5 Sterne, weil inhaltlich und formell sehr speziell. Handlung an sich nicht vorhanden, oder wirr. ( )

Ah, I forgot about how old czech men write women. I remember disliking it as a teen, but I think I was more tolerant, maybe because of the literature available to me at the time, maybe because I lived in that culture, maybe just because grown women were something outside of my identity. In any case I found it more noticeable and annoying here than in other works. I did quite like some moments, generally at the beginning: I feel Agnes' early misanthropy, I've felt this walking down the street. And her desire for solitude. And the screed against universal fame and watching, that's become more relevant than ever. But the long middle section about weird-ass gender relations really dragged it down. I still enjoy Kundera's writing and ideas, and I have no problem taking the good from this to prompt my own thoughts. ( )

A partir del gesto encantador de una mujer de cierta edad, el escritor crea el personaje de Agnes, alrededor de la cual aparecerán su hermana Laura, su marido Paul, y todo nuestro mundo contemporáneo en el que se rinde culto a la tecnología y la imagen. Pero ¿y si el hombre no fuera sino su imagen ?, pregunta otro personaje, Rubens, quien comprueba finalmente que de la más excitante de sus amantes sólo le quedan dos o tres fotografías mentales. Esta novela transforma todos los aspectos del mundo moderno en cuestiones metafísicas. Su forma es polifónica: las aventuras de los personajes imaginarios se mezclan con la historia de dos candidatos a la inmortalidad, Goethe y Bettina von Armin; la reflexión sobre el nacimiento del homo senti-mentalis en la historia de Europa alterna con las peripecias parisienses del singular profesor Avenarius, para quien el mundo de hoy no sirve sino como objeto de juego. Kundera tiene el don de decir del modo más cristalino lo que a uno le resulta más difícil decirse, y en esta novela alcanza la cima de esta facultad.

Not as emotionally involving as Unbearable Lightness, I still enjoyed Kundera's musings and his imaginitive approach to storytelling. He juggles a number of separate, related narratives, but the most interesting one involves the poet and philosopher, Goethe. I particularly enjoyed the dialogue between Goethe's ghost and Hemingway's ghost in heaven. Unfortunately, the purely fictional characters didn't grab me in the same way.

Ultimately, the characters and their stories weren't as compelling as the author's thoughts on a wide variety of subjects. While I didn't agree with a lot of the ideas he put forward, I wasn't put off by them, as much as they helped me reexamine my own beliefs. His ideas are very personal and reflect a unique personality. Though some have found him misogynistic, and I can understand why, I don't necessarily buy it (or hope that he's not). The philosophical wanderings were enough to make me enjoy reading it, I just wish the story had left me with more of an emotional impact. ( )

This is one of the strangest books I have ever read. The mix of quasi-biography (Goethe & Bettina Brentano von Arnim) with straight up fiction (maybe?), time-shifts from past to present, and ambiguity leading to multiple surprises. The novel basically serves as ta foundation and framing for Kundera's philosophical musings. ( )