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Sto caricando le informazioni... Batman/Ra's al Ghul: Year Onedi Devin Grayson
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When Gotham Citys hospitals, homes and streets begin filling with the undead, the Dark Knight is the only one with a chance to discover the secret behind their continued animation. Ras al Ghul has left a world filled with miserable, self-aware, reanimated corpses for the Batman to face. In order to do so, he must follow Ras al Ghuls centuries of secret world travels! Non sono state trovate descrizioni di biblioteche |
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Google Books — Sto caricando le informazioni... GeneriSistema Decimale Melvil (DDC)741.5973The arts Graphic arts and decorative arts Drawing & drawings Cartoons, Caricatures, Comics Collections North American United States (General)Classificazione LCVotoMedia:
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The title of this graphic novel is slightly misleading in that I expected a story set in the past during Batman's first year of crimefighting. It IS set in the past, but begins centuries before Bruce Wayne was born, specifically - closer to the time of Ra's birth.
This story partly deals with the "Lazarus Pits" Ra's uses to recover from fatal wounds, and looks back in time to Ra's experiences in feudal Japan. There is also a contemporary story in which Batman struggles to cut off Ra's' access to the various Lazarus Pits around the world and without giving anything away I found that this reached a fairly satisfying conclusion.
However, aside from the story, the slick Paul Gulacy art is a major selling point of this graphic novel. Paul achieved popularity in the 1970's illustrating Marvel's "Shang-Chi: Master of Kung Fu" and has previously illustrated Batman in the "Batman:Prey" and "Batman Vs. Predator II" trade paperbacks. Some may find his illustrations too posed and unrealistic, but I find him one of those artists whose work is rewarding even if (as in this case) the author is one who's work I haven't sampled before. It's a joy to simply pick up this publication and enjoy the artwork on it's own merits. The feel of the feudal Japan sequence is noteworthy for being different to anything I recall seeing from Paul earlier, and the colorist deserves praise for the very pastel-hued pallette used here to good effect.
In conclusion: good story, above average artwork. ( )