Foto dell'autore

Arsenio Frugoni (1) (1914–1970)

Autore di Storia di un giorno in una città medievale

Per altri autori con il nome Arsenio Frugoni, vedi la pagina di disambiguazione.

8+ opere 140 membri 2 recensioni

Opere di Arsenio Frugoni

Opere correlate

Vita di Cola di Rienzo (1943) — A cura di, alcune edizioni2 copie

Etichette

Informazioni generali

Data di nascita
1914-02-04
Data di morte
1970-03-31
Sesso
male
Nazionalità
Italia
Luogo di nascita
Paris, France
Luogo di morte
Bolgheri, Toscana, Italia
Causa della morte
incidente stradale
Attività lavorative
storico

Utenti

Recensioni

This book focuses on Italy -- unsurprisingly, since the authors came from there -- and relies heavily on art to tell the story. Almost every page is illustrated with pictures of one or more paintings from the period. I enjoyed it, and I got a good sense of the atmosphere of the Italian cities with their crowding and chaos. The book is necessarily superficial, however, and to get a really detailed examination of medieval cities (especially non-Italian ones) you will have to look elsewhere.
 
Segnalato
meggyweg | 1 altra recensione | Apr 19, 2010 |
A Day in a Medieval City was first published in Italian in 1997 under a different title and translated into English in 2005. It is a touching tribute by a daughter to her father Arsenio Frugoni, an Italian Medieval scholar who died in a car accident in his early 50s. Before he died he wrote a short lively essay describing a typical day in an Italian medieval city between the 11th and 15th centuries. This forms the Introduction of the book. Chiara picks up from there relying mostly on pictures from the period to describe life in an Italian city - the big events such as birth, marriage, death - but also the mundane such as bathing, eating, reading, sleeping, etc..which in some ways are the most fascinating aspects since they are so familiar to us. The writing is a little encyclopedic but never boring, even though its a short book (177 pages of main text) it it not a fast read. The interpretation of medieval paintings is always fascinating since they are so loaded with iconography and the way stories flow through them, it's a visual story and this book provides the key to understanding some well known Gothic paintings. Only once did I see a mistake, regarding a rag held on a book to protect it from greasy fingers (pg.150) - this is actually something called a "Girdle book" (Wikipedia has more). There are pictures on almost every page. For this type of book, it is very good quality and has long often rewarding footnotes. I'd recommend it for anyone wanting to learn more about Medieval history at the ground level.

--Review by Stephen Balbach, via CoolReading (c) 2008 cc-by-nd
… (altro)
½
2 vota
Segnalato
Stbalbach | 1 altra recensione | Nov 23, 2008 |

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Autori correlati

Chiara Frugoni Author, Foreword
Lucien d' Azay Translator
William McCuaig Translator
Giuseppe Sergi Introduction

Statistiche

Opere
8
Opere correlate
1
Utenti
140
Popolarità
#146,473
Voto
½ 3.6
Recensioni
2
ISBN
14
Lingue
2

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