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The Devil of Great Island: Witchcraft and Conflict in Early New England

di Emerson W. Baker

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In 1682, ten years before the infamous Salem witch trials, the town of Great Island, New Hampshire, was plagued by mysterious events: strange, demonic noises; unexplainable movement of objects; and hundreds of stones that rained upon a local tavern and appeared at random inside its walls. Town residents blamed what they called "Lithobolia" or "the stone-throwing devil." In this lively account, Emerson Baker shows how witchcraft hysteria overtook one town and spawned copycat incidents elsewhere in New England, prefiguring the horrors of Salem. In the process, he illuminates a cross-section of colonial society and overturns many popular assumptions about witchcraft in the seventeenth century.… (altro)
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Jacket summary - A Fascinating Tale of Witchcraft in Colonial America. In The Devil of Great Island, Emerson W. Baker shows how fear and superstition overtook one town and spawned copycat incidents elsewhere in New England, prefiguring the horrors of Salem. He delves into Great Island's troubled history bringing to light the political intrigue, property disputes, and ethnic and religious tensions that allowed witchcraft hysteria to flourish. This lively account not only uncovers what really happened on Great Island, but also illuminates a cross-section of early American society and overturns many popular assumptions about witchcraft in the colonial era. ( )
  erpiepho | Jun 18, 2012 |
It's not often that Salem plays second fiddle in a book about New England witchcraft, but it does so in Emerson Baker's The Devil of Great Island (Palgrave Macmillan, 2007). Baker concentrates on a 1682 incident on the Maine frontier in which the Walton family's house and members were subjected to a relentless and damaging assault by flying stones, a phenomenon called lithobolia. These events, Baker argues, allow for a broader perspective on the role of witchcraft accusations in northern New England, and serve to highlight the diverse and contentious nature of the region during the late seventeenth century.

Drawing on previous work by John Demos, Carol Karlsen and Mary Beth Norton - among others - Baker manages to weave the lithobolia incidents into our understanding of how witchcraft accusations came to be used as the ultimate trump card in disputes over property, power or pulpits. Although it takes him quite a long time to get to it, I think in the end Baker makes a solid case for his suggested culprit (the nephew of the woman the Waltons accused of launching the 'supernatural' assault).

The strongest elements of this book are Baker's synthesis of the scholarship connecting witchcraft allegations to other longstanding disputes over various important issues, and his comparison of the 1682 stone-throwing to the events at Salem a decade later. He offers much interesting background materials on the demographics of northern New England, the tangled histories of New Hampshire and Maine and other subjects; unfortunately the digressions he makes from the main narrative to delve into these larger areas prove rather distracting.

I had a few additional quibbles with Baker's writing style, which incorporates a bit too much slang or informalities for my taste. However, for those interested in understanding New England witchcraft from a broader angle and with a different focal point than Salem, this book and its predecessors are certainly recommended.

http://philobiblos.blogspot.com/2007/12/book-review-devil-of-great-island.html ( )
  JBD1 | Dec 18, 2007 |
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In 1682, ten years before the infamous Salem witch trials, the town of Great Island, New Hampshire, was plagued by mysterious events: strange, demonic noises; unexplainable movement of objects; and hundreds of stones that rained upon a local tavern and appeared at random inside its walls. Town residents blamed what they called "Lithobolia" or "the stone-throwing devil." In this lively account, Emerson Baker shows how witchcraft hysteria overtook one town and spawned copycat incidents elsewhere in New England, prefiguring the horrors of Salem. In the process, he illuminates a cross-section of colonial society and overturns many popular assumptions about witchcraft in the seventeenth century.

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