Pagina principaleGruppiConversazioniAltroStatistiche
Cerca nel Sito
Questo sito utilizza i cookies per fornire i nostri servizi, per migliorare le prestazioni, per analisi, e (per gli utenti che accedono senza fare login) per la pubblicità. Usando LibraryThing confermi di aver letto e capito le nostre condizioni di servizio e la politica sulla privacy. Il tuo uso del sito e dei servizi è soggetto a tali politiche e condizioni.

Risultati da Google Ricerca Libri

Fai clic su di un'immagine per andare a Google Ricerca Libri.

Sto caricando le informazioni...
UtentiRecensioniPopolaritàMedia votiConversazioni
534493,886 (3.5)Nessuno
On his 59th birthday, Tyson Parks-a famous, but struggling, horror writer-receives an ornate antiquarian desk in the hopes it will rekindle his creative juices. Perhaps inspire him to write another best-selling book and prove his best years aren't behind him… As Tyson begins to use the new desk, he finds himself writing copy at an unfathomable speed, becomes so focused on writing that he binges on all-night, all-day sessions that take a serious physical and psychological toll. Soon, Tyson begins acting strange. Violent. Meanwhile, a mysterious woman, Diana Montresor, is making inquiries with her sources around the globe for the whereabouts of a certain artifact she, and her family, have been hunting for centuries. As forces converge on Tyson's world, he faces the hardest choice of his life: Does he let go of his new muse, allow it to be taken back to the void of history where it belongs? Or does he continue to live as the desk's mouthpiece, not only regaining his glory days as a famous writer, but achieving levels of success he's only dreamed of? As the desk-and the force that lives inside it-grows stronger, he must choose. Before it's too late. "A dark and delirious journey into the unraveling of a mind, Gothic is the accursed 21st century bastard child of the 70s horror boom and John Carpenter's In the Mouth of Madness. Deadly, compelling, and pulls no punches." - BRIAN EVENSON "GOTHIC is the literary equivalent of the abyss gazing right back at you from the hellish depths of its pages. Don't lean in too close, lest you fall into this nightmarish novel and never find your way out again." - CLAY MACLEOD CHAPMAN, author of Ghost Eaters "Stylish, atmospheric, and chilling, GOTHIC is an affectionate ode to the horror greats, and an effective reminder that Philip Fracassi is destined to become one of them. One of my favorite reads of the year so far."- KEALAN PATRICK BURKE, author of Kin and Sour Candy "Not since The Shining has the descent of a writer into madness been so masterfully rendered on the page." - ROSS JEFFERY, Bram Stoker-nominated author of Tome "A high creep factor chiller with a sinister edge that had me reading well past my bedtime. Frightening and fun, and deliciously original!" - JAMES A. MOORE, author of the Blood Red trilogy and Cherry Hill. "Fracassi takes the familiar traps-love, obsession, power-and gives them new teeth. It's dark fun twisted tightly around a story of human frailty...He's doing for the desk what King did for the car." - Jeff Terry, THE JEFF WORD "Downright chilling. I loved every word. Fracassi is coming into his own and I'm ready to follow him on any journey he takes." - GLENN ROLFE, author of August's Eyes. Philip Fracassi is the author of the award-winning story collection, Beneath a Pale Sky, which received a starred review from Library Journal, was named "Best Collection of the Year" by Rue Morgue Magazine, and was a finalist for the Bram Stoker award. His previous story collection, Behold the Void, was named "Best Collection of the Year" from both This Is Horror and Strange Aeons Magazine. His debut novel, Boys in the Valley, was published on Halloween 2021, by Earthling Press. His novels include Don't Let Them Get You Down (Zagava Press), A Child Alone with Strangers (Talos Press), Gothic (Cemetery Dance), and a global trade edition of Boys in the Valley (Tor Nightfire / Orbit UK). His short stories have been published in numerous magazines and anthologies, including Best Horror of the Year, Nightmare Magazine, Black Static, Dark Discoveries, Cemetery Dance, and others. Philip's books are translated into multiple languages and have been favorably reviewed in The New York Times, LOCUS Magazine, Rue Morgue and many other magazines, blogs and review sites. The New York Times called his work "terrifically scary." As a screenwriter, his feature films have been distribut… (altro)
Sto caricando le informazioni...

Iscriviti per consentire a LibraryThing di scoprire se ti piacerà questo libro.

Attualmente non vi sono conversazioni su questo libro.

