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The Hyacinth Girl: T.S. Eliot's Hidden Muse

di Lyndall Gordon

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"Winner of the Nobel Prize in Literature, T.S. Eliot was considered the greatest English-language poet of his generation. His poems The Waste Land and Four Quartets are classics of the modernist canon, while his essays influenced a school of literary criticism. Raised in St. Louis, shaped by his youth in Boston, he reinvented himself as an Englishman after converting to the Anglican Church. Like the authoritative yet restrained voice in his prose, he was the epitome of reserve. But there was another side to Eliot, as acclaimed biographer Lyndall Gordon reveals in her new biography, The Hyacinth Girl. While married twice, Eliot had an almost lifelong love for Emily Hale, an American drama teacher to whom he wrote extensive, illuminating, deeply personal letters. She was the source of "memory and desire" in The Waste Land. She was his hidden muse. That correspondence--some 1,131 letters--released by Princeton University's Firestone Library only in 2020--shows us in exquisite detail the hidden Eliot. Gordon plumbs the archive to recast Hale's role as the first and foremost woman of the poet's life, tracing the ways in which their ardor and his idealization of her figured in his art. For Eliot's relationships, as Gordon explains, were inextricable from his poetry, and Emily Hale was not the sole woman who entered his work. Gordon sheds new light on Eliot's first marriage to the flamboyant Vivienne; re-creates his relationship with Mary Trevelyan, a wartime woman of action; and finally, explores his marriage to the young Valerie Fletcher, whose devotion to Eliot and whose physical ease transformed him into a man "made for love." This stunning portrait of Eliot will compel not only a reassessment of the man--judgmental, duplicitous, intensely conflicted, and indubitably brilliant--but of the role of the choice women in his life and his writings. And at the center was Emily Hale in a love drama that Eliot conceived and the inspiration for the poetry he wrote that would last beyond their time. She was his "Hyacinth Girl"--Dust jacket flap.… (altro)
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I was a freshmen in college, prowling the library shelves, when I found the poetry of T. S. Eliot. His collected poems and plays sits, tattered and worn, on my shelf. I have the facsimile and transcript of the original manuscript of The Waste Land. But after reading The Hyacinth Girl, I feel like I need to go back and reread everything with this book in hand.

Over a thousand letters between the poet and Emily Hale, his muse for many years, were released to the public in 2020. What they reveal changes everything. Hale, along with Eliot’s first wife Vivienne, his relationship with Mary Trevelyan, and his second wife Valerie Fletcher, impacted his poetry in surprising ways. His plays drew upon his relationships, and the women recognized themselves in the characters.

These women loved Eliot. His treatment of Vivienne, Hale, and Mary show a side of the poet that is very disagreeable and reveals deep personality issues and existential conflict. He came to abhor his first wife and her demands. He claimed to love Hale while keeping distant; after embracing Anglicism, he adopted stringent ideas about divorce. His friendship with Trevelyan broke her heart; he claimed he was in love with Hale. And then, when Vivienne died, he pulled back from Hale and Mary, only to suddenly marry his secretary, Valerie, who was half his age. She had been infatuated with Eliot through his poetry before she worked for him. She had no demands. He was writing no more poetry. And she had a natural sexuality that brought him, late in life, sexual fulfillment.

Eliot clearly used Vivienne and Hale for poetic reasons. He said that Vivienne drove him crazy but she was good for his poetry, while he knew that being with Hale would ‘destroy’ it. He wasn’t looking for happiness. His extreme religious views enforced ideas that brought unhappiness.

What an eye-opening book. I almost wish I had not read it, for in ignorance I had a better opinion of Eliot the man.

I received a free egalley from the publisher though NetGalley. My review is fair and unbiased. ( )
  nancyadair | Oct 14, 2022 |
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"Winner of the Nobel Prize in Literature, T.S. Eliot was considered the greatest English-language poet of his generation. His poems The Waste Land and Four Quartets are classics of the modernist canon, while his essays influenced a school of literary criticism. Raised in St. Louis, shaped by his youth in Boston, he reinvented himself as an Englishman after converting to the Anglican Church. Like the authoritative yet restrained voice in his prose, he was the epitome of reserve. But there was another side to Eliot, as acclaimed biographer Lyndall Gordon reveals in her new biography, The Hyacinth Girl. While married twice, Eliot had an almost lifelong love for Emily Hale, an American drama teacher to whom he wrote extensive, illuminating, deeply personal letters. She was the source of "memory and desire" in The Waste Land. She was his hidden muse. That correspondence--some 1,131 letters--released by Princeton University's Firestone Library only in 2020--shows us in exquisite detail the hidden Eliot. Gordon plumbs the archive to recast Hale's role as the first and foremost woman of the poet's life, tracing the ways in which their ardor and his idealization of her figured in his art. For Eliot's relationships, as Gordon explains, were inextricable from his poetry, and Emily Hale was not the sole woman who entered his work. Gordon sheds new light on Eliot's first marriage to the flamboyant Vivienne; re-creates his relationship with Mary Trevelyan, a wartime woman of action; and finally, explores his marriage to the young Valerie Fletcher, whose devotion to Eliot and whose physical ease transformed him into a man "made for love." This stunning portrait of Eliot will compel not only a reassessment of the man--judgmental, duplicitous, intensely conflicted, and indubitably brilliant--but of the role of the choice women in his life and his writings. And at the center was Emily Hale in a love drama that Eliot conceived and the inspiration for the poetry he wrote that would last beyond their time. She was his "Hyacinth Girl"--Dust jacket flap.

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