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Sto caricando le informazioni... Arnold Daghani's Memories of Mikhailowka: The Illustrated Diary of a Slave Labour Camp Survivordi Arnold Daghani
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Arnold Daghani (1909-85) came from a German-speaking Jewish family in Suczawa, then in the Austro-Hungarian Empire, now Romania. His understated narrative of his experiences in the slave labour camp at Mikhailowka, south west Ukraine (1942-43), presented here in its first English book edition, provides a day-by-day account of the chilling experiences of Jewish slave labourers. It is written in a compelling style and illustrated by watercolours and drawings that Daghani made secretly in captivity and smuggled out of the camp and a Romanian ghetto. It includes an extraordinary account of the couple's escape and the shooting of over three hundred prisoners. The uniqueness of Daghani's Holocaust testimony lies in his role as an artist which led to his (and his wife's) escape from the camp and their survival. The camps in Ukraine have been under-investigated and the diary provides significant material. It was used as the basis of investigations in the 1960s into war crimes in the slave labour camps in Ukraine, helping to bring attention to the region and providing some form of recognition for those who suffered there. This richly illustrated and scrupulously edited book is distinguished from more conventional Holocaust memoirs by focusing on fundamental questions of historical testimony and the problems of representation in both words and images. Daghani's diary is contextualized on the basis of wide-ranging new historical, archival and art historical research in essays that document the artist's attempts to achieve justice and reconciliation. They locate the diary in relation to contemporary issues on migration and statelessness, genocide and trauma, self-reflection and memory. The diary is both art and document, addressing how we understand and construct history. It enables readers to engage with the Holocaust via the viewpoint of an individual, making statistics more meaningful and history less distant. Non sono state trovate descrizioni di biblioteche |
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Google Books — Sto caricando le informazioni... GeneriSistema Decimale Melvil (DDC)940.5318092History and Geography Europe Europe 1918- World War II Social, political, economic history; Holocaust Holocaust History, geographic treatment, biography Holocaust victims biographies and autobiographiesClassificazione LCVotoMedia:
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Prior to reading this book I had heard of places like Mikhailowka but knew almost nothing about them. Indeed they are an unjustly neglected topic in Holocaust literature. The Mikhailowka was one of several camps across Ukraine where private German companies contracted Jewish slave laborers to perform construction projects, under the eye of the SS. I guess "forced-labor camp" doesn't have the same ring as "concentration camp" or "death camp" and people assume the inmates of places like Mikhailowka didn't have it too bad. And indeed it was possible to live in such places. They were places of work, not deliberate murder -- that is, there were no gas chambers, no crematorium facilities. Husbands and wives could be together, mothers and children -- there were even a few babies at Mikhailowka. But make no mistake, conditions were brutal, there were frequent arbitrary executions, and in the long run the survival rate was no better there than elsewhere. The only reason Arnold Daghani and his wife survived the war was because they escaped from camp in mid-1943. Late that year the entire population of Mikhailowka was shot to death and dumped in a mass grave. The editors note that of about 4,000 Romanian Jews conscripted to work for Mikhailowka-type projects, only about 150 survived the war.
The first half of the book is Daghani's diary, which kept in English shorthand in the camp and expanded on after his escape. The second half analyzes his art and his later life, which is of less interest to me but would be of great interest to art historians. This is an excellent source on forced labor camps -- it's a pity that it also seems to be the only one. ( )