Mark Gonnerman

Apparently this isn't a common experience for everyone, but when I was in middle school, we studied the Beat Generation. I wouldn't be taking too much poetic license to claim that I was raised by Hippies, so to learn about the Beat Generation was like discovering a long-lost branch of my family. I still have a copy of "The Rolling Stones Book of the Beats." I wouldn't say that I am in love with the art produced by the Beat Generation, nor that I personally relate with it, but I do hold in high regard as an ancestral cultural well.

Gary Snyder is an animist, as am I. So when I learned of Snyder, I was immediately intrigued—an animist Beatnik.

Although I've been hearing about Snyder for a few years now, I haven't read much of his material. "Mountains and Rivers Without End" is Snyder's Magnum Opus, so I thought I might as well start there. Some had advised against this, but I would say—if you're willing to put in the time, you won't regret it!

The following is a book review of both "Mountains and Rivers Without End" and "A Sense of the Whole."

Gary Snyder spent forty years writing "Mountains and Rivers Without End"—from 1956 to 1996. For the '97-'98 academic year, Gonnerman hosted a seminar at Stanford on "Mountains and Rivers Without End." A broad community of intellectuals, artists, and spiritual leaders contributed to this corpus, which eventually lead to the publication of "A Sense of the Whole" in 2015 (I'm not entirely sure what led to the seventeen year delay). Snyder himself says that working with "Mountains and Rivers Without End" is a treacherous journey, and therefore recommends taking on the endeavor in community. This points to some of the ways in which Snyder's work harkens back to oral traditions. The copy I have includes an audio edition, and I appreciated being able to hear the work in Snyder's own voice (I wasn't able to track down a digital edition of the work).

If you're contemplating engaging with this work, I would encourage you to put together a reading plan. In my case, I read the poem from end to end first, then read the entirety of the companion volume, then listened to the audio edition of the poem. Throughout this time I was taking notes and having discussion with friends—both those familiar and unfamiliar with the text.

I read much less poetry than prose, so I will comment that whereas with prose, I generally read a book once, I can certainly see a work like this being something I come back to multiple or numerous times, as poems have a dynamic, ever-changing quality to them.

The poem is divided into four parts, following the structure of a Noh play.

My first reading of the piece wasn't particularly rapturous, although, as I was anticipating this, I stuck with it. Things really took off once I picked up the companion text. The corpus of the poem is a talisman. There might be a line that appears unremarkable, commonplace. But then once you place the line in context—the context of Chinese landscape art, Zen Buddhism, animism, geology, yogic mythology, or any of a numerous set of relationships—the line transports you to a web of relationship.

I also happen to be reading John McPhee's "From Annals of the Former World," a Pulitzer-winning book on the geology of the United States. I can certainly recommend this as one lens to deepen into Snyders work, although there are many others as well.

You might notice, I have yet to say really anything on the subject of what the poem is "about." Like any spiritual text, an meaning we derive from the material has as much to do with our own practice with the work as it does with some kind of objective set of takeaways. For this reason, I'll continue to marinade on the poetry, and hopefully this has given you enough reason to pick up the material for yourself.… (altro)

I wish I could give this collection more stars.

I've taken to listening to Gary Snyder read from Mountains and Rivers Without End, a three CD set published in a 'Deluxe Audio Edition'. He reads from from home to around Port Angeles, or if driving from the coast to around the Hood Canal Bridge.

In this volume I especially appreciated the essays by Bielefeldt and Kaza on the buddhism of it all.

In an interview with GS, he links American pragmatism and CS Peirce!!! I need to track that quote down, fascinating the recursive layers of these past few years.

Very happy I picked this up off the TBR pile, started in Port Townsend, finished at home in Maple Valley.… (altro)