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Sto caricando le informazioni... La morte del papa (2006)di Luís M. Rocha
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Iscriviti per consentire a LibraryThing di scoprire se ti piacerà questo libro. Attualmente non vi sono conversazioni su questo libro. A partir de documentos relativos a la misteriosa muerte del papa Juan Pablo I, el autor desarrolla una envolvente trama en la que tendrán un papel fundamental las misivas intercambiadas entre el difunto pontífice y la hermana Lucía, la última superviviente de las visiones de Fátima. Una historia que enfrentará al lector con The book is interesting enough to finish, and contains some good ideas, making one wonder where it all went wrong. Giving the author some credit, one has to wonder if the translation is the culprit. In the original language in which it was written it is perhaps a real page turner, and a great book. In this particular English translation, it falls short. The book makes contradictory statements, and the writing is too simplistic, explaining to us for example that a remark mentioned was sarcastic instead of trusting the reader to figure this out for him/herself. The style is so atrocious that it makes you cringe when you read. There is no lack of a plot but it's execution is abysmal. This could have been an exciting book, making the reader wonder what happens next?, but instead it is just an average book although, highly readable making the reader wonder what happened and why were we led on this goose chase? Pope John Paul I reigned over the Catholic Church for 33 days in 1978. The premise of this book is that he was murdered. By a shadowy group called the P1 who are, for the record, more dastardly and secretive than the dastardly and secretive P2. Thirty years later a journalist receives a list of names. An Italian man tries to kill her. So does the CIA. Someone whose name isn’t Jack Payne tries to stop them. Oh, and the Americans can’t kill Castro. Though odd, the above paragraph makes more sense than the book (and it’s a heck of a lot shorter so you should thank me for saving you). The Last Pope has the Vatican, a pretty young woman, a rascally, acerbic offsider for the aforementioned young woman, a secret code, photographs with images that can only be seen under ultra-violet light, a list of shadowy figures, Masons and a seduction scene. If all it took to make a great thriller was the sum of such parts then The Last Pope would have been readable. But a thriller needs more than the right ingredients. So it wasn’t. Readable that is. Reasons include: The writing is pedestrian (for example within three short paragraphs the same man is described as having perspiration streaming down his face, hands slippery with sweat, perspiration clouding his eyes and being in a cold sweat) (even if the original Portuguese has four different words for sweat I doubt there was a need to use them all in one page) The construction is bamboozling with its short chapters jumping in time from 1978 to earlier to the present and, for all I know, several periods in between. Some of these jumps are identified by chapter headings but many are not (to the point that I began to think that someone dropped the manuscript on the way to the printer and all the chapters got put back together out of order) Many of the characters have no names (The Italian Man, The Master, The Subject etc) but this is balanced out by the fact that those who do have names have several each. So it’s usually about as clear as mud who is talking or being referred to. Perhaps worst of all is that the thing doesn’t know if it wants to be a novel (i.e. fiction) or an expose (i.e. fact). In a bizarre author interview that appears at the end of the book Mr Rocha claims that it’s all true and that the character of JC (who is the assassin) (trust me that isn’t a plot spoiler) is based on the real assassin who he (Mr Rocha has spoken with). I might be more inclined to swallow all this if the author hadn’t in the same interview also said (1) Assumptions will be replaced by confirmed facts in a future edition (2) He has never received a bad review (he has, I’ve read them and claiming they don’t exist is on par with me claiming the chocolate cookies I ate this morning didn't exist because I closed my eyes) and (3) The reason the Catholic Church hasn’t made a fuss about this book is they know it’s true (which is absurd because the book suggests that anyone who tells the truth about all this will get a bullet to the head so I think Mr Rocha's claims to street cred in the conspiracy community would have been improved if he said he'd been shot at and then gone into hiding). Honestly I’d have stopped reading this book at about page 60 but it was a pick of my book club and I DNF’d the last one so felt a little obliged to finish it. Plus I have to admit to a perverse pleasure in seeing how bad it would get. If you want a thriller set in and around the Vatican that doesn’t treat its audience like morons read God's Spy by Juan Gomez-Jurado. Or any other book you can find. My real rating is half a star. After reading this, one can appreciate Dan Brown's qualities as a writer. The plot links the (supposed) assassination of John Paul I to the financial scandals in the Vatican banking system and the shady P2 organization. This might have worked, but the idea that the CIA is largely subverted by secret masonic agents operating out of the Vatican is just ridiculously implausible, as is the quick-witted responsiveness of a couple of journalists caught up in the affair. I guess that is what is going on: the onion-like layers of hidden identity and motive are so opaque that I'm not quite sure, and I couldn't keep tabs on all the various armed men in black suits, sinister cardinals, murdered priests, and elegant elderly men who run everything from behind the scenes. The narrative switches rather confusingly between the 1970s and the present day. The author also suggests that John Paul I was preparing to turn the Roman Catholic Church inside out not only by unmasking financial crooks in high places but by revoking papal infallibility. Wishful thinking, I guess. An entertaining book, if you're stuck in an airport. MB 16-iv-2012 nessuna recensione | aggiungi una recensione
Appartiene alle SerieVatican Series (1)
Vatican City, 29 September 1978- the world wakes to the shocking news that Pope John Paul I is dead, just a month after his accession. Thirty years later, in London, young journalist Sarah Monteiro receives a mysterious package. Enclosed is a list of names and a coded message. Moments later a masked assassin attempts to silence her for ever. It seems Sarah holds the key to unveiling a deadly secret - a plot that implicates unscrupulous mercenaries and crooked politicians, and which goes to the very heart of the Vatican. Sarah has no choice but to run, forced into a ruthless game of cat-and-mouse. She can trust no one, especially when her father's name appears on the incriminating list. Sarah finds herself at the centre of a world-wide conspiracy its keepers will stop at nothing to protect. Non sono state trovate descrizioni di biblioteche |
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