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Big World (2017)

di Mary Miller

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422597,954 (4.17)1
A short story collection full of powerful prose and remarkably genuine characters from the author of The Last Days of California The characters in Mary Miller's debut short story collection, Big World, are at once autonomous and lonesome, possessing both a longing to connect with those around them and a cynicism regarding their ability to do so, whether they're holed up in a motel room in Pigeon Forge with an air-gun-shooting boyfriend, as in "Fast Trains," or navigating the rooms of their house with their dad after their mother's death as in "Leak." Mary Miller's writing is unapologetically honest and efficient, and the gut-wrenching directness of her prose is reminiscent of Mary Gaitskill and Courtney Eldridge, if Gaitskill's and Eldridge's stories were set in the South and reeked of spilled beer and cigarette smoke.… (altro)
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An easy read and not nearly as deceptive a read as the introduction seems to imply. Each story has sex and each story has a mostly boring main character. Somebody is leading a very dull life here.... ( )
  untraveller | Feb 25, 2017 |
The women, and a couple of girls, in the stories of Big World have love-dislike relationships with men. They need men, use them when necessary, and are often treated poorly in return. One sleeping with a restaurant owner: “The waitresses don’t talk to me for reasons having to do with I fuck everybody and get paid twelve dollars an hour to slice lemons.”

One woman’s idea of getting-to-know-you: “I can tell he wants me to ask him questions about this former life, so I ask if he ever cheated on his wife with a hooker.”

Like many great writers, Miller produces sentences of crystallized perfection. A husband is brutally summarized in one sentence: “He had a handful of phrases like this that made up his entire personality.”

Women don’t have it easy in Big World and the men don’t make it any easier. A woman’s relationship with her ex-husband in the title story sums up the theme of this collection in one devastating sentence: “I liked to say things to shock him, the truth. Like my father, he had sent me out into the big world all alone and I was going to show him how ugly it was.” ( )
1 vota Hagelstein | May 3, 2012 |
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A short story collection full of powerful prose and remarkably genuine characters from the author of The Last Days of California The characters in Mary Miller's debut short story collection, Big World, are at once autonomous and lonesome, possessing both a longing to connect with those around them and a cynicism regarding their ability to do so, whether they're holed up in a motel room in Pigeon Forge with an air-gun-shooting boyfriend, as in "Fast Trains," or navigating the rooms of their house with their dad after their mother's death as in "Leak." Mary Miller's writing is unapologetically honest and efficient, and the gut-wrenching directness of her prose is reminiscent of Mary Gaitskill and Courtney Eldridge, if Gaitskill's and Eldridge's stories were set in the South and reeked of spilled beer and cigarette smoke.

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