Mostra 4 di 4
I hate doing this, because I as a reader have great respect for anyone who writes and puts it out there for the public, but in all honesty, I did not finish this book. I got more than halfway through and I just had to stop. The writing was slow and overindulent in areas it didn't need to be and the back story was out of place. The whole book (to this point) felt very disjointed. I was hoping for the best, but it doesn't quite do anything for me. I apologize to the author for this review. ( )
  Kerrazyscott | Nov 7, 2023 |
This review is actually causing me pain to write. Why? Because I think Philip Fracassi the person is just a fantastic, friendly, generous, and talented individual. And because I also think that Philip Fracassi the horror author is the best writer working in the horror field today. And no matter what my thoughts are on this particular release of his, I still firmly believe that.

And I'll say that, with the exception of A Child Alone with Strangers, I've read everything of Fracassi's up to this point, and I haven't just liked everything, I've completely adored and consumed it voraciously. He is, quite simply, a master of horror, as well as one of the best imaginative minds in print.

Which leads me to this book. Unfortunately, I simply did not enjoy it. Let's start with the reasons I didn't.

We immediately meet Travis Parks who seems to be extremely loosely modeled on Robert R. McCammon in that he was once a bestselling horror author who tried to switch to historical fiction and hasn't had a bestseller in decades. Of course, McCammon did something similar, but I'm guessing he's not in the dire straits that Parks is.

But this is the first thing that struck me about this novel. From the opening scene, where Parks is ogling an assistant's legs, etc., I was under the distinct impression we were supposed to not like Parks. Because he came across as both a bit creepy, and, once in with his agent, rather wimpy for a guy that had so much success earlier.

And the agent almost felt like a caricature. He was straight out of the Hollywood stereotype mold. While both characters eventually got a little more depth to them, it didn't feel like an auspicious start to the novel.

I'm reasonably sure that Fracassi was going for the late 70s/early 80s somewhat pulpy horror vibe here, and in some ways, he captured it well. It really does have a McCammon/Charles L. Grant vibe. But there's things that both those authors did extremely well, and things that they...didn't do so well. Unfortunately, Fracassi seemed to tap more into the latter.

The plot, while quite linear, felt somehow scattered. I think it was the backtracking to get the history of the desk, that was necessary, and the side trips to the rightful owner of the desk, which also was necessary.

I think the biggest issue, for me, was Travis. He went from unlikeable creepy wimp to...well, a far more unlikeable, far more creepy wimp with moments of clarity where we almost get to like him. Until he does the creepy again.

I guess my biggest issue is, this novel feels somewhat unfocused. There's a lot of lead up to the ending, but then there's a lot of fall out from that ending as well. It's just...weirdly paced.

So, before you get the idea that I hated this and thought it was all bad...I did not. There was a lot of interesting insight into the publishing industry, that I really enjoyed. And, more importantly—with this being a horror novel—I will say that Fracassi, when he focused on the menace of the desk itself?

Yeah, then he was just shining.

So, there were parts where Fracassi—the Fracassi I know and love—came through, and those words and pages are glorious.

For the rest, honestly, it didn't even really feel like a Fracassi novel. So, I guess where I'm at is, I'm going to put this down to a failed (to me) experiment. ( )
  TobinElliott | May 1, 2023 |
A masterful horror novel. This made me uncomfortable a number of times, something I haven't experienced for a while. The timing and way the evil would surface was really disquieting. This is not for the faint of heart, so if you don't like horror, don't read it. If you do like a good horror novel, don't pass this one by. ( )
  AngelaJMaher | Feb 11, 2023 |
It has been awhile since a horror book has disturbed me, so I was pleasantly surprised when Gothic by Philip Fracassi was able to do so.

I thought the pace of Gothic was well done. Sometimes an author seems to spend so much time trying to get the reader’s sense of doom amped up, that they don’t get to the actual horror part of the book until the last fourth (or even less) of the book. Fracassi was able to get to the disturbing bit pretty quickly (although I could have done with a bit less of the author in the book going over how old he’s gotten and how much of a disappointment he has become…), in part, because of the flashbacks that were incorporated to help tell the tale of the how the desk came to be.

There were quite a few nods to 80’s horror movies and writers, many of them towards Stephen King, which was fun. And the imagery of the desk coming alive was done really well. The slow descent into madness that was helped along by the spirit of the desk was very well written too. There was graphic violence towards a woman, but I thought it did add to the story, and if you are a horror reader, I don’t feel like it’s something that will shock you…

A very well written horror novel and I look forward to reading more of Philip Fracassi. ( )
  KimHeniadis | Jan 29, 2023 |
Mostra 4 di 4
nessuna recensione | aggiungi una recensione
Devi effettuare l'accesso per contribuire alle Informazioni generali.
Per maggiori spiegazioni, vedi la pagina di aiuto delle informazioni generali.
Titolo canonico
Dati dalle informazioni generali inglesi. Modifica per tradurlo nella tua lingua.
Titolo originale
Titoli alternativi
Data della prima edizione
Personaggi
Luoghi significativi
Eventi significativi
Film correlati
Epigrafe
Dedica
Incipit
Citazioni
Ultime parole
Nota di disambiguazione
Redattore editoriale
Elogi
Lingua originale
DDC/MDS Canonico
LCC canonico

