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Sto caricando le informazioni... I geroglificidi Horapollo Niliacus
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Appartiene alle Collane EditorialiBollingen Series (23)
Written reputedly by an Egyptian magus, Horapollo Niliacus, in the fourth century C.E., The Hieroglyphics of Horapollo is an anthology of nearly two hundred "hieroglyphics," or allegorical emblems, said to have been used by the Pharaonic scribes in describing natural and moral aspects of the world. Translated into Greek in 1505, it informed much of Western iconography from the sixteenth through the nineteenth centuries. This work not only tells how various types of natural phenomena, emotions, virtues, philosophical concepts, and human character-types were symbolized, but also explains why, for example, the universe is represented by a serpent swallowing its tail, filial affection by a stork, education by the heavens dropping dew, and a horoscopist by a person eating an hourglass. In his introduction Boas explores the influence of The Hieroglyphics and the causes behind the rebirth of interest in symbolism in the sixteenth century. The illustrations to this edition were drawn by Albrecht Dürer on the verso pages of his copy of a Latin translation. Non sono state trovate descrizioni di biblioteche |
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Google Books — Sto caricando le informazioni... GeneriSistema Decimale Melvil (DDC)291.37Religions Other Religions Comparative Religion; Mythology (No Longer Used) Rites, Rituals, and Liturgies Labyrinths, Mandalas, and Symbolic MeditationClassificazione LCVotoMedia:
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Though a very large proportion of the statements seem absurd and cannot be accounted for by anything known in the latest and most fanciful usage, there is ample evidence in both books, in individual cases, that the tradition of the values of the hieroglyphic signs was not yet extinct in the days of their author.[1]
This approach of symbolic speculation about hieroglyphs (many of which were originally simple syllabic signs) was popular during Hellenism, whence the early Humanists, down to Athanasius Kircher, inherited the preconception of the hieroglyphs as a magical, symbolic, ideographic script. In 1556, the Italian humanist Pierio Valeriano Bolzani published a vast Hieroglyphica at Michael Isengrin's printing press in Basle, which was originally planned as an exegesis of Horapollo's. It was dedicated to Cosimo I de' Medici.
The second part of book II treats animal symbolism and allegory, essentially derived from Aristotle, Aelian, Pliny and Artemidorus, and are probably an addition by the Greek translator.
Editions by C. Leemans (1835) and A. T. Cory (1840) with English translation and notes; see also G. Rathgeber in Ersch and Gruber's Allgemeine Encyclopädie; H. Schafer, Zeitschrift für ägyptische Sprache (1905), p. 72.[1]