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Sto caricando le informazioni... Unconcealed: The International Network of Conceptual Artists 1967-1977 - Dealers, Exhibitions and Public Collectionsdi Sophie Richard
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Unconcealed describes the emergence of Conceptual art in Northern Europe through the growth of an international network of artists, dealers, museum curators, collectors and critics. A detailed account of this decade (1967-1977) is accompanied by an extensive set of previously unpublished data that charts the exhibitions and sales of Conceptual works to galleries, public institutions and private collections. The relationships, support structures and strategies of dealer galleries such as Konrad Fischer, Wide White Space and Lisson Gallery to promote artists such as Marcel Broodthaers, Richard Long and Lawrence Weiner are revealed and make fascinating reading. Unconcealed exposes the new dealing, curatorial, collecting and teaching methods formed in this decade that continue to be critical to today's art world. Non sono state trovate descrizioni di biblioteche |
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Google Books — Sto caricando le informazioni... GeneriSistema Decimale Melvil (DDC)709.04075094The arts Modified subdivisions of the arts History, geographic treatment, biography By Period 20th Century 20th Century Composite media and sensations Conceptual artClassificazione LCVotoMedia:
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A detailed account of a decade of artistic activity is accompanied by an extensive set of previously unpublished data, charting the exhibitions and sales of Conceptual works to galleries, public institutions and private collections. The relationships, support structures and strategies of dealer galleries – such as Konrad Fischer, Wide White Space and Lisson Gallery to promote artists such as Marcel Broodthaers, Richard Long and Lawrence Weiner – are revealed and make fascinating reading.
Including numerous interviews with key figures of the period, Unconcealed exposes the new dealing, curatorial, collecting and teaching methods formed in this decade that continue to be critical to today’s art world.
Large-scale examination of the conceptual art network in it's years of inception, 1967, though to the time at which it had become highly formalized, 1977. An exacting examination by Sophie Richard, edited by Lynda Morris after Richard's unfortunate death. An essential tool to augment Lucy R. Lippard's "Six Year."