Risorse esterne che parlano di questo libro

Wikipedia in inglese

Nessuno

On his 59th birthday, Tyson Parks-a famous, but struggling, horror writer-receives an ornate antiquarian desk in the hopes it will rekindle his creative juices. Perhaps inspire him to write another best-selling book and prove his best years aren't behind him… As Tyson begins to use the new desk, he finds himself writing copy at an unfathomable speed, becomes so focused on writing that he binges on all-night, all-day sessions that take a serious physical and psychological toll. Soon, Tyson begins acting strange. Violent. Meanwhile, a mysterious woman, Diana Montresor, is making inquiries with her sources around the globe for the whereabouts of a certain artifact she, and her family, have been hunting for centuries. As forces converge on Tyson's world, he faces the hardest choice of his life: Does he let go of his new muse, allow it to be taken back to the void of history where it belongs? Or does he continue to live as the desk's mouthpiece, not only regaining his glory days as a famous writer, but achieving levels of success he's only dreamed of? As the desk-and the force that lives inside it-grows stronger, he must choose. Before it's too late. "A dark and delirious journey into the unraveling of a mind, Gothic is the accursed 21st century bastard child of the 70s horror boom and John Carpenter's In the Mouth of Madness. Deadly, compelling, and pulls no punches." - BRIAN EVENSON "GOTHIC is the literary equivalent of the abyss gazing right back at you from the hellish depths of its pages. Don't lean in too close, lest you fall into this nightmarish novel and never find your way out again." - CLAY MACLEOD CHAPMAN, author of Ghost Eaters "Stylish, atmospheric, and chilling, GOTHIC is an affectionate ode to the horror greats, and an effective reminder that Philip Fracassi is destined to become one of them. One of my favorite reads of the year so far."- KEALAN PATRICK BURKE, author of Kin and Sour Candy "Not since The Shining has the descent of a writer into madness been so masterfully rendered on the page." - ROSS JEFFERY, Bram Stoker-nominated author of Tome "A high creep factor chiller with a sinister edge that had me reading well past my bedtime. Frightening and fun, and deliciously original!" - JAMES A. MOORE, author of the Blood Red trilogy and Cherry Hill. "Fracassi takes the familiar traps-love, obsession, power-and gives them new teeth. It's dark fun twisted tightly around a story of human frailty...He's doing for the desk what King did for the car." - Jeff Terry, THE JEFF WORD "Downright chilling. I loved every word. Fracassi is coming into his own and I'm ready to follow him on any journey he takes." - GLENN ROLFE, author of August's Eyes. Philip Fracassi is the author of the award-winning story collection, Beneath a Pale Sky, which received a starred review from Library Journal, was named "Best Collection of the Year" by Rue Morgue Magazine, and was a finalist for the Bram Stoker award. His previous story collection, Behold the Void, was named "Best Collection of the Year" from both This Is Horror and Strange Aeons Magazine. His debut novel, Boys in the Valley, was published on Halloween 2021, by Earthling Press. His novels include Don't Let Them Get You Down (Zagava Press), A Child Alone with Strangers (Talos Press), Gothic (Cemetery Dance), and a global trade edition of Boys in the Valley (Tor Nightfire / Orbit UK). His short stories have been published in numerous magazines and anthologies, including Best Horror of the Year, Nightmare Magazine, Black Static, Dark Discoveries, Cemetery Dance, and others. Philip's books are translated into multiple languages and have been favorably reviewed in The New York Times, LOCUS Magazine, Rue Morgue and many other magazines, blogs and review sites. The New York Times called his work "terrifically scary." As a screenwriter, his feature films have been distribut

Non sono state trovate descrizioni di biblioteche

Descrizione del libro
Riassunto haiku

Discussioni correnti

Nessuno

Copertine popolari

Link rapidi

Voto

Media: (3.5)
0.5
1 1
1.5
2 1
2.5
3 2
3.5
4 3
4.5 2
5 1

Sei tu?

Diventa un autore di LibraryThing.

 

A proposito di | Contatto | LibraryThing.com | Privacy/Condizioni d'uso | Guida/FAQ | Blog | Negozio | APIs | TinyCat | Biblioteche di personaggi celebri | Recensori in anteprima | Informazioni generali | 207,160,791 libri! | Barra superiore: Sempre visibile