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Sto caricando le informazioni... Sobibordi Jean Molla
Sto caricando le informazioni...
Iscriviti per consentire a LibraryThing di scoprire se ti piacerà questo libro. Attualmente non vi sono conversazioni su questo libro. Un très bon roman sur les camps d'extermination nazi, sur le massacre des juifs européens, sur la barbarie nazi mais aussi sur l'écoeurement de ceux qui découvre soudain que les placards familiaux hébergent des cadavres particulièrement fétides. L'héroïne, une jeune femme aux prises avec l'anorexie va s'apercevoir par l'intermédiaire d'un journal que des êtres qu'elle aime et admire ont pu, à un certain moment, être compromis avec le pire. Comment aborder cela, quel sens donner à la vie après ? Jean Molla prend Sobibor - ce camp dont traite longuement Lanzmann dans "Shoah" comme une métaphore. Sobibor après avoir le massacres de dizaine de millier de personnes a été détruit sur l'ordre d'Himler et on en a rapidement fait disparaîre toute trace. De même cet épisode de notre histoire européenne est relégué dans un passé que l'on ne commémore que pour mieux lui oter son caractère emblématique, cette soudaine émergence du mal dans une société policée. nessuna recensione | aggiungi una recensione
Appartiene alle Collane EditorialiGallimard, Folio (5285) Premi e riconoscimenti
Sobibor is a disturbing novel that deals with eating disorders and the psychological effect of the past. Two stories are skillfully woven together about a teenage girl who is looking for answers and the secret lives of her grandparents who collaborated with the Germans at a concentration camp in Poland. Coincides with the anniversary of the Sobibor inmate uprising. Non sono state trovate descrizioni di biblioteche |
Discussioni correntiNessunoCopertine popolari
Google Books — Sto caricando le informazioni... GeneriSistema Decimale Melvil (DDC)848Literature French and related languages Miscellaneous French writingsClassificazione LCVotoMedia:
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I did think the "diary" part of the story was way too detailed, but that's a very common problem in fiction. It's very easy to tell the difference between fictional diaries and real diaries (I've read plenty of both), because the fictional ones describe things in great detail, write down conversations exactly, etc., when in real diaries the writer doesn't do this because they already know what happened. I also thought some of the dialogue, especially in Emma's confrontation with her grandfather, was a bit melodramatic, a bit speechified. But again, that's a common problem in fiction.
I would recommend this to people interested in Holocaust fiction. You don't see a lot of literature, fiction or otherwise, about the extermination camps. ( )