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Murder With Pictures (1935)

di George Harmon Coxe

Serie: Kent Murdock (1)

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FOLEY, THE RED-FACED, uniformed deputy on duty innbsp;the hall, peeked through one of the glass ovals inset innbsp;the leather-covered courtroom doors and said:nbsp; nbsp; nbsp; nbsp;"Hey, the jury's comin, out!" nbsp; nbsp; nbsp;A concentrated and irritable sigh from the group ofnbsp;news-photographers lounging in the hall greeted the announcement.nbsp;There was an intangible flurry of movement,nbsp;a casual shifting of stances. nbsp; nbsp; nbsp;Brant, of the News, sighed wearily. "Boy, it's aboutnbsp;time." nbsp; nbsp; nbsp;Tobacco smoke, the residue of a four-hour harvestnbsp;from an apparently inexhaustible supply of cigarettes,nbsp;choked the air with a stale stuffy smell and hung suspendednbsp;in a hazy, pale-blue blanket that shrouded thenbsp;arched ceiling. Cigarette butts, matches, crumpled papernbsp;holders littered the ash-strewn floor. Cameras and bulkynbsp;black plate-cases were stacked in a row along one wall. nbsp; nbsp; nbsp;Foley said: "It won't be long now," and kept his eyenbsp;glued to the little glass window. nbsp; nbsp; nbsp;Brant sighed again. nbsp; nbsp; nbsp;Coughlin and Weinstock, who had been matchingnbsp;nickels for the past hour, continued, unimpressed. nbsp; nbsp; nbsp;'Til bet he gets it," Kesler said. He looked around asnbsp;though waiting for a challenge. "Who wants to bet Girard ain't guilty?" nbsp; nbsp; nbsp;"Girard's waiting to hear it," Foley announced.nbsp; nbsp; nbsp; nbsp;Coughlin said: "That's four bits you're in me. A buckor nothing." Weinstock nodded silently and flipped hisnbsp;coin. Coughlin said: "Nuts!" and fished a crumpled billnbsp;from his pocket. nbsp; nbsp; nbsp;"It looks like an acquittal," Foley said. "Girard is--" nbsp; nbsp; nbsp;He broke off in sudden alarm and jumped aside. Innbsp;the next instant the swinging doors slapped outward;nbsp;Purdy, of the Evening Standard, bucked through thenbsp;opening. Without breaking his stride, Purdy called: "Notnbsp;Guilty!" and pounded down the marble floor in his race for a telephone. nbsp; nbsp; nbsp;Foley growled: "Hey, you! Quiet!" Then the rest ofnbsp;the reporters swarmed out of the courtroom and he wasnbsp;forgotten. [from Chapter 1]… (altro)
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Kent Murdock is a newspaper photographer, a button pusher. He is good at what he does because he is the kind of guy that gets into places and get photos the others don't. This time is no different...or is it?

While showering and thinking about the strange people he saw at the party just upstairs from his apartment, he finds he is joined by a gorgeous girl who steps into his shower! She is the one he had his eye on at the party but was cold to his advances. Still in the dress she wore earlier, she whispers "Turn the water on!' just before he hears the police at his front door.

This is his introduction to a sensational and puzzling murder of a famous criminal lawyer who had hosted the party. Underworld characters and society types are among the suspects along with Murdock's ex, who he is trying to get a divorce from.

How these people all inter-relate is interesting. Set in the 1930s, there is atmosphere and action.

George Harmon Coxe (1901 - 1984) started as a newspaper man and also wrote his share of pulp fiction. He also had two of his books made into movies and one of his series became a radio show that ran into the 1940s. He has a total of 63 novels to his credit. A Goodread to me... ( )
  ChazziFrazz | Jun 23, 2016 |
The first of the Murdock books about a tough news photographer in Boston (later in the Caribbean) --Murdock attends a party to celebrate an expensive lawyer's success in getting a dubious character acquitted of murder, and then later the lawyer is killed. Murdock is breaking up with his wife (who was at the party), and the lawyer's wife and to beak up with him, and an attractive young woman hides with Murdock in his shower --altogether a complex opening. ( )
  antiquary | Nov 28, 2014 |
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FOLEY, THE RED-FACED, uniformed deputy on duty innbsp;the hall, peeked through one of the glass ovals inset innbsp;the leather-covered courtroom doors and said:nbsp; nbsp; nbsp; nbsp;"Hey, the jury's comin, out!" nbsp; nbsp; nbsp;A concentrated and irritable sigh from the group ofnbsp;news-photographers lounging in the hall greeted the announcement.nbsp;There was an intangible flurry of movement,nbsp;a casual shifting of stances. nbsp; nbsp; nbsp;Brant, of the News, sighed wearily. "Boy, it's aboutnbsp;time." nbsp; nbsp; nbsp;Tobacco smoke, the residue of a four-hour harvestnbsp;from an apparently inexhaustible supply of cigarettes,nbsp;choked the air with a stale stuffy smell and hung suspendednbsp;in a hazy, pale-blue blanket that shrouded thenbsp;arched ceiling. Cigarette butts, matches, crumpled papernbsp;holders littered the ash-strewn floor. Cameras and bulkynbsp;black plate-cases were stacked in a row along one wall. nbsp; nbsp; nbsp;Foley said: "It won't be long now," and kept his eyenbsp;glued to the little glass window. nbsp; nbsp; nbsp;Brant sighed again. nbsp; nbsp; nbsp;Coughlin and Weinstock, who had been matchingnbsp;nickels for the past hour, continued, unimpressed. nbsp; nbsp; nbsp;'Til bet he gets it," Kesler said. He looked around asnbsp;though waiting for a challenge. "Who wants to bet Girard ain't guilty?" nbsp; nbsp; nbsp;"Girard's waiting to hear it," Foley announced.nbsp; nbsp; nbsp; nbsp;Coughlin said: "That's four bits you're in me. A buckor nothing." Weinstock nodded silently and flipped hisnbsp;coin. Coughlin said: "Nuts!" and fished a crumpled billnbsp;from his pocket. nbsp; nbsp; nbsp;"It looks like an acquittal," Foley said. "Girard is--" nbsp; nbsp; nbsp;He broke off in sudden alarm and jumped aside. Innbsp;the next instant the swinging doors slapped outward;nbsp;Purdy, of the Evening Standard, bucked through thenbsp;opening. Without breaking his stride, Purdy called: "Notnbsp;Guilty!" and pounded down the marble floor in his race for a telephone. nbsp; nbsp; nbsp;Foley growled: "Hey, you! Quiet!" Then the rest ofnbsp;the reporters swarmed out of the courtroom and he wasnbsp;forgotten. [from Chapter 1]

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