Max Whitman is a moderately successful actor in present-day New York City. Cast member on a soap opera, he seems to have acquired a stalker who dresses exactly like his TV character. One day, the stalker is found dead in the middle of the street. Indications are that he was dropped from a great height.

In preparation for a big audition, Max agrees to spend some time in a sensory deprivation tank. His soul is taken to a place of tall buildings made of energy and hears voices talk to him like he is someone named Lord Redmark. Max also meets neon colored snakes in glass tubes, and harpies who look human, except for their wings of blue-black vinyl and mini-TV cameras for eyes. A door seems to have been opened between "here" and "there." Max starts talking like Lord Redmark, and, more than once, he is attacked, in midtown Manhattan, by these vinyl-winged harpies.

Quantum theory speculates about each physical body having an interrelated body made solely of subatomic particles, a "soul." Such bodiless beings do exist on their own, and they are called plasmagnomes. They are divided into two factions, one of which is ready to declare war on mankind. Man’s computers, cell phones and other electromagnetic generators are causing real problems in the plasma world. Antoinette, a friend of Max’s, does human-looking metal sculptures. More than once, he sees what looks like her sculptures coming to life. Max is taken deep beneath the streets of Manhattan, where he meets people who have turned into various beings. Their true, plasmagnome self has been awakened; Antoinette becomes one of them. To put it simply, reality is being turned upside down and pulled outside out.

John Shirley seems to make a habit of exploring parts of the human psyche that few other writers even wish to visit. In a way, this book is vintage John Shirley; very weird and very, very good. ( )