Immagine dell'autore.

Harry Kurnitz (1908–1968)

Autore di Testimone d'accusa [1957 film]

10+ opere 257 membri 7 recensioni

Sull'Autore

Nota di disambiguazione:

(eng) Psuedonymn for Harry Kurnitz

Opere di Harry Kurnitz

Testimone d'accusa [1957 film] (1957) — Screenplay — 102 copie
Fast Company (1938) 43 copie
A Shot in the Dark: A Comedy in Three Acts (1954) — adaptor — 31 copie
Reclining Figure (1952) 30 copie
The Shadowy Third (1946) 15 copie
My Dream Is Yours [1949 film] (1949) — Screenwriter — 15 copie
Once More, With Feeling (1959) 12 copie
Invasion of Privacy (1956) 7 copie

Opere correlate

Etichette

Informazioni generali

Nome canonico
Kurnitz, Harry
Nome legale
Kurnitz, Harry
Altri nomi
Page, Marco
Data di nascita
1908-01-05
Data di morte
1968-03-18
Sesso
male
Nazionalità
USA
Luogo di nascita
New York City, New York, USA
Luogo di morte
Los Angeles, California, USA
Attività lavorative
reporter
screenwriter
Breve biografia
A former reporter, Harry Kurnitz arrived in Hollywood in 1938 after being hired to write the screenplay for his own story, "Fast Company." He stayed to become a prolific screenwriter, working on everything from Errol Flynn swashbucklers to Danny Kaye comedies. He also found time to become a successful novelist and playwright ("A Shot in the Dark", "Once More with Feeling").

IMDb Mini Biography By: frankfob2@yahoo.com

Trivia
American Playwright

Was nominated for Broadway's 1964 Tony Award as Best Author (Musical), along with his collaborator Noel Coward, for "The Girl Who Came to Supper."
Nota di disambiguazione
Psuedonymn for Harry Kurnitz

Utenti

Recensioni

Laughton steals the show as a barrister just out of the hospital after a heart attack who takes on the case of Power, who is accused of killing an older woman who has left him 80,000 pounds in her will. The case turns on the testimony of Power's German wife played by Marlene Dietrich. While Power, who is clearly not British, seems very out of place, the rest of the cast excels in a very well-written script that perhaps has one twist too many, but is still quite effective, engrossing, and amusing.… (altro)
½
 
Segnalato
datrappert | 2 altre recensioni | Oct 24, 2021 |
Novela entretenida, pero la edición española es de vergüenza: erratas para dar y regalar que no solo te sacan de la lectura sino que en ocasiones dificultan el entender lo que se está leyendo. Vamos, que la edición es de 1 estrella, y porque no hay menos.
 
Segnalato
cuentosalgernon | 1 altra recensione | Jun 26, 2020 |
A man's wife testifies against him at his murder trial.

Very entertaining, especially Laughton's performance. I think snarky wit is the foundation of the English legal process. I never would have seen the ending coming even if I'd had reason to expect a twist - but I didn't have reason, because it still would have been a good movie without the twist.
½
1 vota
Segnalato
comfypants | 2 altre recensioni | Feb 18, 2016 |
They don't make 'em like this anymore: plays in which a beautiful, gracious, intelligent and sophisticated woman subordinates herself in every way to a megalomaniacal "man of genius," in this case an orchestra conductor. I call it the "My Fair Lady" syndrome. Emphasis on the "my". This play contains a perfect Walter Matthau role: an impresario named Max, played on Broadway by, guess who. You can see that this is the type of part that allowed Matthau to hone the fine art of playing Walter Matthau, that wonderful mixture of the dopey and the shrewd..… (altro)
 
Segnalato
jburlinson | Nov 21, 2010 |

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Statistiche

Opere
10
Opere correlate
4
Utenti
257
Popolarità
#89,245
Voto
½ 3.4
Recensioni
7
ISBN
20
Lingue
2

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