Foto dell'autore

Ernest Hill (1914–2003)

Autore di Space Chantey / Pity About Earth (Ace Double, H-56)

12+ opere 236 membri 3 recensioni

Sull'Autore

Nota di disambiguazione:

(eng) The author of Hero and Atrophy is a British science fiction author. The African American tags suggest we may have 2 authors here.

Opere di Ernest Hill

Cry Me a River (2003) 32 copie
Satisfied with Nothin' (1992) 32 copie
A Life for a Life (1998) 26 copie
Pity About Earth (1968) 18 copie
A Person of Interest (2006) 12 copie
Family Ties (2010) 9 copie
Atrophy [short story] (1965) 2 copie
The Hero[short story] (1970) 1 copia
The Z Factor [novelette] (1976) 1 copia
Quark Invasion (Hale SF) (1978) 1 copia

Opere correlate

New Writings in SF-6 (1966) — Collaboratore — 109 copie
New Writings in SF-17 (1970) — Collaboratore — 54 copie
New Writings in SF-29 (1976) — Collaboratore — 34 copie
Science Fantasy 75 — Collaboratore — 7 copie
New Worlds SF 145, November-December 1964 (1964) — Collaboratore — 6 copie

Etichette

Informazioni generali

Data di nascita
1914-07-14
Data di morte
2003-05-00
Sesso
male
Nazionalità
UK
Luogo di nascita
Stourbridge, Worcestershire, England, UK
Luogo di morte
Greenwich, London, England, UK
Nota di disambiguazione
The author of Hero and Atrophy is a British science fiction author. The African American tags suggest we may have 2 authors here.

Utenti

Recensioni

Cry Me A River by Ernest Hill gives another view of the Criminal Justice System. There is the chance to think about families who are involved with the need for justice immediately. Cry Me A River allows us to empathize for all who are facing a no win situation.

It is an emotional book. Mothers cry many tears. Fathers cry many tears, wives cry many tears. Whether you committed the crime or whether you are one of the family members who have suffered the loss of a loved one for no good reason, Ernest Hill's book will in some way lighten your burden. It is a catharsis.… (altro)
 
Segnalato
bloom689 | Dec 6, 2022 |
 
Segnalato
AlanPoulter | Aug 2, 2016 |
Recently widowed, Felicia Fontenot has moved back into her childhood home in order to care for her elderly mother and she finds that not much has changed in the old neighborhood. Her mother's neighbors are older than she remembers them but they are still keenly aware of what is happening on their street. Felicia is quick to notice one change, however - her first serious boyfriend, Luther Jackson, now lives with his wife and little boy directly across the street from her mother.

One morning, soon after her arrival, Felicia looks out her bedroom window to discover that the Jackson house has become a crime scene. Luther, out all night, has come home to find the badly burned bodies of his wife and son. Someone has murdered them, and it soon becomes obvious that Luther is the most logical suspect. Felicia refuses to believe that the man she loved so many years before could have had anything to do with the brutal murders of his own family and, when Luther's aunt asks for her help, she decides to do whatever she can.

As the official investigation proceeds, and things begin to look worse and worse for him, Luther refuses to offer more than a minimal defense for himself. Felicia, puzzled by Luther's silence, but still determined to prove his innocence, is dismayed to find that everything her own private investigator turns up makes it seem more likely that Luther is guilty of the murders.

Ernest Hill uses alternating chapters from the points-of-view of Felicia and Luther to tell his story, rarely bringing the two of them into contact with each other. In fact, Luther, who seems almost determined to sabotage his own defense, is just barely aware of the time and money Felicia is spending on his behalf. Felicia, ever the optimist, is as determined to save Luther as he seems determined to doom himself.

And that leads to my problem with the novel. I cannot decide if Luther Jackson is one of the most unlikable characters I have encountered lately or if he is just one of the most unbelievable. I think, actually, that he is a bit of both. His passiveness in the face of all that has happened to him is irritating; his refusal to defend himself in order to hide a personal secret (a rather common one) is not believable. Throw its way over the top melodramatic ending and stereotypical characters into the mix and "A Person of Interest" becomes a major disappointment despite its promising early chapters.

Rated at: 2.0
… (altro)
 
Segnalato
SamSattler | Jun 30, 2009 |

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Statistiche

Opere
12
Opere correlate
5
Utenti
236
Popolarità
#95,935
Voto
½ 3.5
Recensioni
3
ISBN
36

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