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On a Day Like This (2006)

di Peter Stamm

Altri autori: Vedi la sezione altri autori.

UtentiRecensioniPopolaritàMedia votiCitazioni
14110194,431 (3.1)7
A new novel of artful understatement about mortality, estrangement, and the absurdity of life from the acclaimed author of Unformed Landscape and In Strange Gardens On a day like any other, Andreas changes his life. When a routine doctor's visit leads to an unexpected prognosis, a great yearning takes hold of him--but who can tell if it is homesickness or wanderlust? Andreas leaves everything behind, sells his Paris apartment; cuts off all social ties; quits his teaching job; and waves goodbye to his days spent idly sitting in cafes--to look for a woman he once loved, half a lifetime ago. The monotony of days has been keeping him in check; now he hopes for a miracle and for a new beginning. Andreas' travels lead him back to the province of his youth, back to his hometown in Switzerland where he returns to familiar streets, where his brother still lives in their childhood home, and where Fabienne, a woman he was obsessed with in his youth, visits the same lake they once swam in together. Andreas, still consumed with longing for his lost love and blinded by the uncertainty of his future, is tormented by the question of what might have been if things had happened differently. Peter Stamm has been praised as a "stylistic ascetic" and his prose as "distinguished by lapidary expression, telegraphic terseness, and finely tuned sensitivity" (Bookforum). In On a Day Like This, Stamm's unobtrusive observational style allows us to journey with our antihero through his crises of banality, of living in his empty world, and the realization that life is finite--that one must live it, as long as that is possible. Praise for Unformed Landscape: "Sensitive and unnerving. . . . An uncommonly intimate work, one that will remind the reader of his or her own lived experience with a greater intensity than many of the books that are published right here at home." --The New Republic Online "If Albert Camus had lived in an age when people in remote Norwegian fishing villages had e-mail, he might have written a novel like this."--The New Yorker "Unformed Landscape has a refreshing purity, a lack of delusion, a lack of hype."--Los Angeles Times… (altro)
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» Vedi le 7 citazioni

Andreas er omkring de 40 år, og hans liv står i stampe. Han underviser på en skole i Paris’ forstæder, og tager hjem i lejligheden, hvor han på skift dyrker sex med to kvinder. Den ene er sin mand utro, den anden er ved at komme sig over en skilsmisse. Han har nærmest ingen venner, kun bekendte, og dagene gentager sig igen og igen.

”Tomheden var blevet normaltilstanden, havde han sagt, han frygtede den ikke, tværtimod.” Men selvom han bilder sig noget andet ind, så lurer angsten og i sidste ende døden bag tomheden. Skal der ikke være mere ved livet end dette?

Da Andreas går til læge med en hoste og får at vide, at der skal tages en biopsi, bryder forsvarsværkerne sammen. Han magter ikke at høre resultatet, men til gengæld begynder han et systematisk opgør med sit liv. Lejligheden sættes til salg, ejendele smides ud, jobbet siges op og båndene til kvinder og venner ødelægges brutalt. Andreas opfører sig som et svin, men brutaliteten bunder i angst og skuffelse over hans eget liv.

I stedet rejser han hjem til barndomsbyen i Schweiz og opsøger sin ungdomskærlighed Fabienne. Det er som om han ikke kan komme i gang med sit liv, før den del af tilværelsen er afsluttet, og selvom det som læser kan virke lidt overdrevent – herregud, det var et kys for tyve år siden – så er han tydeligvis overbevist om, at noget skal gøres.

Romanen handler om, at man er nødt til at tage ansvar for sit liv. Det kan godt være, at det passerer forbi, men der er altid mulighed for at bryde op og gå nye veje. Det er det, Andreas gør, En dag som denne.

Jeg har tidligere læst Peter Stamms debutroman Agnes, men jeg var ikke helt så fascineret af denne roman. Andreas’ selvoptagethed og brutalitet er interessant, men jeg var ikke helt overbevist af Fabienne-historien.

Gad vide, hvad prøverne egentlig viste? ( )
  Henrik_Madsen | Jun 2, 2012 |
Questa recensione è stata scritta per Recensori in anteprima di LibraryThing.
I was unable to finish this early review after losing interest in the characters and story about 1/4 the way through. It may be because it was the translation, but the development was rather flat and I found myself turned off by some of the lifestyle choices. ( )
  amarie | Jul 27, 2009 |
Questa recensione è stata scritta per Recensori in anteprima di LibraryThing.
The strength of this book that makes it a compelling read is its ability to believe the situations in which the main character Andreas finds himself. I found myself seeing the unfolding of the scenes to be filled with details that seem to be so real it was a bit frightening, as if it was so true "one couldn't make this up." And that is where _On a Day Like This_ excels.

