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The Double Vision: Language and Meaning in Religion

di Northrop Frye

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The publication in 1982 of Northrop Frye's The Great Code: The Bible and Literature was a literary event of major significance. Frye took what he called 'a fresh and firsthand look' at the Bible and analysed it as a literary critic, exploring its relation to Western literature and its impact on the creative imagination. Through an examination of such key aspects of language as myth, metaphor, and rhetoric he conveyed to the reader the results of his own encounter with the Bible and his appreciation of its unified structure of narrative and imagery. Shortly before his death in January 1991, Frye characterized The Double Vision as 'something of a shorter and more accessible version' of The Great Code and its sequel, Words with Power. In simpler context and briefer compass, it elucidates and expands on the ideas and concepts introduced in those books. The 'double vision' of the title is a phrase borrowed from William Blake indicating that mere simple sense perception is not enough for reliable interpretation of the meaning of the world. In Frye's words: 'the conscious subject is not really perceiving until it recognizes itself as part of what it perceives.' In four very readable, engaging chapters, Frye contrasts the natural or physical vision of the world with the inward, spiritual one as each relates to language, space, time, history, and the concept of God. Throughout, he reiterates that the true literal sense of the Bible is metaphorical and that this conception of a metaphorical literal sense is not new, or even modern. He emphasizes the fact that the literary language of the Bible is not intended, like literature itself, simply to suspend judgement, but to convey a vision of spiritual life that contineus to transform and expand our own. Its myths become, as purely literary myths cannot, myths to live by. Its metaphors become, as purely literary metaphors cannot, metaphors to live in. The Double Vision originated in lectures delivered at Emmanuel College in the University of Toronto, the texts of which were revised and augmented. It will appeal to scholars, students, and general readers alike who enjoyed Frye's earlier works or who are interested in the Bible, literature, literary theory and criticism, and religion.… (altro)
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I've read enough Frye by now to feel that I understood little islands of this book, but I'm afraid the greater pattern was more than a bit lost on my ignorance. ( )
  judeprufrock | Jul 4, 2023 |
The subtitle of The Double Vision is misleading: it should have been Language and Meaning in Christianity (or perhaps in Biblical Religion, a phrase to which Frye resorts in its pages). He does advert briefly to Oriental "cults" imported into North America in the 20th century, and to the paganism of the ancient near east and Hellenistic antiquity, but only in order to frame his own religion. Considering the origins of the volume, such provincialism (not a word I expected to use of Frye!) is unsurprising; the original audience for this material were his fellow alumni of Emmanuel College, the theological faculty of Victoria University.

The four chapters were originally given as three lectures and a paper. The third chapter "The Double Vision of Time" is the best of the lot; I would be profoundly impressed to hear it given as a sermon. (Frye was an ordained minister of the Methodist-descended United Church of Canada, even if his only pulpit was in a university English department.) "The Double Vision of God" at the end is the worst. It is full of terribly wrongheaded historical claims, such as the one that the solar element only "enters Christendom with the 'Sun King' Louis XIV of France." (61) This badness is also unsurprising in light of Frye's own earlier emphasis on the distinction between Weltgeschichte and Heilgeschichte:

"That the literal basis of faith in Christianity is a mythical and metaphorical basis, not one founded on historical facts or logical propositions." (17)

Frye's strength is obviously in myth and metaphor, not history. The ambition of this book to make more accessible his earlier works on literary hermeneutics of the bible (The Great Code and Words with Power) is thus frustrated by his insistence on attempting to connect with the historical context of modern secular culture. There is considerable intellectual value in those earlier books from a critic who views the Bible "not as a source of doctrine but as a source of story and vision." (3) But in The Double Vision, he is snared in a paradox, coming too close to repeating the very procedure he derides: "Most Protestantism ... turned to history rather than metaphysics as an infrastructure for revelation." (69) What is lost in the process is what made the revelation sacred, and the history that results tends toward the valorization of ignorance.
2 vota paradoxosalpha | Jul 25, 2010 |
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The publication in 1982 of Northrop Frye's The Great Code: The Bible and Literature was a literary event of major significance. Frye took what he called 'a fresh and firsthand look' at the Bible and analysed it as a literary critic, exploring its relation to Western literature and its impact on the creative imagination. Through an examination of such key aspects of language as myth, metaphor, and rhetoric he conveyed to the reader the results of his own encounter with the Bible and his appreciation of its unified structure of narrative and imagery. Shortly before his death in January 1991, Frye characterized The Double Vision as 'something of a shorter and more accessible version' of The Great Code and its sequel, Words with Power. In simpler context and briefer compass, it elucidates and expands on the ideas and concepts introduced in those books. The 'double vision' of the title is a phrase borrowed from William Blake indicating that mere simple sense perception is not enough for reliable interpretation of the meaning of the world. In Frye's words: 'the conscious subject is not really perceiving until it recognizes itself as part of what it perceives.' In four very readable, engaging chapters, Frye contrasts the natural or physical vision of the world with the inward, spiritual one as each relates to language, space, time, history, and the concept of God. Throughout, he reiterates that the true literal sense of the Bible is metaphorical and that this conception of a metaphorical literal sense is not new, or even modern. He emphasizes the fact that the literary language of the Bible is not intended, like literature itself, simply to suspend judgement, but to convey a vision of spiritual life that contineus to transform and expand our own. Its myths become, as purely literary myths cannot, myths to live by. Its metaphors become, as purely literary metaphors cannot, metaphors to live in. The Double Vision originated in lectures delivered at Emmanuel College in the University of Toronto, the texts of which were revised and augmented. It will appeal to scholars, students, and general readers alike who enjoyed Frye's earlier works or who are interested in the Bible, literature, literary theory and criticism, and religion.

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