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Sto caricando le informazioni... Sonic Warfare: Sound, Affect, and the Ecology of Feardi Steve Goodman
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Iscriviti per consentire a LibraryThing di scoprire se ti piacerà questo libro. Attualmente non vi sono conversazioni su questo libro. Incredibly esoteric, but interesting. I'm a fan (and buyer) of Goodman's music (as Kode9 and other artists on his Hyperdub label), so I was intrigued by his academic work. It reads like a dissertation. Would be interesting in a more popular format, with photos and maybe a CD of audio examples. Hard to "hear" something described only by analogy.
Steve Goodman's Sonic Warfare is a vital contribution to how we theorize the relationship between sound and politics Appartiene alle SerieTechnologies of Lived Abstraction (book 3)
"Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread - to produce a bad vibe. Sonic weapons of this sort include the "psychoacoustic correction" aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or "sound bombs") over the Gaza Strip, and high-frequency rat repellants used against teenagers in malls. At the same time, artists and musicians generate intense frequencies in the search for new aesthetic experiences and new ways of mobilizing bodies in rhythm. In Sonic Warfare, Steve Goodman explores these uses of acoustic force and how they affect populations." "Most theoretical discussions of sound and music cultures in relationship to power, Goodman argues, have a missing dimension: the politics of frequency. Goodman supplies this by drawing a speculative diagram of sonic forces, investigating the deployment of sound systems in the modulation of affect. Traversing philosophy, science, fiction, aesthetics, and popular culture, he maps a (dis)continuum of vibrational force, encompassing police and military research into acoustic means of crowd control, the corporate deployment of sonic branding, and the intense sonic encounters of sound art and music culture." "Goodman concludes with speculations on the not yet heard - the concept of unsound, which relates to both the peripheries of auditory perception and the unactualized nexus of rhythms and frequencies within audible bandwidths."--Jacket. Non sono state trovate descrizioni di biblioteche |
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Google Books — Sto caricando le informazioni... GeneriSistema Decimale Melvil (DDC)781.1The arts Music General principles and musical forms Basic principles of musicClassificazione LCVotoMedia:
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