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Last Night in Montreal di Emily St. John…
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Last Night in Montreal (edizione 2009)

di Emily St. John Mandel (Autore)

UtentiRecensioniPopolaritàMedia votiCitazioni
8588325,384 (3.83)175
When Lilia Albert was a child, her father appeared on the doorstep of her mother's house and took her away. Now, haunted by an inability to remember much about her early childhood, Lilia moves restlessly from city to city, abandoning lovers and eluding the private detective who has dedicated a career to following close behind. Then comes Eli. When Lilia goes out for a paper and fails to return to their Brooklyn apartment, he follows her to Montreal, not knowing whether he wants to disappear, too, or help her find her way home. But what he discovers is a deeper mystery, one that will set past and present spinning toward collision.… (altro)
Utente:bookworm12
Titolo:Last Night in Montreal
Autori:Emily St. John Mandel (Autore)
Info:Vintage (2009), Edition: Reprint, 230 pages
Collezioni:La tua biblioteca
Voto:****
Etichette:read, 2024, May 2024

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Last Night in Montreal di Emily St. John Mandel

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“How deep in our genes is the longing for flight embedded? We always were a species of nomads.” ( )
  bookworm12 | May 11, 2024 |
A young woman is abducted by her father and they almost never stop traveling as she’s followed by a private investigator hired by her mother. Her boyfriend goes to Montreal to find her. Strange details (why did her mom cover a window and pick up broken glass before the police arrived?) appear throughout that come together in the end. My problem is there’s an awful lot of philosophizing that doesn’t change anything about the story. This could / should have been a short story and I think it would have been better for it. It felt muddled with all the extraneous parts that just felt like they were filling space. I even waited a long time to write a review to see if I felt differently later on. Nope. It was a short book but not short enough. I’m still ready to give another book I have by her a try. ( )
  KarenMonsen | May 6, 2024 |
When I was a teenager my family took a trip up to Quebec on vacation one year. I came back home with a t-shirt that I often wore for many years that bore the province's motto - "Je me souviens", meaning "I remember". A touch ironic for me, not only because I refused to use any of my embarrassing high school level French while we were there, but also because I did not remember those French speaking Acadian ancestors of mine who were expelled from Canada after the British conquest in the 18th century and who were forced to flee to Louisiana. I found that history out later.

It's also ironic for one of the main characters in this fantastic debut novel. Lilia was abducted by her father from his ex-wife when she was seven. She does not remember her life in the small Quebec town near the American border before the abduction. She does not remember why she has these scars on her arms. She does not remember her mother. She does not remember why her half-brother tells her "never come home". She and her father spend the next nine years fleeing from Quebec - always traveling, changing names, hiding from discovery. It's an anxious way to live and grow up.
But she never felt at ease in the world. It couldn't be claimed that she was really a part of it, and from the specific night when her memories began (ice against window, lost bunny, snow), the traditions of the world were foreign to her. She picked up what she could from books and television shows, noting carefully the existence of two-parent families, houses, schools, family dogs, memorizing intriguingly home-specific phrases like latchkey kid and back garden and state-of-the-art kitchen appliances and basement. She moved over the surface of life the way figure skaters move, fast and choreographed, but she never broke through the ice, she never pierced the surface and descended into those awful beautiful waters, she was never submerged and she never learned to swim in those currents, these currents: all the shadows and light and splendorous horrors that make up the riptides of life on earth.

Then as a young woman she receives a letter from Montreal - come and I will tell you what you don't remember. It's information wanted for information to give. There will be remembering and wishing for never knowing. One person will emerge okay. One person will not. One person will be spun out by the chaotic turbulence unleashed.

Ultimately for me it's a sad novel, but well worth reading. I really felt for all of the characters in these pages; add to that success the wonderful writing and I was completely hooked into this one. ( )
  lelandleslie | Feb 24, 2024 |
Whew. Mandel is so magical with language. Very compelling and slightly surreal in a very good way. ( )
  Kiramke | Jun 27, 2023 |
The author's first book, but for some reason I'd missed it until now, having read everything else she's written. I'm glad to be caught up - this one is also a great read, if deeply sad on a whole host of levels. ( )
  JBD1 | Apr 30, 2023 |
I've just discovered Emily St. John Mandel. I had the good fortune to come across her first novel, Last Night in Montreal, while browsing at my local library. I was so entranced by it that I immediately headed out to my favorite independent bookstore to buy my own copy. I knew it belonged with all those other books on my bookshelves that make me happy just knowing that they're there, within easy reach (whether or not I actually re-read them). And when, shortly thereafter, I read Mandel's brand new second novel, The Singer's Gun, I was wowed by it, too. -- Nancy Pearl
 
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Someone else has to have observed the chain of events to lend credibility; if no on else remembers your story, how are you to prove that it was real?
She moved over the surface of life the way figure skaters move, fast and choreographed, but she never broke through the ice, she never pierced the surface and descended into those aweful beautiful waters, she was never submerged and she never learned to swim in those currents, these currents: all shadows and light and splendorous horrors that make up the riptides of life on earth. (p. 119)
How deep in our genes is the longing for flight embedded? we always were a species of nomads. (p. 173)
Later on the days assumed a particular rhythm: cadences of winter light in the clear afternoons, the white-and-black expanse of Central Park out the window of his mother's apartment, white snow and silvery trees and dark paths winding between them -- he could lose himself in this vision for hours on end. (p.239)
But you can't do that, it isn't good enough. You have to be able to fall through. You have to be able to sink, to immerse yourself. You can't just skate over the surface and visit and leave. (p. 240)
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When Lilia Albert was a child, her father appeared on the doorstep of her mother's house and took her away. Now, haunted by an inability to remember much about her early childhood, Lilia moves restlessly from city to city, abandoning lovers and eluding the private detective who has dedicated a career to following close behind. Then comes Eli. When Lilia goes out for a paper and fails to return to their Brooklyn apartment, he follows her to Montreal, not knowing whether he wants to disappear, too, or help her find her way home. But what he discovers is a deeper mystery, one that will set past and present spinning toward collision.

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