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Across Oka (Methuen New Theatrescript)

di Robert Holman

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''Robert Holman is the quiet man among modern British dramatists. But his new play.is an outstanding work that sings with truth' (Michael Billington, Guardian) Eileen and her grandson Matty, 16, travel to Russia to stay with scientist Pavel and his son Nikolai, 14, on the Oka reserve where they are to take part in an experiment to save the Siberian Crane from extinction. When the two boys, Matty and Nikolai are given the responsibility of travelling into the wilds, the clash of their personalities, education and experience provokes in Matty an appalling destructiveness. Across Oka was premiered at The Other Place (RSC) in 1988.Robert Holman's Across Oka is about metamorphosis and manipulation in the lives of passionate, gentle people in north Yorkshire and eastern Russia, the first open to all experience, the second constrained by the discipline of an enclosing state.'The new play is alive with theatrical confrontation and generosity of spirit.' (Michael Ratcliffe, Observer)''… (altro)
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Many years ago, I was the Swedish representative at a summer residency for young writers at the Royal Court Theatre in London. Everybody there got a “writer’s writer”, a sort of buddy to talk to and learn more about British theatre. Most of us got writers more or less from our own generation, but I got paired with Robert Holman, a tiny, cig-smelling, foul-mouthed Yorkshire man my mom’s age. But Mr. Holman was actually very nice in a grumpy kind of way, and we had some good times. I bought some of his plays then. I’ve read and enjoyed most of them, but this one has lingered unread on my Drama shelf for close to ten years.

“Across Oka” is a typical Holman play, dealing with the tension between generations and classes within a family, in a subtle, almost gentle way. Here a teenage boy gets a chance to fulfill his grandpa’s dream – going to the Soviet Union. But he’s full of rage and tension (very very subtly hinted at throughout the play) and ends up taking his revenge in a completely misdirected manner, to his own horror.

This meticulous, acting-focused type of drama – very English - is not my cup of tea really. But Holman is very good at it, and has a flavor of his own: held back, simple and downplayed. As pure reading material, this floats my boat okay, but doesn’t make me do cartwheels. I’d like to see a play of his staged some day. ( )
  GingerbreadMan | Jul 29, 2012 |
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''Robert Holman is the quiet man among modern British dramatists. But his new play.is an outstanding work that sings with truth' (Michael Billington, Guardian) Eileen and her grandson Matty, 16, travel to Russia to stay with scientist Pavel and his son Nikolai, 14, on the Oka reserve where they are to take part in an experiment to save the Siberian Crane from extinction. When the two boys, Matty and Nikolai are given the responsibility of travelling into the wilds, the clash of their personalities, education and experience provokes in Matty an appalling destructiveness. Across Oka was premiered at The Other Place (RSC) in 1988.Robert Holman's Across Oka is about metamorphosis and manipulation in the lives of passionate, gentle people in north Yorkshire and eastern Russia, the first open to all experience, the second constrained by the discipline of an enclosing state.'The new play is alive with theatrical confrontation and generosity of spirit.' (Michael Ratcliffe, Observer)''

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