The book feels mundane because Andreas leads a life whose mundanity only reflects his meaningless world around him. The only thing that gives him any meaning is his unrequited love for Fabienne. The only real details worth remembering in Andreas' life surround her; it is as if the color of the world is desaturated except for when he thinks about Fabienne and his limited encounters with her--only these times possess color. While some might find the narrative a bit bleak, or dare I say, 'immoral', Andreas' story is ultimately a hopeful one. It's not so much about Andreas' idealistic "story" as much as the reality of choosing that person who continues to be the one who chooses you in return. Mutuality and reciprocation may ultimately find a home in a story full of unilateral selfishness. ( )
  ericaustinlee | Oct 1, 2008 |
Questa recensione è stata scritta per Recensori in anteprima di LibraryThing.
There are some people who find beauty in the mundane. Andreas is one of those people. Every day he gets up, follows the same routine, has the same, empty relationships. And he's happy. At least, he thinks he's happy. But then the unknown rears its head. He might have lung cancer. Then again, it might be nothing, as he decides to not see the results. But the doubt throws his whole world into question. It's a slow build, mostly filled with introspective questioning and unemotional details. What will make him feel free? What is he missing from his life to keep him from living? There never is an easy answer, or a climatic event, but life usually doesn't wrap itself up that nicely either. There's a bit of hope, and a sliver of resolve, and that's the end. Yes, it's a bit hard to get into, and it's a bit of a slow read, but in the end, it's a satisfying book. ( )
  skyekat | Aug 31, 2008 |
Questa recensione è stata scritta per Recensori in anteprima di LibraryThing.
What would you do if you found out you might have terminal cancer? Would you clean out your possessions? Sever your relationships with your friends? Start new ones? Confess an unrequited love? Visit your hometown? This is the situation that the main character, Andreas, finds himself in. A Swiss man teaching German in Paris, he explains that he feels like his life has been the same day in and day out since he first arrived there eighteen years ago - until the day he has a biopsy done on a mass in his lungs.

This isn’t a happy feel-good book, but it isn’t necessarily a depressing book either. There is no earth-shattering climax at the end, but instead a slow build-up to what ultimately felt, to me, like the correct choice. The author never tries to explain the character or his motivations; he just lays out what Andreas thinks or says, which was refreshing, but occasionally confusing and distancing at times.

Overall, a thought-provoking read, and definitely recommended ( )
1 vota lalawe | Jun 24, 2008 |
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» Aggiungi altri autori (2 potenziali)

Nome dell'autoreRuoloTipo di autoreOpera?Stato
Peter Stammautore primariotutte le edizionicalcolato
Hofmann, MichaelTraduttoreautore secondarioalcune edizioniconfermato

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A new novel of artful understatement about mortality, estrangement, and the absurdity of life from the acclaimed author of Unformed Landscape and In Strange Gardens On a day like any other, Andreas changes his life. When a routine doctor's visit leads to an unexpected prognosis, a great yearning takes hold of him--but who can tell if it is homesickness or wanderlust? Andreas leaves everything behind, sells his Paris apartment; cuts off all social ties; quits his teaching job; and waves goodbye to his days spent idly sitting in cafes--to look for a woman he once loved, half a lifetime ago. The monotony of days has been keeping him in check; now he hopes for a miracle and for a new beginning. Andreas' travels lead him back to the province of his youth, back to his hometown in Switzerland where he returns to familiar streets, where his brother still lives in their childhood home, and where Fabienne, a woman he was obsessed with in his youth, visits the same lake they once swam in together. Andreas, still consumed with longing for his lost love and blinded by the uncertainty of his future, is tormented by the question of what might have been if things had happened differently. Peter Stamm has been praised as a "stylistic ascetic" and his prose as "distinguished by lapidary expression, telegraphic terseness, and finely tuned sensitivity" (Bookforum). In On a Day Like This, Stamm's unobtrusive observational style allows us to journey with our antihero through his crises of banality, of living in his empty world, and the realization that life is finite--that one must live it, as long as that is possible. Praise for Unformed Landscape: "Sensitive and unnerving. . . . An uncommonly intimate work, one that will remind the reader of his or her own lived experience with a greater intensity than many of the books that are published right here at home." --The New Republic Online "If Albert Camus had lived in an age when people in remote Norwegian fishing villages had e-mail, he might have written a novel like this."--The New Yorker "Unformed Landscape has a refreshing purity, a lack of delusion, a lack of hype."--Los Angeles Times

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