, Dangerous Visions. His story there, "Eutopia" was so much better written, with a strong literary style, while "Tyranny" suffered from infodump and seemed clunky in comparison. But I did appreciate that this story dealt with the price you pay for freedom--that there is no such thing as utopia. The most thought-provoking story in the book.

4) "The Hand You're Dealt" by Robert J. Sawyer - I enjoyed this as a well-written noirish hard-boiled science fiction mystery.

5) "The Performance of a Life-Time" by Arthur Byron Cover - Memorable like "Tyranny" for examining one possible weakness of a free society and with a clever twist.

That's not enough though. I liked the above stories--only a quarter of the whole, but I didn't love them. I have loved stories by authors included in the book--particularly stories and novels by Poul Anderson, Ray Bradbury (yes, that one, of Fahrenheit 451 fame), James P. Hogan and Robert Anton Wilson. Bradbury and Wilson provided undistinguished poems, and though Anderson and Hogan contributed two of the best stories in the anthology, I don't think either of those stories are examples of the best they're capable of. Recommended to fans of libertarian science fiction only--and by no means do I think even they would find this book a standout in the subgenre.½

At 70 pages, this is more of a novella than a short story. It's set up as Goebbels' diaries from April-Dec. 1965. Having won the war by getting the bomb first, Germany settles into the uneasy role of world super-power, squared off against a prosperous America. Goebbels muses about the death of Hitler, wonders where Germany is headed, and unwittingly becomes the pawn in a plot to further the Nazi agenda. There is a lot of interesting speculation on various political issues, which I found very interesting, and an action-adventure denouement, which I found a little rushed. I thought it was worth the read.

What.

I have a strange spot in my heart for this book. It's not well-written by any stretch, but I guess maybe I just have fond memories of it. This is probably the best book it is possible to write based on the original Doom.½

In this alternate history, Hilda Goebbels was not murdered in the Führerbunker by her own parents; but in this world where the Nazis won, she has grown up to be a notorious anarchist revolutionary. Meanwhile, those whom even some of the Nazis considered crazy are close to realising their ambition of Ragnarok, fuelled by the world-changing 'truth' of Professor Hörbinger's World Ice Theory.

If anyone thinks some of the conspiracy theories surrounding the ascendency of the Neo-Conservatives in the USA in the 1990s were weird (as were some of the NeoCons themselves), they should read this and see just how weird power can make you. Yes, I know it's just a novel, a fabulation; but if the author can imagine it, just think what those who actually believed this sort of tosh could come up with!

Based on a short story and probably a bit over-expanded, but an interesting addition to the 'Hitler wins' sub-genre nonetheless.½

I found the premise of the book interesting, especially since I played DOOM and DOOM II way back then. However, in some ways the book is too close to the game. The explore-room-fight-monster routine gets repetitive (even the protagonist comments on that!), and ultimately the book does not add much to the already-thin DOOM plot.

Still, I'll probably give the next book in the series a chance to do better.

Despite the fact that this book claims to be "an all-new, original novel based on the Fox TV series," it isn't; it's a novelization of the pilot episode.

Great book, based on the computer game from id Software.

Good Book

Good book