Foto dell'autore

Yusuke Kishi

Autore di The Crimson Labyrinth

33 opere 398 membri 12 recensioni 1 preferito

Sull'Autore

Serie

Opere di Yusuke Kishi

The Crimson Labyrinth (1999) 176 copie
From the New World {novel} (2008) — Autore — 19 copie
Lesson of the Evil (2010) — Autore — 12 copie
Isola: Persona 13 (1996) 6 copie
Black House (1997) — Autore — 5 copie
Lesson of the Evil, v.1 {manga} (2012) — Autore — 4 copie
Lesson of the Evil, v.1 (2010) — Autore — 4 copie
The Blue Light (1999) 4 copie
The Locked Room (2011) 3 copie
Lesson of the Evil, v.2 (2010) — Autore — 3 copie
Lesson of the Evil, v.2 {manga} (2013) — Autore — 3 copie
Lesson of the Evil, v.3 {manga} (2013) — Autore — 3 copie
The House of Foxfire (2008) 3 copie
The Glass Hammer (2004) 2 copie
Lesson of the Evil, v.7 {manga} (2014) — Autore — 2 copie
Lesson of the Evil, v.9 {manga} (2015) — Autore — 2 copie
Lesson of the Evil, v.4 {manga} (2013) — Autore — 2 copie
Lesson of the Evil, v.6 {manga} (2014) — Autore — 2 copie
Lesson of the Evil, v.8 {manga} (2015) — Autore — 1 copia
Lesson of the Evil, v.5 {manga} (2014) — Autore — 1 copia
Dark Zone (2011) 1 copia

Etichette

Informazioni generali

Nome canonico
Kishi, Yusuke
Nome legale
貴志 祐介
Altri nomi
Kishi, Yūsuke
Kishi, Yuusuke
Data di nascita
1959-01-03
Sesso
male
Nazionalità
Japan
Luogo di nascita
Osaka City, Osaka, Japan
Istruzione
Kyoto University (Economics)
Premi e riconoscimenti
Japan Horror Association Award (twice)

Utenti

Recensioni

**WARNING** I feel like I should post this every time - a lot of nudity and sexual situations occur at the beginning of this graphic novel. THEN, once that's all done with, there's HELLA LOT of brutal graphic violence.

I'm going to say this now but when the 'Fiend' is chasing them around I felt a really real sense of urgency and fear. Those scenes are tense and palatable.
 
Segnalato
lexilewords | Dec 28, 2023 |
Ok so very very different from the anime. Seriously, you'd never guess they were related.
 
Segnalato
lexilewords | Dec 28, 2023 |
Let's get one thing out of the way quickly--anyone coming from the anime to this will probably be shocked by how much more explicit the love scenes are between Maria and Saki. And possibly how disturbing the "morph rats" (or "monster rats" in the localized subbed anime) violence is.

Worth noting is also several differences--Reiko's practice sessions in the manga, the romantic moment between Shun and Saki during the camping trip, how they meet Squealer. Also I found older Saki's narration to be more effective here as well as the disappearing kids angle.

Toru Oikawa's illustrations are wonderfully drawn, with an attention to detail that is surprising for a rookie (as the back cover claims). The level of female nudity is rather high all things considered however. The morph rats are downright disgusting looking.

Saki is a much more confident and outgoing girl here. Maria often leans on her when she is scared or upset. Shun is more outspoken and demonstrative of his feelings for Saki. Satoru seems more on the ball intelligence wise. Mamoru comes off as a stronger character, though still rather timid socially.
… (altro)
 
Segnalato
lexilewords | 1 altra recensione | Dec 28, 2023 |
ALL THE CRYING IN THE WORLD.

So let's get something straight - I haven't read the novel. I hope to one day, but I haven't as of yet. That said just comparing the Anime to the Manga is enough for me. There are a lot of differences that occur, but they bring the characters to the same place. Knowledge is found through different means (in here the kids didn't meet the "False Whitecape" at summer camp, but afterwards when they realize what has happened to their friends) and relationships are treated much differently (Maria and Saki's relationship in particular is more romantic and sexual then in the anime), but the end result is the same: Maria and Mamoru leave the town to live in the outside world, Saki and Satoru vow to make their town a place they can return to safely.

I really like Saki in the manga--she's not a pushover in the anime, not exactly, but she is very often dependent on others. In this, when they confront the "false whitecape" for information about their history and the world, Saki gives it her all. She's (mostly) oblivious to what its doing to everyone else--for her the knowledge they are gaining to create a better world is more important then the pain Maria is feeling. And this is important because in the anime its Shun who is the driving force to find out the truth and its Shun who is pushing the "false whitecape" more and more. And its Saki who is backing him up. In the manga its Saki pushing and Maria is backing her up.

The manga also makes it clear that Saki isn't just doing this because she lost Shun (though that's a large part of it), she's also upset over losing Reika and for all the other kids that have ever had to be "disposed of". The "false whitecape" also offers a clearer view of what happened to civilization and explicitly states that the world of the present is the closest humanity has come to eradicating murder/human violence.
… (altro)
 
Segnalato
lexilewords | Dec 28, 2023 |

Liste

Premi e riconoscimenti

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Autori correlati

Eiji Karasuyama Illustrator
Camellia Nieh Translator
Masami Isetani Translator

Statistiche

Opere
33
Utenti
398
Popolarità
#60,946
Voto
½ 3.6
Recensioni
12
ISBN
50
Lingue
3
Preferito da
1

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