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Sto caricando le informazioni... The House Without a Summerdi DeAnna Knippling
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Iscriviti per consentire a LibraryThing di scoprire se ti piacerà questo libro. Attualmente non vi sono conversazioni su questo libro. Questa recensione è stata scritta per gli Omaggi dei Membri di LibraryThing . This book has twist after twist and proved to be very hard to put down. I loved the Gothic and Lovecraftian feel. The story draws you ever deeper into the mystery and weirdness. This is the authors re-imagining of a historical event. I look forward to reading more of this author. Questa recensione è stata scritta per gli Omaggi dei Membri di LibraryThing . Description begins in the writer’s imagination, but should finish in the reader’s. – Stephen King, On Writing: A Memoir of the CraftThe House Without a Summer, by DeAnna Knippling is a Gothic horror tale with an environmental spin. The protagonist, a veteran of the Napoleonic wars gets leave from the military to come home to his family’s palatial estate upon the death of his brother. He also must deal with the growing insanity of his father. The subsequent plot is a tale of palace intrigue. The action is nested within a world being overtaken by a mysterious fungus and also being haunted by mysterious, humanoid beings. The plot is interesting and would be good material for a movie or TV score. Knippling writes in a richly descriptive manner with enthusiasm. In doing so, she breaks a cardinal rule of at least one great writer. She leaves little to the reader’s imagination. To borrow her own words, as I moved through the text “it felt as though each footstep [I] made, was made while wading through a syrup.” She overburdens the reader with adjectives, adverbs, and context generally. As a result, the pace of this horror novel slows to something more like the works of Nathaniel Hawthorne than those of Stephen King. nessuna recensione | aggiungi una recensione
The year is 1816, in Northamptonshire. A red, spiderwebbed haze covers the sun. Temperatures drop, fields flood and freeze, grain rots on the stem. The people are starving, and even the wealthy and titled are affected by shortages. Sickness spreads as a red fungus overtakes fields, seals over windows, and infiltrates cellars. On the way back from the Napoleonic Wars in France, Marcus, the younger son of the Earl of Penderbrook, returns to find his brother dead, the estate covered in fungus, and his father sinking into madness. The last thing Marcus wants to do is be responsible for Penderbook; he wants only to spend the rest of his life playing cards, drinking, and seducing other men's wives. But even the responsible life of an heir escapes from his grasp, as his brother's body disappears, his father turns violent, and pale monsters horrify the countryside. As Marcus pieces together the truth, he discovers a past more tainted with evil than he could have suspected. From the family wine cellar to the folly behind the house-from the pond where he played as a child to the new cotton mill built along the stream- None of what happens at Penderbrook is innocent. And the monstrosities that have been committed may still be carried in Marcus's blood? A tale of transformation and terror, set in the year Mary Shelley wrote Frankenstein. Non sono state trovate descrizioni di biblioteche |
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With that being said, the story does have a very Lovecraft vibe going on leaving me with a 'the real monster is always men/humans' message as my final thoughts.
The story takes place in 1816 with flash forwards to the late 1800's, and the dialogue and actions of the characters all draw you into that time period very well. I enjoyed the format, timeshifts, and POV shifts. They added to the unsettling nature of the tale.
I wrap up was a bit lackluster for me, or I guess didn't really work/wasn't foreshadowed well? But I did love the flash forwards, they really tied the whole story together well.
I received this book via Hidden Gems Books ( )