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Writing Ancient History

di Neville Morley

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How do ancient historians pursue their craft? From the evidence of coins, pottery shards, remains of buildings, works of art, and, above all, literary texts--all of which have survived more or less accidentally from antiquity--they fashion works of history. But how exactly do they go about reconstructing and representing the past? How should history be written? These and related questions are the subject of Neville Morley's engaging introduction to the theory and philosophy of history. Intended for students and teachers not only of ancient history but of historiography, the philosophy of history, and classics, his book addresses the implications of debates over methodological and theoretical issues for the practice of ancient history. At the present time, Morley says, students of ancient history are left to come to their own understanding of the field through a process of trial and error. In his view, too many professors regard "questions of theory and methodology . . . as pointless distractions from the business of actually doing history. Worse, [these questions] may even be perceived as a threat to the subject." Asserting that more attention must be given to fundamental matters, Morley considers such topics as the nature of historical narrative, style in historical writing, the use and abuse of sources, and the reasons for studying history.… (altro)
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Delightful, deceptively simple discourse on why it matters how we express our thoughts when writing about history and how we interpret the thoughts of others. Morley examines how tenuous the assumed connections can be among ‘facts’ and illuminates the power and the problem of narrative structure; the form of the content is, in fact, a rhetorical choice. A great pointer to Hayden White’s work on historical text as literary artifact. Discussion includes the limits of defining history, challenges of how to evaluate different interpretations of the same presented evidence, language choices and what our views regarding history’s purpose says about us.

While the book may have been aimed at students and post-grads, its message should be internalized by anyone writing history (of any era) with a mixed audience in mind. On a fun note, Thucydides gives good challenge to Herodotus for the Father of History title — everyone’s a critic. ( )
  saschenka | Apr 21, 2023 |
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How do ancient historians pursue their craft? From the evidence of coins, pottery shards, remains of buildings, works of art, and, above all, literary texts--all of which have survived more or less accidentally from antiquity--they fashion works of history. But how exactly do they go about reconstructing and representing the past? How should history be written? These and related questions are the subject of Neville Morley's engaging introduction to the theory and philosophy of history. Intended for students and teachers not only of ancient history but of historiography, the philosophy of history, and classics, his book addresses the implications of debates over methodological and theoretical issues for the practice of ancient history. At the present time, Morley says, students of ancient history are left to come to their own understanding of the field through a process of trial and error. In his view, too many professors regard "questions of theory and methodology . . . as pointless distractions from the business of actually doing history. Worse, [these questions] may even be perceived as a threat to the subject." Asserting that more attention must be given to fundamental matters, Morley considers such topics as the nature of historical narrative, style in historical writing, the use and abuse of sources, and the reasons for studying history.

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