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Sto caricando le informazioni... Feast: A History of Grand Eating (originale 1972; edizione 2003)di Roy C. Strong
Informazioni sull'operaFeast: A History of Grand Eating di Roy Strong (1972)
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Iscriviti per consentire a LibraryThing di scoprire se ti piacerà questo libro. Attualmente non vi sono conversazioni su questo libro. Feast is akin to a dinner party on a Wednesday evening: it's nothing extravagant and it will not provide fodder for cocktail party conversations, but it's still better than eating at home. Strong's book analyzes the history of dining among the upper echelons of European societies from antiquity through the Edwardian period. It gives great attention to the effects of such innovations as forks and industrialization on dining trends, and maps those trends across time and regions. One drawback of this trend-following tactic is that it gives the work a disjointed feel. Strong's writing is also fairly dry and academic, which frequently led to my falling asleep. Minor criticism aside, it is a very informative book and an adept history. I would especially recommend it to anyone writing (or filming) period pieces. nessuna recensione | aggiungi una recensione
Toenails cut while dining, meals served to wax effigies of the dead, napkins concealing singing birds - these are just a few of the more exotic aspects of everyman at the table. From the stupendous banquets of the Ancient Babylonians, Feast covers five millennia of formal eating. Sharing a meal, in particular a grand one, has always been a complex social mechanism for uniting and dividing people. Such an event could signal peace, a marriage, a victory, a coronation or a funeral, to name but a few. The feast was a vehicle for display and ostentation, for flattering and influencing people as well as providing a theatre in which to exercise the art of conversation and the display of manners. Feast offers a fascinating and, at times, a highly unusual mirror of society as it evolves. It gathers together for the first time all the threads which contributed to the phenomenon of the celebratory meal: the people, the clothes, the food, the setting, the action and its surrounding circumstances, for in the consumption of food can be found the origins of every kind of theatre. Taking the reader from the elegancies of the Roman villa to the austerities of the monastic refectory, from the splend Non sono state trovate descrizioni di biblioteche |
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This is the basic gist I gleaned: feasts in Ancient Greece and Rome were men's affairs, very long and with live entertainment. As with everything else, feasts at the end of the Roman Empire had gotten really ridiculously opulent. The "barbarian hordes" that took down the Empire in the West brought in their own style of feasting, which focused on drinking. The food was no longer honey-drenched doormice stuffed with herbs, but instead simply prepared hunks of meat. In the medieval ages, nobles and the clergy often silently ate while others read to them (usually the Bible). By this time, people had discovered ancient texts and were recreating Roman tastes and obeying the idea of different foods being linked to different humors, which were in turn linked to health. By the Renaissance, the feasts got even more ridiculous (see my status updates for a few details, but suffice to say they involve models of churches made of meat and pastry, with stuffed birds standing in for a church choir, or flame bursting forth from mythical animals' mouths), and the point of the dishes was presentation, not taste. These luxurious feasts and displays continue, but with the rise of a middle class the upper class emphasized manners and taste over display in order to keep out the new rich. After WWI wasteful ostentation was cut back, and cut back further (at least in England) post WWII. And nowadays, few people eat dinner together, and host dinners at restaurants instead of within their own homes. ( )